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The Shining (1980)

 -  Horror  -  23 May 1980 (USA)
8.5
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Ratings: 8.5/10 from 422,496 users   Metascore: 61/100
Reviews: 1,212 user | 218 critic | 10 from Metacritic.com

A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.

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(novel), (screenplay), 1 more credit »
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Title: The Shining (1980)

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Cast

Cast overview, first billed only:
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Danny Lloyd ...
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Philip Stone ...
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Lia Beldam ...
Billie Gibson ...
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David Baxt ...
Forest Ranger #1
Manning Redwood ...
Forest Ranger #2
Lisa Burns ...
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Storyline

A man, his son and wife become the winter caretakers of an isolated hotel where Danny, the son, sees disturbing visions of the hotel's past using a telepathic gift known as "The Shining". The father, Jack Torrance, is underway in a writing project when he slowly slips into insanity as a result of cabin fever and former guests of the hotel's ghosts. After being convinced by a waiter's ghost to "correct" the family, Jack goes completely insane. The only thing that can save Danny and his mother is "The Shining". Written by ipreach4ever

Plot Summary | Plot Synopsis

Plot Keywords:

hotel | caretaker | winter | ghost | insanity | See more »

Taglines:

Stanley Kubrick's epic nightmare of horror See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

23 May 1980 (USA)  »

Also Known As:

The Shining  »

Filming Locations:

 »

Box Office

Budget:

$19,000,000 (estimated)

Gross:

SEK 6,140,088 (Sweden)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

(cut) | (cut) (European) | (original)

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Delbert Grady, the waiter/butler from 1921, spills Advocaat (a yellow liqueur) on Jack in the Gold Room, one of multiple instances where the color yellow gradually becomes more symbolically prevalent as the film moves closer to Jack's madness and the Overlook's resurrection. See more »

Goofs

The location in the film is supposed to be Colorado state in the USA. However, because the filming location was actually in England, all the TV sets that can be seen in the movie have the distinctive European styling, especially the big black border around the picture tubes, and don't look like American TV sets. See more »

Quotes

[first lines]
Jack Torrance: Hi, I've got an appointment with Mr. Ullman. My name is Jack Torrance.
See more »

Crazy Credits

The party music plays over the closing credits. After it ends, we hear the Overlook ghosts applaud. They then talk amongst themselves until their voices fade away. See more »

Connections

Spoofed in Bloodbath at the House of Death (1984) See more »

Soundtracks

Polymorphia
Music by Krzysztof Penderecki
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (uncredited)
Conducted by Krzysztof Penderecki (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Eeriness surpassed by class
24 November 2008 | by (Greece) – See all my reviews

Sometimes all good horror needs is a good idea. But sometimes, rarely indeed, a horror masterpiece will reach us by the hand of a Kubrick, with the adept, elusive touch of a great artist to guide the vision, and we know what separates it from all else.

Okay, the story has enough promise that even a hired gun would have to try to fail. Heck, even Stephen King himself didn't fare so bad. It's how Kubrick perceives King's universe however, how he fills the frame with it, that renders THE SHINING a feast for the senses.

Horror that will reach us through the mind and body alike, an assault as it were, tending eventually its pitch to a crescendo, yet curiously not without a delicate lull.

Kubrick's cinema is, as usually, a sight to behold. We get the adventurous camera that prowls through the lavish corridors of the Overlook Hotel like it is some kind of mystic labyrinth rife for exploration, linear tracking shots exposing impeccably decorated interiors in symmetric grandeur. The geometrical approach in how Kubrick perceives space reminds me very much of Japanese directors of some 10 years before. In that what is depicted in the frame, the elements of narrative, is borderline inconsequential to how they all balance and harmonize together.

Certain images stand out in this. The first shot of Jack's typewriter, ominously accompanied by the off-screen thumps of a ball, drums of doom that seem to emanate from the very walls or the typewriter itself, an instrument of doom in itself as is later shown. A red river flowing through the hotel's elevators in a poetry of slow motions. Jack hitting the door with the axe, the camera moving along with him, tracking the action as it happens, as though it's the camera piercing through the door and not the axe. The ultra fast zoom in the kid's face violently thrusting us inside his head before we see the two dead girls from his POV. And of course, the epochal bathroom scene.

Much has been said of Jack Nicholson's obtrusive overacting. His mad is not entirely successful, because, well, he's Jack Nicholson. The guy looks half-mad anyway. Playing mad turns him into an exaggerated caricature of himself. Shelley Duvall on the other hand is one of the most inspired casting choices Kubrick ever made. Coming from a streak of fantastic performances for Robert Altman in the seventies (3 WOMEN, THIEVES LIKE US, NASHVILLE), she brings to her character the right amounts of swanlike fragility and emotional distress. A delicate, detached thing thrown in with the mad.


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I don't fully understand this movie MuppetFan1997
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Was it ever explained knnthln0-556-861648
Which version do you prefer ? SimplyJones
WTF did I just watch Ammn
The Shining getting better with age the_burning89
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