"Broughton's poetic skills are often highlighted in the films; such is the case in one of his boldest efforts, Song of the Godbody (1977). Here a male body — no doubt the filmmaker's own, as it is featured in so much of his work — is shown in closeup, a kind of landscape of flesh that the camera lovingly surveys. Broughton's beatific words accompany this exploration: "This is my body, which speaks for itself
This is my body, which sings of itself." The comparisons to Whitman are inevitable and Broughton is in a real sense Whitman's heir, celebrating the male body and male bonding unabashedly, and going further than Whitman in ways made possible in part by Broughton's appearance in the world decades later. What Whitman said, Broughton can say and show." -- Gary Morris, in Bright Lights Film Journal.