Contest Girl (1964) Poster

(1964)

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7/10
Nice watching
sandeepjoshi9-18 January 2007
I saw this film long back and liked it very much. This is an honest depiction about the ugliness behind beauty business. Late Ian Hendry is good and so is Janette Scott. The dark side of beauty business is vividly shown here, the middle class ambitions and its inability to take hard failure ultimately is wonderfully depicted here. Film also points a finger towards brutal journalistic trends which needs scapegoats or people who could be used as stories. It uses them and spits them away (like the case of leading lady of this picture). It is a wonder, why this film is not even heard of these days when so many fashion shows are taking place. This tells behind the scene truths about such beauty events and nothing much has changed.

It also has a shattering end that will move you to tears.

7 out of 10.
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6/10
Local Girl Makes Good
richardchatten15 September 2019
The British cinema had recently been cautiously dipping a toe in the salacious when veteran director Val Guest showcased former child star Janette Scott's transformation from an unspoiled young brunette into a glamorous swimsuited blonde in Eastmancolor & CinemaScope (with appropriately trashy music by Laurie Johnson) for this fascinating reminder of that long ago era when Britain was finally losing its inhibitions following the Lady Chatterly trial and the Profumo Scandal. (As well as of Ian Hendry as a dashing young blade before his drinking prematurely aged him.)

Miss Scott remains, however, an innocent abroad, and a more interesting film might have been one that concentrated upon the two seasoned contest regulars played by Jacqueline Jones & Jackie White we see earlier on to whom this is just a living; although that might have deprived us of the fantastic ending in which the impact is revealed that big sister's corruption has had upon her bright-eyed kid sister played by Janina Faye.
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5/10
Film from a Vanished Era
JamesHitchcock18 January 2017
Warning: Spoilers
While on holiday in Weston-Super-Mare, Shirley Freeman, a young typist from Bristol, enters a beauty contest. (Weston and Bristol are only about twenty miles apart, but in the sixties most people's annual holiday was a week- or, if they were lucky, a fortnight- in the nearest seaside to their home town). When she wins, she is persuaded by Don Mackenzie, a local journalist, to give up her previous career and become a full-time beauty contestant, even though this means offending her strict, puritanical father and breaking up with her wet-blanket boyfriend Harry. Don's motivation is to build her up into a local celebrity who will provide him with a supply of stories for his paper. Shirley goes on to win the prestigious "Miss Rose of England" competition (for which read "Miss United Kingdom"), thereby qualifying for "Miss Globe" (for which read "Miss World", although unlike the real Miss World contest, which at this period was always held in London in November, this one takes place in Cannes in summer- doubtless a more enticing prospect for cast and crew).

There is a curious sub-plot involving Rex Carrick, a handsome movie star whom Shirley meets in the course of her adventures. Although Rex is regarded as an irresistible heart-throb by young women, he remains uninterested in their advances, and although homosexuality is never expressly mentioned, there is a strong implication that he might be gay. (I wondered if his character was based upon Rock Hudson). He is not the only possibly gay character in the film; we are also introduced to Shirley's screamingly camp hair stylist.

The title "The Beauty Jungle" suggests that the film was intended as an exposé of beauty contests, which were highly popular in the sixties. (Nobody in Britain at the time used the Americanism "pageants"). The film-makers evidently felt that a film which simply celebrated a young woman's success as a beauty queen would be too bland and lacking in drama. As, however, the film was aimed the young male audience, and as its main selling-point to that audience was the sight of Janette Scott and other attractive young actresses in swimsuits, the film-makers must have realised that if they repeated the standard feminist "cattle market" criticism of beauty contests they would be opening themselves up to accusations of hypocrisy.

Their solution, therefore, was to make a film implying that beauty contests are corrupt, that the winners are picked for commercial reasons and that the contestants, even (or perhaps especially) the successful ones, do not derive any satisfaction or happiness from them. On the eve of "Miss Globe" Shirley sleeps with one of the organisers of the contest but still does not win, largely because the cosmetic company sponsoring the contest, wanting to expand their business in South America, have decided to rig the result in favour of Miss Peru.

There are two problems with these criticisms. The first is that they were not ones that anyone was actually making in the sixties. "Miss World" was certainly criticised by feminists, and also on the grounds of perceived racial bias; nearly all the winners in its early years were European or of European descent. It appears, however, to have been free of the sort of sexual and commercial corruption which this film purports to expose, if only because its organisers were well aware that any scandal might destroy the contest altogether. (They could sometimes err on the side of excessive puritanism; in 1975, for example, the title-holder was controversially stripped of her title when it was discovered that she was an unmarried mother).

The second problem is that although the film is supposed to be an exposé it deals with its subject-matter in a vague and uncertain way. It might have been more dramatically interesting had Don been developed into more of a controlling Svengali figure, but his role is a rather ambiguous one. He becomes Shirley's manager, but the two never become lovers, even after her split from Harry, although Don would certainly like them to be, and there is a suggestion that she is using him as much as he is using her. Janette Scott may have been attractive, but she gives a bland and uninteresting performance, and we never get much idea of what sort of person Shirley really is. When she sleeps with the contest organiser this comes as a complete surprise as there has been no previous indication that she might be a person who could behave in such a way.

"The Beauty Jungle" occasionally still turns up on British television, although it is looking very dated these days. (The colours in the print I saw were looking very faded; I don't know if any better prints exist). Beauty contests are still held in Britain, but nobody takes much notice of them; even the feminists no longer bother to protest against them. This is very much a film from a vanished era. 5/10
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6/10
The personal story is more interesting than the tales of the industry.
mark.waltz2 September 2023
Warning: Spoilers
Oh what a circus for sure, literally. Janette Scott is a nice British lass who changes greatly due to her entry in the jaded world of beauty pageants, spotted by journalist Ian Hendry while on a holiday at the beach. Soon she's dying her hair and collecting crowns, and hobnobbing with movie stars (Edmund Purdom), and becoming genuinely unhappy. She's only able to smile when the camera and lights on her, and still, that's not enough.

Filmed in a great set of pastel colors, this initially lighthearted drama gets more serious as it goes on, highlighted by the tacky circus setting that introduces beauty pageant contestants in the oddest of ways, ogled by clowns and pronouncing around to a rocked up song from "Carmen". This accurately reveals the audacious attitudes of the industry and how successful young women are exploited so wealthy businessmen can make more money off of them without regards to the welfare of the ladies they utilize like a piece of meat. Enjoyable but nothing really new.
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5/10
Grimly realistic exploration of the beauty industry
Leofwine_draca17 April 2017
Warning: Spoilers
THE BEAUTY JUNGLE is an interesting and atypical picture from Val Guest, best known as the director behind various science fiction hits, Hammer-produced and otherwise. It's an exploration of the world of modelling, following the misadventures of a pretty young woman who finds herself pursued by a slightly sleazy newspaper reporter with a view to transforming her into a top starlet.

The film is posited as a comedy but it's more of a quiet tragedy than a laugh riot. Indeed, it has more in common with the thriving 'kitchen sink' style of drama than the riotous CARRY ONs of the era, despite the presence of a Sid James cameo and various sea side trappings along with all the bikini-clad loveliness. Janette Scott and Ian Hendry are entirely convincing as the doomed would-be lovers, while the supporting cast of reliables includes an on-form Ronald Fraser alongside Edmund Purdom (back when he could still be cast as a matinée idol), Tommy Trinder, and former child starlet Janina Faye (of Hammer's Dracula). Things build to a suitably pessimistic climax that hinges on a nice and clever twist.
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5/10
over long and mostly dull
kidboots26 November 2007
When I was young I had a "Picture-Goers Annual of 1953" - in it there was an article about Janette Scott. No description was too good for this young star who had made such a splash a few years before in "No Place for Jennifer". Big things were expected of her.

She had a reasonable career - appearing as Susie Dean in the remake of "The Good Companions" (a role that was forever associated with Jessie Matthews) was not a good career move.

"The Beauty Jungle" was one of her last films - an expose of beauty pageants. Shirley Freeman is on holiday when she is spotted by a model agent (Ian Hendry). He convinces her to enter a "prettiest girl in the cinema" competition and she wins 5 pounds.

She goes back to her humdrum life but she misses the applause and recognition so she decides to pursue a beauty pageant career. After dyeing her hair blonde (which makes her look cheap - her natural brunette hair suited her better and made her look younger but not so glamorous) she wins a chance to compete in the Rose of England Beauty Pageant.

Edmond Purdon, looking even younger than he did in "The Student Prince" plays a matinée idol who turns Shirley's head in Monte Carlo.

Considering that parts of the film were shot on location in Monte Carlo, there was no advantage taken of the scenery. Most of the scenes were indoors.

Stirling Moss and Norman Hartnell (the Queen's dress designer) appeared in cameos as themselves, the gowns were by Christian Dior - it was a film in which no expense was spared.

The end result, though, was a very over-long and mostly dull film which at nearly 2 hours could have done with some heavy editing.
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5/10
Tries To Have Its Cake And Eat It
malcolmgsw17 August 2013
Warning: Spoilers
When this film was released beauty contests were very popular.Miss UK,Miss GB,Miss World and Miss Universe etc.This film initially sets out to expose the sleaze behind the glamour.Ian Hendry is a cynical journalist who plays Svengali to Janette Scott's Trilby.The problem is that rather like Dr Frankenstein having created a being he is unable to stop her going off on an eventual self destructive path.All well and good up to the point that Scott wins the Rose Of England contest.It seems as is the film looses interest in the sleaze and is seduced by the glamour.As a result the last three quarters of an hour pass very slowly and are rather boring.It is also rather difficult to accept the scene where Scott offers herself to Hendry who refuses because she doesn't love him.Rather out of character .The film is at least for its first hour an interesting view of a phenomenon which has now passed into social history.
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8/10
Great British Drama
I viewed this film in the 1990's and have always been interested in films which employ British locations. "The Beauty Jungle" uses it's locations to great effect. In particular, the West of England features prominently; Weston Super Mare and Bristol. Essentially the film is an expose on beauty contests and has excellent performances from the leading actors; Ian Hendry and Jannette Scott whom as Journalist/Promoter and Beauty Queen respectively give the film it's dramatic edge. Charting the rise of beauty contest hopeful Shirley Freeman (Jannette Scott) from pretty typist to glamour girl. The film was produced and directed by industry stalwart Val Guest and similar to his earlier works; "Hell is a City" (1959), "The Day the earth caught fire" (1961) and "80'000 Suspects" (1963) he keeps the tempo of the narrative moving at a rapid pace. Great soundtrack from Laurie Johnson and evocative of it's time the early 1960's. I also think the film still has a contemporary theme that of the transient status of 'Celebrity' which is clearly evident with the role of today's media.
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9/10
Val Guest Could Direct Anything
TheFearmakers23 March 2024
After nearly a decade of Hammer science-fiction, war and film noir... from QUATERMASS to HELL IS A CITY... director Val Guest returns to his comedy roots for THE BEAUTY JUNGLE aka CONTEST GIRL...

But that's only the breezy first-act when handsome journalist Ian Hendry meets the girl of his dreams in London typist Janette Scott, initially building her up as an underdog against experienced (and jaded) pros...

By the time this girl-next-door gets backed experience on the beauty contest circuit, the edgy drama that Guest had been adapted to really kicks in... as does palpable suspense, like each time the announcer reads off the losers before the winner, which happens throughout various lowbrow contests leading a high-stakes worldwide competition...

Although a bit too old, Ian Hendry possesses the right amount of energy as a wheeler-dealer predictably (and logically) smitten with Scott, whose beauty fluctuates from down-home to bombshell given the scene...

While her overall transition from an oblivious working girl to cunning beauty contestant truly underlines what's really an expose on what it takes to survive this kind of lifestyle... that only seems easy from the sidelines.
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