Directed by
Mitch Davis |
Writing Credits (in alphabetical order)
Mitch Davis | ||
John H. Groberg | ... | (book) |
Cast (in credits order)
Produced by
Tim Coddington | ... | co-producer |
Mitch Davis | ... | executive producer |
John Garbett | ... | producer |
Gerald R. Molen | ... | producer |
Steven Ramirez | ... | associate producer |
David Shoshan | ... | executive producer |
Music by
Kevin Kiner |
Cinematography by
Brian J. Breheny |
Editing by
Steven Ramirez |
Casting By
Christina Asher |
Production Design by
Rick Kofoed |
Set Decoration by
Michelle Davis |
Costume Design by
Barbara Darragh |
Makeup Department
Michael Krehl | ... | key makeup artist |
Production Management
Tim Coddington | ... | unit production manager |
John Garbett | ... | production manager |
Second Unit Director or Assistant Director
Carey Carter | ... | first assistant director |
Vanessa Rare | ... | second assistant director |
Tony Simpson | ... | first assistant director: second unit |
Amand Weaver | ... | trainee assistant director (uncredited) |
Art Department
Christopher Halligan | ... | carpenter |
Carey Johnson | ... | art dept co-ordinator |
Jon Lithgow | ... | art department runner |
Paulo Alegria | ... | graphic designer (uncredited) |
Sound Department
Ray Beentjes | ... | adr editor / dialogue editor |
Gethin Creagh | ... | re-recording mixer |
Jim Hannah | ... | boom operator |
Mark Hinkley | ... | sound utility |
Robyn McFarlane | ... | foley recordist |
Polly McKinnon | ... | assistant sound editor |
Carolyn McLaughlin | ... | foley artist |
Tim Prebble | ... | sound designer |
Mike Westgate | ... | sound mixer |
Dave Whitehead | ... | sound effects editor |
Special Effects by
Dean Clarke | ... | special effects technician |
Jason Durey | ... | special effects supervisor |
Oliver Gee | ... | special effects assistant |
Carl Krehl | ... | special effects technician |
Visual Effects by
Dave Asling | ... | model shop supervisor |
Steve Avoujageli | ... | technical director |
Dave Axford | ... | visual effects production manager |
Barb Benoit | ... | digital compositor |
Mike Borrett | ... | visual effects producer |
Dan Brooks | ... | model builder |
Joshua Chaiton | ... | visual effects producer |
Debora Dunphy | ... | digital compositor |
John Gajdecki | ... | visual effects supervisor |
Aruna Inversin | ... | digital compositor |
Christine Kowbuz | ... | model builder |
Sarah Norton | ... | digital compositor |
Christine Petrov | ... | digital compositor |
Kennedy Shah | ... | motion control programmer |
Betty Shaw | ... | systems administrator: GVFX |
Joel Skeete | ... | lead compositor |
Dan Trezise | ... | digital compositor: GVFX |
Martin Wilk | ... | digital compositor |
Stunts
Allan Poppleton | ... | stunt double |
Camera and Electrical Department
Dion Hartley | ... | underwater grip |
Brenden Holster | ... | first assistant camera |
Luke Thomas | ... | first assistant camera: "a" camera |
Martin Turner | ... | director of photography: second unit (as Martin J.K. Turner) |
Casting Department
Christina Asher | ... | casting: New Zealand |
Gretchen Rennell | ... | casting: USA |
Costume and Wardrobe Department
Jenny Rushton | ... | key costume stand-by |
Editorial Department
Victoria Chu | ... | telecine dailies vt operator/assistant editor: The Film Unit |
Music Department
James Fitzpatrick | ... | music contractor |
Additional Crew
Amanda Aitken | ... | production coordinator |
Troy Benjamin | ... | office runner |
Wynter Blathwayt | ... | title designer |
John J. Lee Jr. | ... | distribution services |
Felicity Letcher | ... | production coordinator |
Birgitta Nilsson | ... | assistant coordinator |
Amand Weaver | ... | body double / stand-in |
Thanks
Alan Rast | ... | special thanks |
Paul K. Woolley | ... | special thanks |