Where, oh where, can I find this film? I saw it long ago on TV--it was a tremendously moving, thoughtful, and painfully honest drama about race relations during the period it portrays. Beautifully acted and absolutely authentic in spirit. But it seems to have vanished forever.
11 Reviews
Extraordinary: A Rare Television Movie
merrywood28 July 2000
This is one of those amazing documents that seem to have been created directly by Providence, surely, everything came together here in a sad, funny, joyous, yet tragic film loaded with some of the most wonderful actors, dancers and singers we have ever seen on screens of any size.
We wonder, for example, what in the world happened to the talented Glynn Turman, who stars in this great piece of film art.
The other amazing thing is how this film, this wonderful production, so obviously made by experts in film art could have possibly disappeared. I have looked for it on video for a decade now and thus far have not seen it. Surely there is room also, for greatness in the market place. God knows we have enough junk available everywhere.
This film will bring shame to anyone who ever even had a fleeting thought of prejudice toward another human being because his or her complexion was a different tone. However, it does more than that. It entertains and while doing that, shows us the raw nature of pure courage.
We wonder, for example, what in the world happened to the talented Glynn Turman, who stars in this great piece of film art.
The other amazing thing is how this film, this wonderful production, so obviously made by experts in film art could have possibly disappeared. I have looked for it on video for a decade now and thus far have not seen it. Surely there is room also, for greatness in the market place. God knows we have enough junk available everywhere.
This film will bring shame to anyone who ever even had a fleeting thought of prejudice toward another human being because his or her complexion was a different tone. However, it does more than that. It entertains and while doing that, shows us the raw nature of pure courage.
Excellent drama about racial issues
mengel31 December 1998
It's too bad this TV movie has gotten lost and is unavailable on video--Maltin used to list it, and called it "outstanding". A touring minstrel company in the early part of the twentieth century is the focus; its experiences are used to dramatize the reality of racial relations in America; it resonates even today. It is honest, funny, and tragic. Somebody reissue it!
Why is this film unavailable to the public?
bterry-13 December 2003
For more than two decades, I have searched for my favorite movie, The Minstrel Man (1977), to be either televised or made available for purchase. An excellent performance was done by the cast of this film. This is a "heart-gripping" movie, that defines the inhumanity and positive evils of racism. This film exhibits Black Americans, as working, inventive, compassionate and creative human beings through horrific adversities, and yet they defy to totally release their integrity.
The Entertainment Industry has the audacity to act insulted by acusations like, "it is directly or indirectly at fault for creating and perpetuating monsters in the world". You are surely mentors of today's media. This is a small opportunity to right a big wrong.
I guess I answered my Summary?!
The Entertainment Industry has the audacity to act insulted by acusations like, "it is directly or indirectly at fault for creating and perpetuating monsters in the world". You are surely mentors of today's media. This is a small opportunity to right a big wrong.
I guess I answered my Summary?!
Gentlemen, stand up and take a bow!
F Gwynplaine MacIntyre18 August 2007
Warning: Spoilers
I watched a videotape of 'Minstrel Man' in the archives at the Museum of Television & Radio. This brilliant musical drama is not 'lost'; Viacom have the home-viewing rights, and it's a shame that they choose not to release 'Minstrel Man' on video or DVD. Viacom are probably concerned that this movie will be criticised as racist: in fact, 'Minstrel Man' is a thoughtful and intelligent film AGAINST racism.
We're aware that old-time white performers often 'blacked up' in burnt cork to portray caricatures of (to use the old term) Negroes. Few people today are aware that -- in the days of segregation -- black performers were ALSO required to wear blackface when performing for white audiences; most theatre managers refused to hire black acts that didn't look like ridiculous self-caricatures.
'Minstrel Man' is fiction but (mostly) sticks close to the historical record, featuring characters who are based on real people. The press kit for 'Minstrel Man' states that the fictional Rennie Brown seen here is meant to be a composite of several early ragtime composers.
In the late 19th and early 20th century, there was an entire genre of popular songs performed by white singers in blackface and by blacks who were willing to demean themselves. Sad to say, these tunes were known as 'coon songs', and some typical titles included 'Two New Coons in Town', 'Bon-Bon Bennie, the Chocolate Drop' and 'If the Man in the Moon Was a Coon'. The lyrics may be left to your imagination. I was faintly astounded that the lead actors in 'Minstrel Man' perform authentic excerpts from several of these notorious 'coon songs'. It's a brave gambit -- and very likely the single biggest reason why this TV movie has been kept in video limbo ever since -- but it's exactly the right decision, showing modern audiences precisely what sort of material black performers were required to offer to white audiences, if they wanted to work at all.
One detail which 'Minstrel Man' gets wrong: we see the Negro performers putting on their make-up, applying huge white rings around their eyes as well as whitening their lips. They also tie their nappy hair into weird clumps and horns, poking above their heads like the demented corn-rows of so many Topsies in 'Uncle Tom's Cabin'. I've seen at least a hundred African-American performers' photos from that period; the hair business seen here was very uncommon, and none of those performers whitened their eye sockets like the ones shown here. The blackface performers did, though, give themselves huge white lips of the type we now associate with Al Jolson.
Glynn Turman and Stanley Bennett Clay are cast as Harry and Rennie Brown, two African-American brothers with showbiz in their hearts but the misfortune to live in segregation days: shortly before World War One. I'm familiar with Glynn Turman's acting career, but Stanley Bennett Clay is a revelation to me: he gives a brilliant multi-toned performance here, so why hasn't he become better known?
Rennie (Clay) is resentful of the stereotyping which bigoted white audiences inflict on black performers. The more easy-going Harry (Turman) resents it too, but feels they have no option except to 'go along to get along'. Maybe if enough audiences like them, they can gradually make the audiences accept something more dignified. The Brown brothers' act struggles at first. Then the troupe is joined by Charlie Bates (a stand-out performance by Ted Ross), and things start to happen. Turman and Ross give excellent (and authentic) renditions of 'Two New Coons in Town' and other material from the period. The all-black minstrel troupe develops into a full-scale minstrel show, with Bones and Tambo as the end men, and Harry as interlocutor.
A tremendous asset of 'Minstrel Man' is the authentic period score ... although, again, it's probably those 'coon songs' which have kept this movie unavailable for home-video. The single biggest defect of this same TV movie is one modern ballad written by Fred Karlin for this production, sung by the character portrayed by Saundra Sharp. Somebody tried to slip this ringer in among the earlier compositions, but it's a dead giveaway: Sharp performs this ballad with all the modern pop-music tricks (melisma and swooping gospel flourishes) that audiences in the 1910s and 1920s would never have tolerated.
As the minstrel troupe become more successful, Rennie wants to uplift their material ... abandoning the blackface, and offering more sophisticated music. Rennie has been experimenting with a new syncopated rhythm: something called ragtime. Harry isn't sure if white audiences will like it. To give his brother a chance, Harry leads the troupe in one performance without the blackface, with the new music and without Bones and Tambo. The result is a disaster.
SPOILERS. Stanley Bennett Clay's brilliant performance becomes electrifying as Rennie starts to lose his sanity: an understandable plight for any black person in a segregated world. When Harry orders the troupe back into 'traditional' (blackface) mode, Rennie responds by showing up onstage in whiteface ... and telling a riddle about 'rednecks' which sounds faintly anachronistic.
There is tragedy here -- the last shot of Rennie is unforgettable -- but there is ultimately some triumph too, in a realistic ending with hope of better things ahead for blacks and for all Americans. I usually dislike the cliché of ending a movie with a freeze-frame, but the final shot here -- of Glynn Turman triumphantly performing a flying forward split, WITHOUT blackface -- is an absolute rouser.
The traditional opening line in a minstrel show (after the walk-around) was 'Gentlemen, be seated.' Instead, I'll say to the people who made this TV movie: 'Ladies and gentlemen, stand up and take a bow!' My rating for 'Minstrel Man': a perfect 10 out of 10. Now, let's lobby Viacom to release this for home viewing.
We're aware that old-time white performers often 'blacked up' in burnt cork to portray caricatures of (to use the old term) Negroes. Few people today are aware that -- in the days of segregation -- black performers were ALSO required to wear blackface when performing for white audiences; most theatre managers refused to hire black acts that didn't look like ridiculous self-caricatures.
'Minstrel Man' is fiction but (mostly) sticks close to the historical record, featuring characters who are based on real people. The press kit for 'Minstrel Man' states that the fictional Rennie Brown seen here is meant to be a composite of several early ragtime composers.
In the late 19th and early 20th century, there was an entire genre of popular songs performed by white singers in blackface and by blacks who were willing to demean themselves. Sad to say, these tunes were known as 'coon songs', and some typical titles included 'Two New Coons in Town', 'Bon-Bon Bennie, the Chocolate Drop' and 'If the Man in the Moon Was a Coon'. The lyrics may be left to your imagination. I was faintly astounded that the lead actors in 'Minstrel Man' perform authentic excerpts from several of these notorious 'coon songs'. It's a brave gambit -- and very likely the single biggest reason why this TV movie has been kept in video limbo ever since -- but it's exactly the right decision, showing modern audiences precisely what sort of material black performers were required to offer to white audiences, if they wanted to work at all.
One detail which 'Minstrel Man' gets wrong: we see the Negro performers putting on their make-up, applying huge white rings around their eyes as well as whitening their lips. They also tie their nappy hair into weird clumps and horns, poking above their heads like the demented corn-rows of so many Topsies in 'Uncle Tom's Cabin'. I've seen at least a hundred African-American performers' photos from that period; the hair business seen here was very uncommon, and none of those performers whitened their eye sockets like the ones shown here. The blackface performers did, though, give themselves huge white lips of the type we now associate with Al Jolson.
Glynn Turman and Stanley Bennett Clay are cast as Harry and Rennie Brown, two African-American brothers with showbiz in their hearts but the misfortune to live in segregation days: shortly before World War One. I'm familiar with Glynn Turman's acting career, but Stanley Bennett Clay is a revelation to me: he gives a brilliant multi-toned performance here, so why hasn't he become better known?
Rennie (Clay) is resentful of the stereotyping which bigoted white audiences inflict on black performers. The more easy-going Harry (Turman) resents it too, but feels they have no option except to 'go along to get along'. Maybe if enough audiences like them, they can gradually make the audiences accept something more dignified. The Brown brothers' act struggles at first. Then the troupe is joined by Charlie Bates (a stand-out performance by Ted Ross), and things start to happen. Turman and Ross give excellent (and authentic) renditions of 'Two New Coons in Town' and other material from the period. The all-black minstrel troupe develops into a full-scale minstrel show, with Bones and Tambo as the end men, and Harry as interlocutor.
A tremendous asset of 'Minstrel Man' is the authentic period score ... although, again, it's probably those 'coon songs' which have kept this movie unavailable for home-video. The single biggest defect of this same TV movie is one modern ballad written by Fred Karlin for this production, sung by the character portrayed by Saundra Sharp. Somebody tried to slip this ringer in among the earlier compositions, but it's a dead giveaway: Sharp performs this ballad with all the modern pop-music tricks (melisma and swooping gospel flourishes) that audiences in the 1910s and 1920s would never have tolerated.
As the minstrel troupe become more successful, Rennie wants to uplift their material ... abandoning the blackface, and offering more sophisticated music. Rennie has been experimenting with a new syncopated rhythm: something called ragtime. Harry isn't sure if white audiences will like it. To give his brother a chance, Harry leads the troupe in one performance without the blackface, with the new music and without Bones and Tambo. The result is a disaster.
SPOILERS. Stanley Bennett Clay's brilliant performance becomes electrifying as Rennie starts to lose his sanity: an understandable plight for any black person in a segregated world. When Harry orders the troupe back into 'traditional' (blackface) mode, Rennie responds by showing up onstage in whiteface ... and telling a riddle about 'rednecks' which sounds faintly anachronistic.
There is tragedy here -- the last shot of Rennie is unforgettable -- but there is ultimately some triumph too, in a realistic ending with hope of better things ahead for blacks and for all Americans. I usually dislike the cliché of ending a movie with a freeze-frame, but the final shot here -- of Glynn Turman triumphantly performing a flying forward split, WITHOUT blackface -- is an absolute rouser.
The traditional opening line in a minstrel show (after the walk-around) was 'Gentlemen, be seated.' Instead, I'll say to the people who made this TV movie: 'Ladies and gentlemen, stand up and take a bow!' My rating for 'Minstrel Man': a perfect 10 out of 10. Now, let's lobby Viacom to release this for home viewing.
I'm looking for the 1977 Minstrel Man Soundtrack or Score
karenrochester27 February 2022
Saw the Minstrel Man tv movie as an 8th grader in the 70s. At that time the plot introduced subjects I didn't quite understand at such a young age. Discussion ensued with my parents (northern black African-Americans born in the 1920s). They filled me in first hand about the horrific things they recalled about the Minstrel era and about the events their parents endured as musicians...but also instilled pride about the strength of those who resisted. 1 of my grandparents (born in the late 1800s was still living when the film was released and 2 others born around 1907 were also living). Somehow I found myself humming the theme music recently and decided to research. Learned the musical score was created by Fred Karlin, who won Emmys for the movie's music. However, I can not find any musical recording anywhere. Insane!! Any suggestions??
Now you can watch it
romero_vincent13 August 2019
An Inspiring film that is NOT "lost".
fenton-jay5 August 2007
I've read a number of comments here on the IMDb about the 1977 MINSTREL MAN being "lost". I'm unsure about Mr. Cosby's involvement, but I doubt he would try to suppress a film that has an undeniably positive view of African-Americans, especially with that extraordinary and uplifting ending.
The original producing company, Viacom (assuming they still hold the copyright) is still in existence and highly successful. Even if it has lost the copyright, I can guarantee you that this film does indeed exist and is not "lost". Why it hasn't been made available to the public via DVD is probably because few people know about it. It is after all thirty years old this year-----------and most people aren't interested in a film-----------let alone a TV film---------that is older than a year or so.
I agree with the posters who say this is one of televisions finest moments, and hopefully someday it will become available to all of you.
Jay Allan Fenton
The original producing company, Viacom (assuming they still hold the copyright) is still in existence and highly successful. Even if it has lost the copyright, I can guarantee you that this film does indeed exist and is not "lost". Why it hasn't been made available to the public via DVD is probably because few people know about it. It is after all thirty years old this year-----------and most people aren't interested in a film-----------let alone a TV film---------that is older than a year or so.
I agree with the posters who say this is one of televisions finest moments, and hopefully someday it will become available to all of you.
Jay Allan Fenton
Bittersweet music comes out of this ragtime.
mark.waltz19 April 2022
Warning: Spoilers
It's a shame that the entertainment industry had to focus on such hate in order to advance equal rights Bible through changes that came about with the end of slavery and the minstrel show. Black artists were forced to "cork up" to get work, and then went on stage, perpetuate stereotypes that have fortunately been eliminated from show business except when done in a historical context like this TV movie. Stanley Bennett Clay and Glynn Turman are brothers with different ceilings in regards to performing in minstrel shows, with one brother desperate to make a living while the other wants to break out of those negative stereotypes and move on to different areas of entertainment that are more dignified and realistic. This results in them being separated for years and when they are reunited, a spontaneous decision results in a lynching and a change of heart for the survivor.
A profound historical document that is disturbing but necessary, this has sensational period music done in a degrading way, but as a document of historical fact, it is an important film. Ted Ross ("The Wiz") has a major part as one of the members of the minstrel shows who helps advance their careers, if sustain the negative stereotypes that went along with this kind of show that continued to be done in the movies up until the 1950's. You can see the sadness in the eyes of the performers as they have to "cork up" which works for the performances they are giving as well. The positive aspect of the film is that it shows the hope of these people that they can do a little bit to pave the way for other civil rights advancements. On a positive note, the music of ragtime is blades a grisly here, and is a guaranteed toe-tapper in spite of the message that the writer wants to provide to its audience.
A profound historical document that is disturbing but necessary, this has sensational period music done in a degrading way, but as a document of historical fact, it is an important film. Ted Ross ("The Wiz") has a major part as one of the members of the minstrel shows who helps advance their careers, if sustain the negative stereotypes that went along with this kind of show that continued to be done in the movies up until the 1950's. You can see the sadness in the eyes of the performers as they have to "cork up" which works for the performances they are giving as well. The positive aspect of the film is that it shows the hope of these people that they can do a little bit to pave the way for other civil rights advancements. On a positive note, the music of ragtime is blades a grisly here, and is a guaranteed toe-tapper in spite of the message that the writer wants to provide to its audience.
While not politically correct, it is an important part of our culture and history.
planktonrules6 June 2023
I noticed that the reviews for "Minstrel Man" were all very positive but many complained that the film isn't available on video of DVD. Well, although some say it might be because of political correctness, the fact is many 1970s made for TV films never came out on cassettes or DVD. And so, when you see this film on YouTube, ignore the 'banned movie' slogan slapped on it...no one or government banned it. This isn't to say that folks would be eager to show the film...which is kind of sad.
Now as far as political correctness goes, I can see that some would automatically become offended about any film with the word 'minstrel' in the title. After all, minstrel shows usually featured white men in black-face doing parodies of blacks....and the parodies were often very unflattering. Now here's an odd but seldom talked about truth....some of the very famous minstrels were actually BLACK men pretending to be white men pretending to be black!! In other words, they took control of their culture and the debate! As such, it's an important part of our history...whether it offends us or not. Because of this alone, I recommend you see the movie.
The main reason I saw this movie is because it stars Glynn Turman....a sadly underrated actor. Yes, he did make a terrible film ("J. D.'s REVENGE" is just godawful and I'm sure he regrets having made it)....but he also has many amazing performances and I wish he got the recognition he deserves. He is brilliant in films such as "Men of Honor" and his TV parts ("The Paper Chase" and "Fargo") are mesmerizingly good. I'd love to one day tell him in person how much I appreciate his acting. And, not surprisingly, here in "Minstrel Man" he's on the top of his game.
The film is set in the post Civil War era in America. Sadly, a black man who performs as a minstrel dies of a heart attack...leaving his two young sons to try to continue the act in order to eat. One hopes to one day become a successful musical composer...the other wants to rise to the top in the white-dominated minstrel circuit. The film shows their successes, failures and struggles, as the country wasn't exactly welcoming towards black men at that time.
Overall, the film is a well made look at a mostly lost part of our heritage...for good or for bad....like "Roots" or "The Autobiography of Miss Jane Pittman" or "Bingo Long and His Traveling All-Stars". Well worth seeing.
Now as far as political correctness goes, I can see that some would automatically become offended about any film with the word 'minstrel' in the title. After all, minstrel shows usually featured white men in black-face doing parodies of blacks....and the parodies were often very unflattering. Now here's an odd but seldom talked about truth....some of the very famous minstrels were actually BLACK men pretending to be white men pretending to be black!! In other words, they took control of their culture and the debate! As such, it's an important part of our history...whether it offends us or not. Because of this alone, I recommend you see the movie.
The main reason I saw this movie is because it stars Glynn Turman....a sadly underrated actor. Yes, he did make a terrible film ("J. D.'s REVENGE" is just godawful and I'm sure he regrets having made it)....but he also has many amazing performances and I wish he got the recognition he deserves. He is brilliant in films such as "Men of Honor" and his TV parts ("The Paper Chase" and "Fargo") are mesmerizingly good. I'd love to one day tell him in person how much I appreciate his acting. And, not surprisingly, here in "Minstrel Man" he's on the top of his game.
The film is set in the post Civil War era in America. Sadly, a black man who performs as a minstrel dies of a heart attack...leaving his two young sons to try to continue the act in order to eat. One hopes to one day become a successful musical composer...the other wants to rise to the top in the white-dominated minstrel circuit. The film shows their successes, failures and struggles, as the country wasn't exactly welcoming towards black men at that time.
Overall, the film is a well made look at a mostly lost part of our heritage...for good or for bad....like "Roots" or "The Autobiography of Miss Jane Pittman" or "Bingo Long and His Traveling All-Stars". Well worth seeing.
The loss of "Minstrel Man" & other equally great films.
iwishirish-113 May 2006
I've heard that Bill Cosby has bought up many films that he considers to have cast a demeaning light upon many of our great African-American performers, such as old favorites like the TV "Amos & Andy" shows and other great African-American productions. Sadly, he is doing a great injustice to the people whom he is attempting to protect, as he is depriving them the recognition that they so richly deserve and at the same time depriving the viewing public its opportunity of viewing enjoyment, for which those productions were purposefully made. I fear that the 1977 TV movie, "Minstrel Man" has been confiscated into the collection of Mr.Cosby, much to the detrimental void he has created for the rest of us. If I am wrong - then to where has it disappeared?
Anonymous
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