Up the River (1896) Poster

(1896)

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6/10
aka Scene on the Thames
JoeytheBrit13 November 2009
Robert Paul is a largely forgotten name today, but he was a major pioneer of British cinema, and was quick to grasp the commercial potential of cinema in ways that better known pioneers such as William Friese-Greene were not. He was more of a mechanic than a filmmaker making, with Birt Acres, his own camera on which to shoot films in 1895, and also Britain's first projector, the Animatograph, with which to screen them in 1896. Early in the 20th century he had a custom-made studio built in Muswell Hill.

Scene on the River was filmed in July 1896. It's a brief drama, filmed from the riverbank, in which we see a passenger on a boat accidentally drop their baby into the river (as you do). A smartly dressed gent in a waistcoat jumps into the river to rescue it. Unfortunately, you can't see anything of the rescue because a bunch of bystanders get between the camera and the action, which is a shame although it adds a sense of reality to the proceedings, even though the entire thing is undoubtedly staged.
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4/10
Rescued?! The guy jumped!!
planktonrules21 August 2018
This is a short film which appears to have been recorded at the wrong frame rate. This is because silent film rates were NOT a constant like sound films (all of which are 24 frames per second). They varied from about 16-22 per second. However, they were also hand-cranked and so the speeds of the cameramen varied. When I saw this one (misidentifed as a film by the master filmmaker, Georges Méliès), I immediately noticed the folks were moving too slowly...as if drugged.

As for the action, a man supposedly falls in the river and folks from a barge and rowboat jump in to rescue him. However, he clearly JUMPED in...thus making it all seem silly and staged. Watchable but easy to skip as well.
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An Early Drama
Tornado_Sam15 December 2017
Before you watch "Up the River" and criticize it for a weak plot, you must realize that many of the films in 1896 had no plot whatsoever--mainly consisting of babies being fed, people playing cards, street scenes, etc. This film actually has a plot--a small one, but a plot nonetheless. In it, a woman on a boat on the River Thames drops a "baby"--probably only a bundle of cloth--into the River, and then it's rescued by a fisherman. At only a minute you can't expect much more. If one was to provide any cons--which aren't really fair to give for a movie this early--the acting is really bad and it looks like the woman dropped the baby purposefully. Because at the time people were just fascinated by watching a film with any movement at all, that small flaw was certainly overlooked and this Robert Paul film thus remains a pretty good attempt at drama for 1896.
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