Showgirl Murders (1999) Poster

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3/10
Have You Ogled a Ford Lately?
NoDakTatum22 October 2023
Jessica (Maria Ford) is one bad chick. In the film's opening shot, she robs an overdosing drug dealer and hitches a ride to Hollywood to pull another scam. Jessica stops in at a bar run by dummy Mitch (Matt Preston) and his sauced wife Carolyn (D. S. Case). Mitch and Carolyn's bar is not doing well. Carolyn killed a kid in a car accident months before and drinks to try and forget it. Jessica asks for a job, is hired as a waitress, then dances on a table and suddenly Mitch and Carolyn are in the topless bar biz. Jessica's weird floor show brings in every booze hound in the L. A. area, and profits begin to grow. Jessica stashes some money away on the sly, and Carolyn resents Jessica's beauty and ability to remain sober. DEA agent Ridley (Bob McFarland) comes poking around, as does Joey (Kevin Alber), a scuzball from Jessica's past. Jessica and Mitch have relations on a pool table, and Jessica convinces him to kill Carolyn but Mitch cannot bring himself to off her. Jessica is not easily deterred, as more characters arrive for Jessica to try and take advantage of.

On the surface, "Showgirl Murders" is not as bad as the other fodder that has spewed forth from any company run by Roger Corman. It is well directed, well acted, and well edited. The unrated version is eighty-five minutes, so it is not too long, and having Ford take her clothes off every five minutes certainly kept this viewer awake. Once you start thinking about the film, however, its flaws are more than evident. Mitch is one of the dumbest characters in recent memory. Carolyn actually isn't too bad, but Mitch just goes along with the murder plan as if he were buying a carton of milk. Jessica is so obviously bad, there is no suspense behind her motives. Ridley the crooked cop, Mitch the idiot, Jessica the villain, Crank and Joey the secondary villains, Carolyn the angry drunk, just who is the audience supposed to root for? The "good man being led astray by the bad girl" is a storyline that has been done, and it doesn't help any subtlety to have Mitch and Carolyn's last name be "Goodman," and Jessica's is "Cross." With this line of thinking, Crank and Joey's last name should have been "Badguys," but no such luck. After Jessica arrives, the film follows a routine. There is a dialogue scene to move the story along, then Jessica dances a dance in the club, more dialogue, more dancing, dialogue, dance, etc. Ford choreographed her routines, but I mostly stared at a painful looking nipple ring she was sporting. The conclusion is something you see coming down your local street from a mile away, and suddenly this film is a loser. "Showgirl Murders" was a quickie made to cash in on the notorious "Showgirls." Save your clammy dollar bills for something more rewarding than this.
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8/10
A nice vehicle for 90's erotic thriller goddess Maria Ford
Woodyanders30 April 2014
Warning: Spoilers
Luscious and leggy, yet cunning and hence dangerous temptress Jessica Cross (the ever-foxy Maria Ford in peak deliciously devious and deceitful form) convinces struggling bar owner Mitch Goodman (a solid and likable performance by Matt Preston) to hire her. After saving Mitch's floundering business by coming up with a highly profitable strip act, Jessica seduces the poor sap and persuades Mitch to bump off his miserable alcoholic wife Carolyn (a perfectly bitchy portrayal by D.S. Case). Director Dave Payne, working from a dark and tawdry script by Christopher Wooden, relates the engrossingly seamy story at a snappy pace while also delivering oodles of tasty nudity and a few of steamy soft-core sex scenes. Naturally, Ford totally burns up the screen with several incredibly hot and creative striptease routines which she choreographed herself. Better still, both the gorgeously voluptuous Nikki Fritz and the delectably petite Jane Stowe strut their sizzling stuff on stage. The sound acting by the capable cast keeps this movie humming, with especially praiseworthy supporting contributions from Kevin Alber as no-count scuzzball Joey Watkins and Bob McFarland as pesky corrupt DEA agent Sam Ridley. Harry C. Box's sharp cinematography and the moody score by Eric & David Wurst are both up to speed. Recommended viewing for Maria Ford fans.
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6/10
Maria Ford shines!!
kyleallencole927 April 2020
Warning: Spoilers
Definitely watch this erotic drama for Maria Ford. She makes this whole movie as a cunning seductress along the lines of poison ivy. The strip scenes in this movie are the best and extremely well choreographed and erotic. A little murder mystery is mixed with eroticism and an overused plot. This one is pretty easy to figure out as well. Maria Ford enters a troubled married couples lives and turns it inside out. No real murder spree or strippers being killed off. The title is a little misleading.
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8/10
Better than Showgirls? You bet.
dexterslade3 January 2001
Yes this is another low budget New Horizons Home Video. However, this film does surpass Paul Vorhoeven's Showgirls on every level. Maria Ford's choreography puts Marguerite Derricks' choreography from Showgirls and even Striptease with Demi Moore to shame, and the film never makes the mistake of taking itself too seriously. Some better sound quality would have been helpful, yet one shouldn't expect anything spectacular from a New Horizons release. Ms. Ford also proves she has made improvements as an actress. Far better than her other films in which she has played a character working at a strip club (ex. the forgettable Stripteaser).
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6/10
I HEARD YOU WERE AN ASH MAN
nogodnomasters1 June 2019
Warning: Spoilers
This is a film that has more showgirls than murders.

In the first scene Jessica (Maria Ford) kills a man with cocaine and takes his money. Later she shows up at a bar needing work. She convinces Mitch (Matt Preston) to turn his bar into a strip club to the dismay of his wife (D.S. Case). Soon Jessica's past catches up to her, along with her desire to be top dog leads to a series of murders.

This wasn't a great film. It reminded me of the "Poison Ivy" films where a young girl manipulates an older man. There are plenty of stage scenes with dance acts, but overall the film was light on plot.

F-bomb, sex nudity (Maria Ford, Nikki Frite, Jane Stowe, Crescendo)
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