Directed by
William Fruet |
Writing Credits
Barney Cohen | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Grace Gilroy | ... | associate producer |
Marjorie Kalins | ... | coordinating producer |
Kenneth Kaufman | ... | executive producer |
Michael Lepiner | ... | producer (produced by) |
Music by
John Beal |
Cinematography by
John Lindley | ... | director of photography |
Editing by
Eric Albertson |
Production Design by
Reuben Freed |
Set Decoration by
Enrico Campana |
Costume Design by
Gina Kiellerman |
Makeup Department
Suzanne Benoit | ... | makeup artist |
Ivan Lynch | ... | hair stylist |
Charles Porlier | ... | special makeup effects artist |
Production Management
Robert Wertheimer | ... | production manager |
Second Unit Director or Assistant Director
Gordon Robinson | ... | first assistant director |
Kim H. Winther | ... | second assistant director |
Art Department
Jon Bankson | ... | construction manager |
Serge Bureau | ... | property master |
Joe Curtin | ... | chief carpenter |
Alicia Keywan | ... | assistant art director |
Nick Kosonic | ... | key scenic artist |
Sound Department
Sara Bolder | ... | assistant sound editor |
Jack Cooley | ... | re-recording mixer |
Bryan Day | ... | sound |
Harriet Fidlow | ... | adr editor: New York |
James Flatto | ... | apprentice sound editor |
Ron Kalish | ... | sound editor |
Michael LaCroix | ... | sound |
Bitty O'Sullivan-Smith | ... | sound editor |
Linda Shamest | ... | assistant sound editor |
Larry Singer | ... | adr editor: California |
Paul J. Zydel | ... | adr mixer |
Special Effects by
Gordon J. Smith | ... | special effects |
Visual Effects by
Frank C. Carere | ... | visual effects |
Moses Weitzman | ... | optical coordinator |
Stunts
Mario Bianchi | ... | stunts |
Garry Chessman | ... | stunts |
Joe Dodds | ... | stunts |
Debbie Kirby | ... | stunts |
Jo-Ann Riou | ... | stunts |
John Scott | ... | stunt coordinator / stunts |
T.J. Scott | ... | stunts |
Joyce Vold | ... | stunts |
Camera and Electrical Department
Scotty Allan | ... | gaffer |
Chris Berry | ... | assistant camera |
Carlo Campana | ... | key grip |
Ken Ferris | ... | camera operator |
Duane Gullison | ... | generator operator |
Rob McEwan | ... | still photographer |
Attila Szalay | ... | assistant camera |
Casting Department
Peg Halligan | ... | casting: Los Angeles |
Costume and Wardrobe Department
Trysha Bakker | ... | wardrobe |
Editorial Department
Tom Seid | ... | additional editor |
Alex Steyermark | ... | assistant editor |
Location Management
Marc Dassas | ... | location manager |
Music Department
John Beal | ... | conductor / orchestrator |
Jim Cypherd | ... | music engineer |
Steve Danforth | ... | music editor |
John Rosenberg | ... | orchestra contractor |
Doug Timm | ... | orchestrator |
Ken Topolsky | ... | music supervisor |
Script and Continuity Department
Tannis C. Baker | ... | continuity |
Transportation Department
David Chudnovsky | ... | transportation coordinator |
Additional Crew
Skip Chasey | ... | production assistant |
Marty Dejczak | ... | production assistant |
Prudence Emery | ... | publicist |
Ann Fitzgerald | ... | accountant |
Malcolm Gale | ... | choreographer |
Kenneth Hunter | ... | title designer |
Marty Kohne | ... | production assistant |
Susan Murdoch | ... | production coordinator |