A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
Darryl Revok is the most powerful of all the scanners, and is the head of the underground scanner movement for world domination. Scanners have great psychic power, strong enough to control minds; they can inflict enormous pain/damage on their victims. Doctor Paul Ruth finds a scanner that Revok hasn't, and converts him to their cause - to destroy the underground movement. Written by
Paul Reynolds <firstname.lastname@example.org>
David Cronenberg once called this the most frustrating film he'd ever made. The film was rushed through production - filming had to begin without a finished script and end within roughly two months so the financing would qualify as a tax write-off, forcing Cronenberg to write and shoot at the same time. Cronenberg also cited difficulty with and antagonism between the leads, particularly Patrick McGoohan and Jennifer O'Neill. See more »
Visible wires pulling an actor through a window during the computer lab explosion. See more »
A common aspect of most great films is that they take time to sink in. Into their audience and into culture. Upon seeing a good film an audience will often know whether they've liked it or not, but what they won't know is quite why. That is what takes time to sink in. As a film is thought about and even seen again once or twice does it become great. It is the basic test of time that all classics must pass in order to achieve that honored status. The term "instant-classic" has always been a marketing gimmick since if you can take in the whole of a film instantly it means that it didn't offer a lot and isn't as good as it could have been.
David Cronenberg's films are those films that you have to see more than once. Many people today don't get that that's where the fun of a good story is: it's not a quick fix of special effects, but rather something that grows on you. Even if you end up not liking the film, the thinking about it and possibly re-seeing it will tell you WHY. Today many people don't care to go that far and just settle on eye candy. Nothing is wrong with eye candy, but when your mother told you to eat your vegetables, she wasn't just talking about food.
"Scanners" is not just a great film that was ahead of its time when it came out, it is a great director's first conceptual masterpiece. Cronenberg showed much promise with his early works, but he was clearly on the learning curve. With "Scanners" he make use of bigger sets, more expansive special effects all while presenting a frightening aspect of ever developing computer technology in an interesting story. The kicker is that most of what the film presents is relevant in more ways than one to today's world. Maybe not quite word for word, but this film is quite prophetic and a science fiction classic. --- 9/10
Rated R for violence and gore. Ages 13+
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