Time of Wickedness (1985) Poster

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6/10
Medicocre drama whose taboo theme is more suggestive than visually erotic...
jmaruyama15 November 2009
Warning: Spoilers
Director Furuhata Yasuo's incest-themed film "Ma No Toki" promises an unconventional and seductive romantic tale but falls short of delivering on a convincing story or erotic spectacle and instead becomes a melodramatic tease.

Often referred to as "Time of Wickedness", the title actually can be better translated to "A Moment of Sin" and features the beautiful Iwashita Shima as Mizuo Ryoko, the ultimate MILF who enters into a taboo relationship with her own son, Fukashi (Sakagami Shinobu). Fukashi is an earnest and serious high school graduate who had fled his affluent family in Tokyo to live in a small coastal town in the far North, living a humble and carefree life as a clerk at a fish market at the harbor. Fukashi's estranged mother, after months of searching finally tracks him down and tries to reconnect with him. She rents an small apartment overlooking the market and frequently visits Fukashi as he sells fish to the local merchants and town folk. As the story unfolds, we slowly learn (in flashback) about the dark details of Fukashi and his mother's past. A couple years earlier Fukashi had been studying for the entrance exams for the prestigious Todai (Tokyo University), however in typical youthful rebellion, Fukashi had strayed from his studies (getting involved with a youth biker gang) and developing an apathetic outlook on life. His mother Ryoko (the wife of an elite businessman) is devastated by his changing attitude. She is already suffering stress as her relationship with Fukashi's father (the always reliable Koyama Shigeru) has cooled and become distant. The two wounded and needy souls soon find themselves entering into a taboo relationship. Despite their precautions, they are soon caught after one of their many sexual encounters and Ryoko ends her relationship with Fukashi. Ashamed and hurt, Fukashi flees Tokyo in the hopes of reevaluating his life. Falling in love with another girl (a former gang member), Fukashi hopes to begin a new life but with the return of his mother, can he? Those expecting a bawdy, erotic, lurid sex filled "Roman Porno" style story may be somewhat disappointed by the film's fairly tame approach on a controversial subject. While Iwashita Shima is absolutely gorgeous in the movie, her brief nude scenes are very far and few in-between and director Furuhata suggests more than than actually shows. Iwashita (Gyakudo No Onna Tachi series) has always been a favorite of mine and she delivers a good performance here, making Ryoko a sympathetic and likable character and not some caricature.

Sakagami Shinobu is also very good as the confused son but he tends to be a bit too whiny and weak and doesn't solicit much sympathy (although viewers like myself are a bit envious of his scenes with Iwashita).

Screenwriter Tanaka Yozo make a good attempt at adapting the original novel by Kitaizumi Yuko and trying to make it into a "The Graduate" but it doesn't quite work. It would have been nice if the approach could have been more like other erotic dramas that deal in obsession like "9 1/2 Weeks" or "Last Tango In Paris".

Fans of Iwashita Shima may find this an enjoyable curio piece but for those who strictly want the taboo sex should stick with the numerous incest themed (Kinshinsoukan) Japanese AVs from companies like "Ruby" who have made a fortune based on the concept (I suspect they might of also been partly inspired by this film as well).
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7/10
A light taboo erotica with a quite decent plot.
jokersep-3135230 January 2022
I am torn between 6 and 7 stars rating.

It's more enjoyable if you took the mother as the main character, tho the son has equal screen time.

Visual: Both the girlfriend and the mother is pretty, with the later is hotter. Transition is good. Without showing too much, the sex scenes are decent. 7 star for visual.

Plot: Mostly a slow pacing story. Nothing over the top. Even at the climax of the story in the end, it's not really eventful. You have like 2 - 3 minor and medium plot twists, not much. I believe they could have done better with the story. 6 stars for plot.

Acting, sound, music and etc: Everything is decent. These factors are neither excellent or out of place. 7.
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8/10
Creepy
ReadingFilm5 March 2023
It is a Japanese melodrama towing the line between treating the subject of the incest mom with dramatic seriousness, and turning her into a creepy psychopath, without abandoning either genre. In this way it is much like a prototype Almodovar film, and is an interesting character study constantly watching and wondering when she is going to start killing people, or eating people. The fascination of the film is how it crosses back and forth.

Interesting to compare it to La Luna which I watched last year. The difference is Bertolucci has this Catholic obsession with how taboo that is, as well as the Marylike love of the act. That entire film is one long erotic build up to the moment, it expects you to know what you are getting into so that you are bringing that anticipation with it. And when it gets there, the moment has a ton of quotation mark and punctuation around it.

This film on the other hand could not be more open about it, it's very matter of fact, never questions or discussed, just is. It is almost as if the Japanese Furuhata is answering that film saying, "What's the big deal? It's shocking, but what next?"

Not only that, but it seeks to understand it in a frank, factual way. She abandoned him, now she is back. I am always impressed how Japanese directors handle erotica with none of the baggage the west does.

More of the film itself, it is really fantastic how well told it is, through the performances... it is based on a novel so there is this detective element, that is less strong, but necessary. Then there is the rivalry with the girl his age, that is building to a boil. It is unexpectedly good, if good is not the right word, it is thorough, the mark of a great director on some tangent. It is only let down by the creepiness of the subject.
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