In his first attempt at a colour film, director Frantisek Vlácil transports us by means of a train journey to Czechoslovakia where we are met with the repercussions of World War Two. A love tale with peril written all over it; Komer exemplifies the misfortunes which war carries to the table and how in its attempt to reconstruct minor faults of the world, war can end up hindering and reproducing them further. But will the two unlikely protagonists beat the odds in an unhopeful world with a happy ever after?
In Adelheid, the well selected cast and Vlácil's fine directing skills have the ability to make the audience experience the same emotions they do - we feel the loneliness, the bouts of happiness and the relevant sensations at the end. A fine piece of cinema, especially for its time, and one which truly represents casualties of war. VMF
In Adelheid, the well selected cast and Vlácil's fine directing skills have the ability to make the audience experience the same emotions they do - we feel the loneliness, the bouts of happiness and the relevant sensations at the end. A fine piece of cinema, especially for its time, and one which truly represents casualties of war. VMF