City War (1988) User Reviews

Highly emotional Police action

[ChungMo · 6/10 · 16 August 2008]

The second to last film of Shaw director Sun Chung's career reunites him with his long time best actor Ti Lung. It's also Chung's only effort to work in the new style action cinema of late 1980's Hong Kong.

The film has many of the hallmarks of HK cinema of the late 1980's and early 1990's, frenetic action, over the top near hysterical acting, stunt men being throw over all sorts of hard objects, extreme pessimism with the system and a feeling that chaos and crime is just around the corner. Distrust of Mainland China is a repeated theme as the HK criminals smuggle in assassins from there. While the character of "Dick", played by Chow Yun Fat, behaves like a clown at times and many of the early scenes reflect that, the film is really about as downbeat as one can get. If the citizens of Hong Kong really felt that the system was as bad as portrayed here, it a wonder anyone stayed there before China took over.

As a film it certainly has the solid and stylish direction that Sun Chung put into all his work even with the lower budget he clearly had to work with here. The action scenes are generally well done, better than other films of the time, but the plot leaves a bit to be desired. A fascinating husband and wife assassination team is introduced at the beginning of the film only to be seen going back to China by train in the middle, never to return. Why bother introducing them at all if the heroes are never going to battle them?

Not bad if you like this genre, the actors are great, and the film isn't too long.

It was just one of those a dime a dozen movies...

[paul_haakonsen · 5/10 · 25 January 2021]

Oddly enough, then I hadn't heard about "City War" (aka "Yee dam hung seon") before now in 2021, as I had the chance to sit down to watch it. And with it being a Hong Kong movie that I hadn't already seen, of course I jumped at the chance to watch it.

And with it being watched now, I must admit that "City War" was a fairly typical movie in the Hong Kong action genre. Sure, if you are new to these movies, then "City War" will prove to be quite interesting. But if you are familiar with the genre and have seen more than your share of the movies, then chances are that you will find "City War" to be just another generic run-of-the-mill action movie that are found in great abundance in this period of the Hong Kong cinema.

For me, it was the somewhat stale storyline that was holding the movie back, because the action sequences in the movie were definitely good, and there was quite a bit of action throughout the course of the movie. But the storyline was just a bit too generic and mundane to properly entertain me. Now, don't get me wrong here, because "City War" is certainly a watchable movie, it just wasn't and outstanding movie.

The movie did have some good lead actors to portray the main characters, those being Yun-Fat Chow and Lung Ti.

Writers Lu Tung, Wai Ting Leung and Kai-Cheung Chung just seemed to put their money on the safe bet and go for something that everyone else was doing at that time in the Hong Kong action cinema. And that made for a somewhat mundane addition to the genre.

My rating of "City War" lands on a mediocre five out of ten stars. If you enjoy Yun-Fat Chow movies, then there are far better action movies with him in the lead role.

Slow to start, but the second half's great

[Leofwine_draca · 6/10 · 18 March 2021]

Sun Chung's penultimate film as director after a high point making some late-stage Shaw Brothers classics. This one's a contemporary cop thriller in which two cops go up against recently released former criminal Norman Chu, who doesn't take long to get up to his old tricks. Another Shaw veteran, Ti Lung, plays the middle-aged cop and family member with a volatile streak, while Chow Yun-fat is the cocky and lovable young guy that he always plays. The first half isn't really get, with too many dancing and silly comedy scenes even by Hong Kong standards, but the second half picks up with two impressive set-pieces: a home invasion attack that wows, and a bus terminal climax that delivers all the action you want.

Lots of vengeance and honor here

[action-6 · 18 June 2000]

City War is yet another Hong Kong-action flick with friendship, vengeance and honor as the main-ingredients. Chow Yun-Fat and Ti-Lung makes this a good movie, and its worth seeing if you like these films. But I would also like to mention that there are other far better Hong Kong-movies available like The Killer, Hard-Boiled and the A Better Tomorrow-series (chapter one and two).

City War is just another action flick from Hong-Kong, but it is viewable because Chow Yun-Fat is in it. 7,5/10

blood brothers

[chrichtonsworld · 6/10 · 18 March 2006]

A movie containing Chow Yan Fat en Ti lung cannot go wrong and it doesn't. The chemistry between them is wonderful. You will laugh with them and cry with them. This movie is more about their friendship. For fans who expect a movie like "A Better Tomorrow", do not worry because the exploding finale makes the movie worth watching. Forget about the plot,their is none.But the interactions between Chow Yan Fat and Ti Lung compensate that. Also there is not much style except for the action scenes. They are done superbly. Very surprisingly there is also a lot of humor and romance ,which shows the talent of Chow yan Fat. This movie can be described as an average heroic bloodshed title.

Violent and emotional.

[leighm · 8/10 · 23 August 1999]

Chow Yun-Fat and Ti Lung are a good team, and any film with these two actors in it has an automatic quality quotient. Without these two, City War would have been just another violent, blood-spattered look at the never ending-battle between good and evil as played out in the streets of Hong Kong.

Ti Lung plays Ken, a 20-year veteran cop with a temper who ten years ago shot not to kill but to capture a criminal named Ted (played with an astounding amount of malevolence by Norman Chu); Chow Yun-Fat as Dick Lee is a younger cop, a crack shot and skilled mediator who, though ten years less on the force, is his buddy's superior officer. When Ted gets out of prison the first thing he does (after an unsuccessful quasi-rape of his girlfriend) is go looking for the guy who sent him to prison. Hiring some Mainland baddies to do the dirty work, he plots his revenge but things go wrong and only Ken's wife and daughter are killed and his son seriously wounded.

Because of the way things happened leading to his son's injury, Ken blames his friend Dick for the mishap; Dick, in order to redeem himself in Ken's eyes, goes on a murderous rampage which sees bodies flying left and right.

The chemistry between Chow Yun-Fat and Ti Lung makes this film worth watching at least once. The final scenes in the bus terminal are violent enough for any HK action fan. For those sensitive to such things, there's a fair amount of violence involving women being beaten and shot and there is violence done to children in the storyline.

The character of Dick Lee is interesting, and there is a very erotic scene between Dick and his flame-of-the-moment in a discotheque. The real emotion though is reserved for the "until death do us part" relationship between Dick and Ken.

Rent it for the performances of the two leads. Just to see these two greats performing together is worth the time and money spent.

emotional openness

[winner55 · 8/10 · 16 June 2007]

while not a great film, of the first round of 'new wave' action films to come out of Hong Kong in the later 1980s, this has been the most imitated - not the films of Woo and Lam.

Probably the main reason for this is that the characters wear their emotions on their sleeves. When it's time to have fun, they do nothing but have fun, when it's time to cry, they cry rivers. And of course, when it's time to fight, they go at it with a fury rarely seen in action films - which of course makes this a very good action film, since such fury is really what action film fans want to see.

This emotional openness invites over-acting, and there are certainly moments of that here, especially from the usually more guarded Chow Yun-Fat. On the other hand, this is a perfect venue for Ti Lung, who was trained in the more histrionic method expected of all Shaw Bros. stars of the '70s; and Ti Lung's performance really makes this film believable, despite some rather twists in the relationships presented here (such as the odd respect everyone pays to the aging triad boss).

It's a tough, dramatic story, and the gun-fight at the end is among the best in Hong Kong action cinema. Certainly not a classic like "The Killer" or "City on Fire", but you won't go wrong watching this, even a couple times.

They're Baaaack!

[Ishallwearpurple · 7 September 2001]

Ti Lung as Ken and Chow Yun-Fat as Dick are back as policeman only this time, Dick is the calm negotiator and Ken the hot head, flying off the handle. These guys are such good actors that they make their characters believable. City War has the usual very bad guys and lots of guns and bloody battles. But it also has some music and domestic scenes with Ken's family - and Ken's wife fixing Dick up with a woman and the funny scene with the two of them getting acquainted.

The scene of Chow dancing with the villains girlfriend Penny (before he knows who she is), is one of the most erotic ever in one of his films. This guy can do anything - he is just amazing and each film shows another of his great portrayals.

This is not a must have but for true CYF fans, or Ti Lung, it is one to see at least once.

Brutal and melodramatic HK action classic

[dworldeater · 9/10 · 12 January 2013]

City War is a gritty, grim and hard hitting melodramatic action movie .Chow Yun Fat and Ti Lung team up again (this was released one year after A Better Tomorrow 2) for some more heroic bloodshed . Even though our protagonists are cops , I do consider this a heroic bloodshed film. Ti Lung is a tough , bad tempered cop named Kerosine Ken. Ken put away triad baddie Ted Yiue( played most vicious by Norman Chu) and now that he is out of prison is looking for revenge.CYF plays Ken 's buddy is a smooth talking hostage negotiator and ladies man.There is a little comedy early on but disappears as the film builds to its violent, nihilistic climax.As things rapidly go to hell CYF and Ti Lung go all out for revenge.Director Sun Chun did a fine job on this film . While in the same vein as John Woo's films, City War is much darker, gritty and gloomy in tone and style .With the incredible talent and chemistry of CYF and Ti Lung , City War really holds up well as an awesome work of heroic bloodshed.

This has more layers than any John Woo movie

[jjr-76474 · 8/10 · 4 August 2021]

It's 1988 and 1997 is looming... and even if it is never mentioned, the retrocession to China is everywhere in this movie.

It takes advantage of a vehicle for Chow Yun Fat, the John Woo generation of let's remember the glory of yesteryears codes of honor and pride, and Ti Lung, the Shaw brothers generation of clear cut manicheism and black and white morals, to generate a troubled twilight movie full of pathos and nihilism.

Hong Kong is drowning, the cops resent being on the losing side of a failing law and order, ambitions within a disintegrating power structure overtake integrity, even the OG coming out of a long jail sentence and falling to the ground to kiss it, fails to taste at first that this is not the country he had left behind. Westerners are basically rude tourists and smugglers trying to squeeze a quick butt or make a quick buck, the mainland is the source for violent unprincipled low life, and the heroes do not finish in a blaze of glory but rather in a haze of destruction and, ultimately jail.

Make no mistake this is a testosterone driven, hyper violent, bloody and full of bullet choreography. Chow Yun Fat, Ti Lung and Norman Chu you get plenty of that. But their actions more than honor driven are born from despair and pain.

One other way Sun Chung tells us times are at an end is through the treatment of women characters; they have a consistency rather rare in this genre of movies. Torn between her loyalty to her ganster former lover and her attraction to the cop with attitude, Penny is driven by actual tenderness and libido, not the usual fodder for abuse role devoted to young women in HK gangster genre. The wife of the older policeman is a pivotal presence of stability and family values, not the devoted house scrubbing table serving wound dressing servant too often portrayed in such films. And the fact that they both end up victims to the madness of men is a message from Sun Chung as to the loss of modernity he fears for Hong-Kong.

Sung Chu was born in Taiwan, this is is penultimate movie, in the early 90es he retired from directing, this is not a mindless action and pathos offering, it's a message and a farewell.