Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The world's youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set in and around a dystopian London fractious with violence and warring nationalistic sects, Children of Men follows the unexpected discovery of a lone pregnant woman and the desperate journey to deliver her to safety and restore faith for a future beyond those presently on Earth. Written by
The opening terrorist attack in Fleet Street was filmed only two weeks after the real thing happened to devastating effect in London by al Qu'eda terrorists. See more »
During the first continuous shot following Theo leaving the coffee shop, the reflection on the coffee shop door shows the faces of a patrol officer and a group of people just outside the door and walking to the right. Yet when the camera exits the shop, the cop does not appear in view as expected from the reflection, rather the cop and group instantly appear further down the street to the right. See more »
Day 1,000 of the Siege of Seattle.
The Muslim community demands an end to the Army's occupation of mosques.
The Homeland Security bill is ratified. After eight years, British borders will remain closed. The deportation of illegal immigrants will continue. Good morning. Our lead story.
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At the very end, one can read "Shantih, Shantih, Shantih" with children shouting and laughing on the soundtrack, which can be heard repeatedly throughout the end credits. This is the last line of T.S. Eliot's 1922 poem "The Wasteland." "Shantih" means "peace" in Hindi. See more »
Threnody for the Victims of Hiroshima (1959-1961)
Written by Krzysztof Penderecki
Performed by The National Polish Radio Symphony Orchestra
Conducted by Krzysztof Penderecki
Published by EMI Music Publishing Ltd
Licensed courtesy of EMI Records Ltd
Licensed courtesy of The National Polish Radio Symphony Orchestra See more »
OK, I only got through the first 3 pages of comments but let me add my own.
1) Fantastic cinematography. Some like hand-held, some don't. It certainly worked very well here.
2) Related to (1), very long shots. There is one scene where the camera lens has blood splats on it for quite a few minutes. Hollywood would get rid of it, but for this movie it adds amazingly to the atmosphere that is being created.
3) Like "Code46" the technology is in the background. Just the way it should be, allowing us to focus on the story.
4) Theo as the central character NEVER picks up a gun, despite them being all over the place and easily available. As a viewer you are almost willing him to do so, to manage some of his challenges - but very deliberately the character does not.
5) I've read separately that yes this is a comment on current society. Being an Australian, with our controversial immigration laws and practices, that rings true.
6) Similar to (5), using the term "Homeland Security" in the movie is an obvious reference.
7) The revolutionaries/terrorists/fishes are shown to be just as political and militant as the government they oppose.
There are more, but that is enough. Overall a wonderful movie which leaves me thinking for a long time, which is all I ask.
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