It’s almost June and that means Netflix is about to give their content a refresh. Some of the notable titles leaving in June include Rain Man, Taxi Driver, and Donnie Brasco. So if you haven’t seen some of these titles, plan your nights accordingly. We of course can look forward more than a few new titles including the premiere of the Wachowskis’ show Sense8, the new season of Orange is the New Black, Nightcrawler, and Jon Stewart’s film Rosewater.
Available June 1
Employee of the Month (2006)
Hidden Kingdoms (2014)
La Dictadura Perfecta (2014)
R.L. Stine’s Mostly Ghostly (2008)
R.L. Stine’s The Haunting Hour: Don’t Think About It (2007)
Sex Ed (2014)
Shaquille O’Neal Presents: All Star Comedy Jam: Live from Orlando (2012)
Shaquille O’Neal Presents: All Star Comedy Jam: Live From Atlanta (2013)
Shaquille O’Neal Presents: All Star Comedy Jam: Live from Las Vegas (2014)
The Aviator...
Available June 1
Employee of the Month (2006)
Hidden Kingdoms (2014)
La Dictadura Perfecta (2014)
R.L. Stine’s Mostly Ghostly (2008)
R.L. Stine’s The Haunting Hour: Don’t Think About It (2007)
Sex Ed (2014)
Shaquille O’Neal Presents: All Star Comedy Jam: Live from Orlando (2012)
Shaquille O’Neal Presents: All Star Comedy Jam: Live From Atlanta (2013)
Shaquille O’Neal Presents: All Star Comedy Jam: Live from Las Vegas (2014)
The Aviator...
- 5/22/2015
- by Graham McMorrow
- City of Films
Actor and director who brought dark good looks and a commanding presence to his roles
Austrian by birth, Swiss by circumstance and international by reputation, Maximilian Schell, who has died aged 83, was a distinguished actor, director, writer and producer. However, he will be best remembered as an actor, especially for his Oscar-winning performance in Stanley Kramer's Judgment at Nuremberg (1961) – an early highlight among scores of television and movie appearances. He also directed opera, worked tirelessly in the theatre and made six feature films, including Marlene (1984) - a tantalising portrait of Dietrich, his co-star in Judgment, who is heard being interviewed but not seen, except in movie extracts.
Schell courted controversy and much of his work, including The Pedestrian (1973), dealt with the second world war, its attendant crimes and the notion of collective guilt. In 1990, when he was offered a special award for his contributions to German film, he refused to accept it.
Austrian by birth, Swiss by circumstance and international by reputation, Maximilian Schell, who has died aged 83, was a distinguished actor, director, writer and producer. However, he will be best remembered as an actor, especially for his Oscar-winning performance in Stanley Kramer's Judgment at Nuremberg (1961) – an early highlight among scores of television and movie appearances. He also directed opera, worked tirelessly in the theatre and made six feature films, including Marlene (1984) - a tantalising portrait of Dietrich, his co-star in Judgment, who is heard being interviewed but not seen, except in movie extracts.
Schell courted controversy and much of his work, including The Pedestrian (1973), dealt with the second world war, its attendant crimes and the notion of collective guilt. In 1990, when he was offered a special award for his contributions to German film, he refused to accept it.
- 2/3/2014
- by Brian Baxter
- The Guardian - Film News
Titan Books has been publishing a number of Sherlock Holmes mash-ups, pitting the famous detective against The Phantom of the Opera and Jack the Ripper. The latest novel from Guy Adams has Sherlock investigating Dr. Moreau in Sherlock Holmes – The Army of Dr Moreau. The book will be released stateside on August 7th and we have an excerpt for you to read.
Synopsis: “Dead bodies are found on the streets of London with wounds that can only be explained as the work of ferocious creatures not native to the city.
Sherlock Holmes is visited by his brother, Mycroft, who is only too aware that the bodies are the calling card of Dr Moreau, a vivisectionist who was working for the British Government, following in the footsteps of Charles Darwin, before his experiments attracted negative attention and the work was halted. Mycroft believes that Moreau’s experiments continue and he charges...
Synopsis: “Dead bodies are found on the streets of London with wounds that can only be explained as the work of ferocious creatures not native to the city.
Sherlock Holmes is visited by his brother, Mycroft, who is only too aware that the bodies are the calling card of Dr Moreau, a vivisectionist who was working for the British Government, following in the footsteps of Charles Darwin, before his experiments attracted negative attention and the work was halted. Mycroft believes that Moreau’s experiments continue and he charges...
- 8/3/2012
- by Jonathan James
- DailyDead
Given man's unwavering fascination with woman, it's no surprise that the female star acts as the anchor to a dominant portion of horror pictures. I mean really, who wants to see a bare chested man tearin ass through the woods screaming at the top of his lungs while a bladed assailant nips at his heels? I don't - I know that much, although I'm certain there are plenty of men who would disagree (and that's okay with me, to each his own!). The simple fact remains however, women bring a unique appeal and certain sensual atmosphere to film that no man ever could. And it's not all about gratuitous T&A.
There's a comforting quality in the hands of the heroine; a fascinating maternal strength that, as a man I cannot genuinely relate to. I can however admire, and in many cases it's nearly impossible to not admire the lone...
There's a comforting quality in the hands of the heroine; a fascinating maternal strength that, as a man I cannot genuinely relate to. I can however admire, and in many cases it's nearly impossible to not admire the lone...
- 10/27/2009
- by no-reply@fangoria.com (Matt Molgaard)
- Fangoria
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