I have to admit I checked out this movie solely because it was filmed locally and was curious how it turned out - what a pleasant surprise! I would describe this quiet, somewhat slow moving film as a bittersweet, and moving testament to the bonds of family. It is also eerily reminiscent of Redford's "Ordinary People" starring Keifer's dad, Donald Sutherland. The performances were A+. The interplay between father and son were especially moving and I couldn't help thinking( hypothetically of course)of Keifer's own personal issues with his own estranged father(especially since Keifer also directed this, as well as starred in it). Ideally this movie would of, I believe, have had a bigger audience as a movie of the week or say a Hallmark presentation. Too bad, as "Woman Wanted" is a likable film deserving of more recognition, or even possibly an Emmy nomination if it was. But be warned, this movie is quite slow...just stick with it, it'll be worth it.
20 Reviews
Something is still wanting
pderocco9 April 2002
Holly Hunter is skilful and charming as always, and Kiefer Sutherland is better than usual. Michael Moriarty is sufficiently different from his "Law and Order" role (the only thing from which I really know him) that I can see he's a capable actor, not just a TV character. But everyone's performance is perhaps a bit too unmodulated, with too constant a tone from start to finish. I also had trouble believing the sudden romance than blooms between Moriarty and Hunter. And the Billy Eckstine version of "Everything I Have Is Yours" that plays over the closing credits is such a clash with the flavor of the rest of the movie.
I found the ending a bit disturbing, though. I'm not giving anything away that's not already in the IMDB plot summary, but I couldn't help wondering how this odd family would make out, with a newborn that could belong either to Moriarty or Sutherland. Will they teach the child that Sutherland is the father and Moriarty as the grandfather, or that Sutherland is the half-brother and Moriarty is the father? Perhaps not a stressful as "my sister AND my daughter," but awkward nonetheless. Sounds not like the end of the story but the beginning of another one.
I found the ending a bit disturbing, though. I'm not giving anything away that's not already in the IMDB plot summary, but I couldn't help wondering how this odd family would make out, with a newborn that could belong either to Moriarty or Sutherland. Will they teach the child that Sutherland is the father and Moriarty as the grandfather, or that Sutherland is the half-brother and Moriarty is the father? Perhaps not a stressful as "my sister AND my daughter," but awkward nonetheless. Sounds not like the end of the story but the beginning of another one.
Everyone sees something different
airmailpilot15 September 2021
Warning: Spoilers
I liked the movie until the woman turned as evil as the son, that kind bond killing between father and son is irreversible. It also tries to "make it ok" when in real life such a reconciliation between could never happen not to mention causing a child to be raised that way without knowing if he had a father or grandfather or which is which.
Unique character study, flawed but fascinating
jessfink10 December 2000
This remarkably nuanced film directed by Kiefer Sutherland succeeds in many places. Handsomely and sensitively shot, it suggests many small films by more acclaimed directors, and is far more confident than any impression of Sutherland's work to date would make it reasonable to expect.
While working at a NYC-based talent agency, I had the pleasure of assisting the agent to Carrie Preston, who shines like a jewel in this movie. When the role was offered to Carrie, the film was already in production in Canada, and my boss was out of town, so I had to frenziedly get the script to Preston, work out the details of Carrie's deal with the agent covering in LA, and get her on a plane in the space of a few days.
I spent the better part of one Saturday copying the script. I took it home and read it, wondering what the hell could be worth all of the inconvenience...seeing the finished piece, nearly three years after it was filmed makes it all worthwhile...Preston's utterly spontaneous, natural, courageously unvain performance is a triumph for an actress who works steadily in the NY theater and gets far too few film roles. As Sutherland's girlfriend, she conveys a litany of emotion in a single glance, and nails her role as a young, haplessly confused and conflicted woman cold.
Sutherland triumphs in two ways; by sparing nothing in his unsympathetic portrayal of the sullen, withdrawn, unbearably moody Wendell Goddard while keeping the melodrama firmly in check. His directorial restraint and maturity keep his character's presence in the film to a minimum, and the film and his character are both better served by it.
Michael Moriarty delivers a lovely performance as Richard Goddard, the buttoned-up, widowed patriarch of a dysfunctional New England family, loving his son while having absolutely no idea who he is or what to do with him.
Emma Riley arrives, played flawlessly by Holly Hunter, as the "woman" desired in the title, to take charge of the large old house inhabited by the two men who barely know one another. Predictably, her charm and honesty pierce the veil of WASP coolness, and she brings warmth and intimacy back to the lives of the two closed men.
The charm and good intentions of this film are hard to deny. Love for the project shines like sunlight through every crack in the tightly written script, from the book of the same name. Earnest work from the four principals is satisfying, yet overall, the film feels slightly glib and trite once you are away from it for a few hours. I was enthralled while watching it, really relishing the chance to view some stellar work by some very good actors, and yet, something about it is predictable and slightly disappointing once some of the spell it wove about me wore off.
Overall, I think this is well worth finding on cable or in your video store. Richly written characters make some of the overly metaphoric shots worth enduring, and the dead-on performances are a rare pleasure indeed. A flawed tale of emotional development and the importance of love and communication. Very nice work.
While working at a NYC-based talent agency, I had the pleasure of assisting the agent to Carrie Preston, who shines like a jewel in this movie. When the role was offered to Carrie, the film was already in production in Canada, and my boss was out of town, so I had to frenziedly get the script to Preston, work out the details of Carrie's deal with the agent covering in LA, and get her on a plane in the space of a few days.
I spent the better part of one Saturday copying the script. I took it home and read it, wondering what the hell could be worth all of the inconvenience...seeing the finished piece, nearly three years after it was filmed makes it all worthwhile...Preston's utterly spontaneous, natural, courageously unvain performance is a triumph for an actress who works steadily in the NY theater and gets far too few film roles. As Sutherland's girlfriend, she conveys a litany of emotion in a single glance, and nails her role as a young, haplessly confused and conflicted woman cold.
Sutherland triumphs in two ways; by sparing nothing in his unsympathetic portrayal of the sullen, withdrawn, unbearably moody Wendell Goddard while keeping the melodrama firmly in check. His directorial restraint and maturity keep his character's presence in the film to a minimum, and the film and his character are both better served by it.
Michael Moriarty delivers a lovely performance as Richard Goddard, the buttoned-up, widowed patriarch of a dysfunctional New England family, loving his son while having absolutely no idea who he is or what to do with him.
Emma Riley arrives, played flawlessly by Holly Hunter, as the "woman" desired in the title, to take charge of the large old house inhabited by the two men who barely know one another. Predictably, her charm and honesty pierce the veil of WASP coolness, and she brings warmth and intimacy back to the lives of the two closed men.
The charm and good intentions of this film are hard to deny. Love for the project shines like sunlight through every crack in the tightly written script, from the book of the same name. Earnest work from the four principals is satisfying, yet overall, the film feels slightly glib and trite once you are away from it for a few hours. I was enthralled while watching it, really relishing the chance to view some stellar work by some very good actors, and yet, something about it is predictable and slightly disappointing once some of the spell it wove about me wore off.
Overall, I think this is well worth finding on cable or in your video store. Richly written characters make some of the overly metaphoric shots worth enduring, and the dead-on performances are a rare pleasure indeed. A flawed tale of emotional development and the importance of love and communication. Very nice work.
the most boring movie I saw until now
hans-3126 November 2000
In this movie everything is wrong. The script is to bad for words. Why the characters behave like they do is unclear. Everything comes out of the blue. Even the continuity people were bored making this movie. In scene one there is a band aid on Kiefer Sutherlands head, then it is gone, and some time later it is back. Michael Moriarty is giving the worst performance of his lifetime and even Holly Hunter is walking around wondering why on earth she bothered to come to the set of this film. My advise: show this movie on film school in first grade and let students write an essay about everything that is wrong.
Modest Film With Excellent Performances
lavatch28 March 2016
Warning: Spoilers
This made-for-television film from 1999 is a domestic drama that focuses on the father-son relationship in a dysfunctional family. The father, a distinguished physics professor, runs an add for a live-in cook and cleaner. But the job description also includes healing the wounds between the father and son.
Michael Moriarty, Kiefer Sutherland, and Holly Hunter are the three performers asked to tackle this challenging project. It turns out that both the father and son fall in love with the housekeeper. As the drama unfolds, there could be almost any possible outcome to this explosive situation. American playwright Eugene O'Neill wrote a brilliant play on the same subject entitled "Desire Under the Elms."
"Woman Wanted" is uneven and never reaches the level of intensity of O'Neill's play. The credibility is often strained, and there is even a lapse into comedy when the young man gets married and brings his bride home, only to ask his father to arrange an annulment! But the final thirty minutes of the film are compelling.
Sutherland's character evolves nicely, as does Hunter's all-too-human role of the housekeeper. There was good feeling in the performances, and although there were apparent disagreements about directorial choices, the film was shot effectively with smooth transitions and effective scoring.
This may not be a great film, but it is nonetheless a thoughtful one and well above average for made-for-television films.
Michael Moriarty, Kiefer Sutherland, and Holly Hunter are the three performers asked to tackle this challenging project. It turns out that both the father and son fall in love with the housekeeper. As the drama unfolds, there could be almost any possible outcome to this explosive situation. American playwright Eugene O'Neill wrote a brilliant play on the same subject entitled "Desire Under the Elms."
"Woman Wanted" is uneven and never reaches the level of intensity of O'Neill's play. The credibility is often strained, and there is even a lapse into comedy when the young man gets married and brings his bride home, only to ask his father to arrange an annulment! But the final thirty minutes of the film are compelling.
Sutherland's character evolves nicely, as does Hunter's all-too-human role of the housekeeper. There was good feeling in the performances, and although there were apparent disagreements about directorial choices, the film was shot effectively with smooth transitions and effective scoring.
This may not be a great film, but it is nonetheless a thoughtful one and well above average for made-for-television films.
Put to sleep for 24 hours ! (web)
leplatypus14 May 2016
Warning: Spoilers
This is the most soporific and stupid movie i have seen lately and it's a new stinker with Holly who didn't make a fine work since « the firm » ! For sure, as she plays a maid for a father and his son, you can guess at once what's the movie is about ! It's a sort of tradition that maids always fall in love for their rich and prestigious masters but i can't buy it ! I prefer to believe into their depraved habits when a son can indeed make love to his father girlfriend !! All this turpitude happens in a gloomy, austere mansion that stinks old ! This ridiculous family of crying men is badly played with Sutherland doing the adult poet kid in shorts (!) and with a poor nobody with zero talent as the father ! This one is in addition so tall that poor Holly break her neck to see him ! All along the movie, between doing chores and speaking around meals, she has nothing to do ! So it's a totally useless movie that doesn't worth any more comments !
The housekeeper
jotix10024 November 2006
Warning: Spoilers
Emma Riley, a young woman getting over a bad relationship, wants a change in her life. She decides to answer the ad for a housekeeper in New Haven. She will be working for professor Richard Goddard and his grown son, Wendell. Emma's arrival is like a ray of sunshine in this huge, but stuffy house, where the figure of the dead wife of the professor, looms large in the background.
Richard takes a liking to Emma, who answers him in kindness. It's clear to see he has fallen in love with her. Wendell, on the other hand, is a young man fighting his own demons. When Emma tries to be friendly to him, he rejects her. When Richard, who is clearly in love with Emma, proposes, she is happy to accept. Wendell, who has married his girlfriend Monica in a whim, finds out he made a big mistake.
Wendell, a sensitive man, writes poetry. He can't take any more rejections of his work. Emma intercedes to one of Richard's colleagues to see if he can help Wendell. When two of his poems are accepted, Wendell, who has also liked Emma, much more than he lets it be known, finally can't help but showing her how he feels about it.
Richard confesses to Emma the reason for the estrangement between him and his son. It goes back when he had his wife committed to a sanatorium and her subsequent death. Since he couldn't deal with the situation, he fled to New York to the arms of his mistress, leaving behind a desolate Wendell. Emma, who can't take more of the tension in the Goddard's home, decides to leave. She prays that she becomes pregnant. We finally see Emma at her own house with a small child and the last frame in the film shows Wendell and Richard and this baby between them.
Kiefer Sutherland shows he has what it takes for being a good director. He is one of the best actors around, so directing could be something he could do well, as he shows here. Evidently, this production must have had problems as it shows another man as the director, but it must have been the studio's doing to try to change Mr. Sutherland's work to whatever they thought it should have been.
The principal flaw in the movie is the screen treatment. Not having read Joanna McClelland Glass' novel, one can't make an assumption of where it went wrong. Perhaps inexperience played a part in the end product. The film has the feeling of a Gothic novel set in the last century, and not in the present time.
The three principals do excellent work. Holly Hunter makes Emma appear more luminous than in the written page. She is an actress that can't do a false movement. Michael Moriarty had a great career in the theater and films before concentrating on television. He makes an excellent character study of this cold man who suddenly sees salvation when he falls in love with the house keeper. Kiefer Sutherland's role is not fully developed. His character is the more uneven of the three leads, but he has great moments in which he shows what he really can do.
Richard takes a liking to Emma, who answers him in kindness. It's clear to see he has fallen in love with her. Wendell, on the other hand, is a young man fighting his own demons. When Emma tries to be friendly to him, he rejects her. When Richard, who is clearly in love with Emma, proposes, she is happy to accept. Wendell, who has married his girlfriend Monica in a whim, finds out he made a big mistake.
Wendell, a sensitive man, writes poetry. He can't take any more rejections of his work. Emma intercedes to one of Richard's colleagues to see if he can help Wendell. When two of his poems are accepted, Wendell, who has also liked Emma, much more than he lets it be known, finally can't help but showing her how he feels about it.
Richard confesses to Emma the reason for the estrangement between him and his son. It goes back when he had his wife committed to a sanatorium and her subsequent death. Since he couldn't deal with the situation, he fled to New York to the arms of his mistress, leaving behind a desolate Wendell. Emma, who can't take more of the tension in the Goddard's home, decides to leave. She prays that she becomes pregnant. We finally see Emma at her own house with a small child and the last frame in the film shows Wendell and Richard and this baby between them.
Kiefer Sutherland shows he has what it takes for being a good director. He is one of the best actors around, so directing could be something he could do well, as he shows here. Evidently, this production must have had problems as it shows another man as the director, but it must have been the studio's doing to try to change Mr. Sutherland's work to whatever they thought it should have been.
The principal flaw in the movie is the screen treatment. Not having read Joanna McClelland Glass' novel, one can't make an assumption of where it went wrong. Perhaps inexperience played a part in the end product. The film has the feeling of a Gothic novel set in the last century, and not in the present time.
The three principals do excellent work. Holly Hunter makes Emma appear more luminous than in the written page. She is an actress that can't do a false movement. Michael Moriarty had a great career in the theater and films before concentrating on television. He makes an excellent character study of this cold man who suddenly sees salvation when he falls in love with the house keeper. Kiefer Sutherland's role is not fully developed. His character is the more uneven of the three leads, but he has great moments in which he shows what he really can do.
An excellent character-driven slow drama.
=G=12 June 2001
"Woman Wanted" tells of a domestic (Hunter) who is accepted for employment in a household consisting of a father (Moriarty) and son (Sutherland) who have deep, long held issues. With her infectious smile and delicately assertive presence, Hunter increases the wattage in the household lights and the men's hearts. Critically slammed, this character study film will likely find its narrow audience among those who can identify with the principles..the brittle, temperamental poet and the professorial elder intellectual. Hunter is always good but, IMHO, Moriarty stole this show.
Change of Director
karenmcb5718 January 2007
This move was a project of Kiefer's that he really believed in. Then the editors got a hold of it and butchered it quite badly. Kiefer pulled his name from the credits and that is why you see Smithee's name as director. His mother, Shirley Douglas, is listed very high in the opening credits, but in the cut version, you never see her. The author also has a small part and it was also cut. I have to agree with the previous comment that the DVD, and the version you see on the television now, is the cut version. I also notice there is a very large discrepancy of pricing in the VHS versions. I am myself looking for the uncut version, as I have not yet seen it. I am a huge Kiefer fan, and have talked to him personally about this film. Over the years he has allowed his name back on the credits, but still feels bad over what happened
A superb performance from Hunter highlights this gem of amovie
Rob-21029 August 1999
It is a complete mystery why this gem of a movie has apparently failed to find a theatrical release and been shown first on cable TV. " Woman Wanted " has a strong cast and demonstrates again that Holly Hunter is one of the most gifted actresses around today. Coming on top of her wonderful performance in " Living Out Loud " and a great turn on stage in the off-broadway play " Impossible Marriage " it is a delight in this movie to see her combining wistful emotion with a fierce self-confidence that really makes you care what happens to the enigmatic character of Emma Riley. Emma is the " Woman Wanted " hired as a housekeeper by the Goddard father and son strongly played by Michael Moriarty and Kiefer Sutherland (who also directs the movie) and the way Hunter plays the role evokes memories of characters from earlier movies such as Miss Firecracker, Always and Once Around. She somehow manages to look a dead ringer for Carnelle in Miss Firecracker, even though that movie is over 10 years old, and totally different from the Judith the 40 something New Yorker in Living Out Loud. Perhaps this is the true meaure of a great actor.
" Woman Wanted " comes over a shade or two darker than the excellent book by Joanna McClelland Glass (who also wrote the screenplay) which is a shame as the movie could have done with some of the book's lighter moments to offset a sombre mood . But take nothing away from the main performers who have a good chemistry - especially Sutherland and Hunter - and the line from Sutherland about the emergency room being a good substitute for family is a classic.
Above all, though, I shall remember " Woman Wanted " for the emotional power of Hunter's performance as Emma Riley and to borrow Spielberg's words she is a true " architect of character. "
" Woman Wanted " comes over a shade or two darker than the excellent book by Joanna McClelland Glass (who also wrote the screenplay) which is a shame as the movie could have done with some of the book's lighter moments to offset a sombre mood . But take nothing away from the main performers who have a good chemistry - especially Sutherland and Hunter - and the line from Sutherland about the emergency room being a good substitute for family is a classic.
Above all, though, I shall remember " Woman Wanted " for the emotional power of Hunter's performance as Emma Riley and to borrow Spielberg's words she is a true " architect of character. "
Convincing portrayal of a dysfunctional relationship between father and son.
kkbaizan25 October 2000
Convincing portrayal of a dysfunctional relationship between father and son. Kiefer Sutherland plays the son Wendell Goddard who harbors a grudge against his father Richard Goddard played by Michael Moriarty for committing his mother to a mental institution before she died with an excellent performance by Holly Hunter as Emma, the housemaid who is hired to maintain the Goddard home. I personally love Kiefer's directorial way of capturing the sensuality in the characters and the environment around them in this captivating movie.
Poorly paced
gedhead16 May 2003
I was pretty surprised to find this in the video store as it seemed like it might be an obscure film. I read Kiefer Sutherland has since removed his name from the director credits, replaced by infamous Alan Smithee, and after watching this, I can see why. "Woman Wanted" is full of promise but suffers from poor emotional pacing, and poor editing. It takes a moment to sometimes realize the scene you are watching takes place some time after the previous scene, giving no indication to the amount of time passage as the characters grow to know each other. As a result, emotional developments seem awkward and at times, unmotivated, or just plain unbelievable. Holly Hunter just seemed flat the whole film through, and Kiefer Sutherland, seemly to have miscast himself, plays Wendell like he is six years old. What is with the Christopher Robin look? I think if more screen time had been allowed to show the emotional attachments develop, and better editing cues to herald the passage of time, the emotions the actors portrayed would have seemed more believable. I would love to see Kiefer to continue honing his directorial skills, but he still has some learning to do...consider this effort one of his film school kindergarten projects.
"My father, who had never loved my mother, laid her to rest in most indecent haste."
seeingbystarlight29 July 2018
Warning: Spoilers
So writes Wendell Goddard about his parents, in this surprising little gem of a movie.
The story revolves around three characters:
Emma Riley (Holly Hunter), a charming, divorced woman who's been hired as a live-in housekeeper.
Richard Goddard (Michael Moriarty), the old fashioned college professor who hired her.
And his aforementioned troubled son Wendell (Kiefer Southerland), an aspiring poet who spends his days locked in his room.
The death of Richard's wife Marion (Elaine Pidgen) has caused a rift between the two men.
Wendell writes scathing, though not inarticulate, poetry about his unhappy home life.
Richard, meanwhile, shakes his head at his son's instability.
The arrival of Emma in their lives only makes matters worse as they're both attracted to the lovely woman (and she to them).
Though just a little movie, the acting and direction are impressive, making this sleeper one of the best stories about a love triangle that I've ever seen.
And there haven't been very many.
Also adding to the story is Wendell's 24 hour wife Monica (Carrie Preston), who gives it unexpected levity.
The ending really makes the movie, coming to a conclusion in a way that is satisfactory as well as very positive.
This is one of my favorites.
I'm really impressed that Kiefer Southerland was the director.
Originally, Review #125
Posted On: July 8, 2011
The story revolves around three characters:
Emma Riley (Holly Hunter), a charming, divorced woman who's been hired as a live-in housekeeper.
Richard Goddard (Michael Moriarty), the old fashioned college professor who hired her.
And his aforementioned troubled son Wendell (Kiefer Southerland), an aspiring poet who spends his days locked in his room.
The death of Richard's wife Marion (Elaine Pidgen) has caused a rift between the two men.
Wendell writes scathing, though not inarticulate, poetry about his unhappy home life.
Richard, meanwhile, shakes his head at his son's instability.
The arrival of Emma in their lives only makes matters worse as they're both attracted to the lovely woman (and she to them).
Though just a little movie, the acting and direction are impressive, making this sleeper one of the best stories about a love triangle that I've ever seen.
And there haven't been very many.
Also adding to the story is Wendell's 24 hour wife Monica (Carrie Preston), who gives it unexpected levity.
The ending really makes the movie, coming to a conclusion in a way that is satisfactory as well as very positive.
This is one of my favorites.
I'm really impressed that Kiefer Southerland was the director.
Originally, Review #125
Posted On: July 8, 2011
Spoiler
tmf-fota19 May 2012
Warning: Spoilers
In the end Emma was already leaving,then the one night stand with the son was just "happened". She was leaving because the father was not interested in being a father again, all he seemed to want was for her to go back to school. She could see she was not going to be happy, so she made her choice, and apparently did not mind the dilemma she put the father and son into. The fact that the father and son became closer after that fact is bizarre considering they did not have a close relationship and the fact she slept with both should have made it worse and not better. And I believe the child is Wendell's as Emma comments she wanted a child after they were "legit" so she was not trying to trick anyone.
Get the VHS - Forget the DVD.
maxie9130 June 2003
I saw the video first as a rental and loved it. Then I bought the DVD and was disappointed that 1)Kiefer Sutherland's name was removed as the director, and replaced with Alan Smithee and his version of the film, and 2)There were a number of important scenes that the DVD version deleted. Do yourself a favor and rent the video. The video makes sense whereas, the DVD version seems to skip about and leaves out key scenes which are essential for understanding and enjoying this wonderful movie.
Very Interesting and Poignant, With A Sardonic Side
deadlymistress2420 August 2005
Warning: Spoilers
I am the hugest Kiefer Sutherland fan, so when I was flipping through the channels and saw this movie, I immediately had to watch it. So I did. I wasn't entirely sure what would come out of the movie, but I was surprised to find myself somewhat pleased. Sutherland did an excellent job in acting and directing this film. Moriarty was a very unique character, and Hunter brought a sort of wholesomeness to the movie. However, I do agree that the ending is a little mind boggling. I know that Hunter's character went to church and prayed for a child, but I didn't believe it would happen. As the previous reviewer said, no one really knows who the father of the child is and that is creepy. But when you see the end, you notice that there is a picture of both men kissing the top of the child's head, so whatever the answer is to the question of the child's father, it may not seem relevant. What is relevant is that this poignant story of father and son finally coming together, despite many obstacles is truly a story to behold.
Satisfying
mynerva7 March 2000
It's really good to see Kiefer Sutherland working and directing. I was going to say "again", but he has been working steadily. I liked his source material for this emotionally satisfying movie. The plotline had a lot of potential for melodrama and all the actors avoid it. Maybe it was just nice to see Sutherland in something "normal".
A bit of trivia
Decm424 July 2002
Shirley Douglas, the actress playing "Peg" is actor/director Keifer Sutherland's mother! I discovered this doing a cross check. Douglas played on "The Hat Squad" a series that didn't last a whole season. But when viewing a bio on her it revealed that she was Keifer's mother so I checked to see if there were any matches and to this movie I came!
See also
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