A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
A vengeful British spy goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. agent, and left him for dead and murdered his bride after he helped capture him.
James Bond has one more mission. Bond returns from his travels in the USSR with a computer chip. This chip is capable of withstanding a nuclear electromagnetic pulse that would otherwise destroy a normal chip. The chip was created by Zorin Industries, and Bond heads off to investigate its owner, Max Zorin. Zorin may only seem like a innocent guilty man, but is really planning to set off an earthquake in San Andreas which will wipe out all of Silicon Valley. As well as Zorin, Bond must also tackle May Day and equally menacing companion of Zorin, whilst dragging Stacy Sutton along for the ride. Written by
In 1959, The "London Daily News" published an original Ian Fleming short story (conceived as a plot for an abandoned James Bond TV show) called "Murder Before Breakfast". Fleming felt the title did not capture the essence of the story and re-titled it "From A View To A Kill" when it was included in his "For Your Eyes Only" collection of five James Bond stories in 1960. Fleming found the inspiration for this new title from John Woodcock Grave's 1820 Cumberland Hunting Song, "D'Ye Ken John Peel". It read in part: "From the drag to the chase. From the chase to the view. From the view to a death in the morning..." Fleming adapted the third stanza for his short story title. See more »
In the Golden Gate Bridge scene, the boats consistently change position. First, a wake passes and a small boat is seen on the left most part of the screen for a split second. Two shots later, that same boat is seen entering from the right side. Moments later, a cargo ship is exiting the right side of the screen. Two shots later it is seen entering from the left side. See more »
A View To A Kill seems to get more than its fair share of criticism. Often it is labelled the weakest of the Bond entries, but I don't think this is particularly true. Personally, I don't even rate it as the poorest of Roger Moore's Bond outings, with Moonraker and The Man With the Golden Gun standing out in my memeory as less memorable escapades than this one.
It's Moore's final appearance as 007, and he is trying to prevent a psychotic business magnate, Max Zorin (Walken) from destroying Silicon Valley and cornering the world electronic market all for himself. To make matters worse, Zorin is not your average adversary, since he was born as the result of a Nazi doctor's scientific tamperings resulting in him being hyper-intelligent but also uncontrollably murderous. The mission takes Bond from Zorin's French chateau, to San Francisco, and ultimately to an abandoned mine close to Silicon Valley, where Zorin plans to detonate a bomb which will trigger a cataclysmic earthquake.
The set pieces are memorable, including a parachute pursuit from the Eiffel Tower, a fire engine chase around the hilly streets of San Francisco, and an airship crash on the Golden Gate bridge. Moore looks a bit old for the part, and his sexual humour bears a greater emphasis than usual of the "dirty old man" baggage. However, he still has an easy-going charisma and good comic timing. Walken makes for a good, supremely confident villain, and is well backed by the fearsome Grace Jones. However, Tanya Roberts might be a gorgeous looker, but her Bond girl character is whining and screaming so much in this film that she eventually wears out her welcome. The theme song from Duran Duran is rather too '80s, but the instrumental music by John Barry is stirring and dramatic.
I'm not sure what all the disappointment is about. A View To A Kill is an above average Bond flick with plenty to keep you entertained.
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