David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, ... See full summary »
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both... See full summary »
Michael "Jay" Cochran has just left the Navy after 12 years. He's not quite sure what he's going to do, except that he knows he wants a holiday. He decides to visit Tiburon Mendez, a ... See full summary »
Three-times MVP baseball player Bobby Rayburn joins the San Francisco Giants, and obsessive fan, whose profession is selling hunting knives, Gil Renard is excited over that. But Rayburn plays the worst season of his career and Renard tries to do everything to help him, but goes too far. Written by
The Worst Baseball Movie of All-Time? I don't know how anyone can say this with a straight face if they have also seen Major League.
It's true that the ending of this film is pretty bad, but when a film can do so much right for the first two hours that certainly makes it worthwhile, because the first two hours were truly entertaining. De Niro stole the show, he had to because this move was about "The Fan", but each character was played well.
Most of the criticisms I've seen are a case of people being way too picky. Wrong uniforms, wrong stadiums...I didn't even notice stuff like this and I am a baseball fan too. The film got a lot of the much more important stuff right, which is good performances from the actors and good, no great, character development and insight into these characters.
The film took us into deep the mind of the obsessed fan (De Niro) and that obsession grows in a logical fashion as the movie progresses. It was very easy to believe De Niro's obsession with Rayburn and the game of baseball, and the rationale for it, because of his unstable and violent nature which is often shown in his personal life. When things in the baseball world weren't going as he wanted them, it's not surprising to see him take action. His passion and intensity were on the front burner all movie long and made his character truly believeable and consistent.
The film takes us into the baseball player culture in the lockeroom, and into the workings of player and agent (which is what I really found interesting), as well as player and radio station personality. This is where the film truly excelled: the inner workings of the mind and the baseball player culture were believable and exceptionally well done. Nothing was made silly or outrageous, like in the aforementioned dud "Major League". Well, except for the ending perhaps, which is where this film loses 2 points.
My first De Niro movie, definitely not my last.
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