K-PAX is exactly what a heart warming film should be. The story is about a mysterious mental patient Prot, played by Kevin Spacey, and his unbelieving psychiatrist Dr. Powel, played by Jeff Bridges. The two have a very friendly bond, and as their relationship grows Dr. Powel can't help but wonder whether or not there is more to his mysterious patient, who insists he is from another planet called K-PAX. This film is very funny, and Kevin Spacey pulls of well placed one liners as if it was his second nature. K-PAX is a smart film, and I wasn't expecting it to go where it did. In the end, I found myself thinking about the small things in life, and the wonder and magic of the every day life we so often take for granted. I left the theater with a warm fuzzy feeling inside, and for families and couples on a date, K-PAX is a splendid film, that will not disappoint. I highly recommend this film to anyone interested in something more than the monotonous releases of glossy, action packed, gore fests.
595 Reviews
Great
dav7nine18 December 2004
This film IS brilliant...... without a doubt. Watched it a while ago after constant pestering from family members who are right into their sci-fi films (which I am not), and thought it was quite good. But after recently watching a few documentaries on outer-space etc we watched it again... and it IS good.
Kevin Spacey is without doubt one of the greatest actors ever and I really like Jeff Bridges (Big Lewbowski, Blown Away, Arlington Road). The film revolves around a patient in a nursing home who claims he is from another planet. Yeah right, you think... but what if his story is so believable that even his psychiatrist begins to wonder if he is telling the truth.
That is how the story evolves with Bridges going through all kinds of emotions dealing with Prot (as he is known), his own psychiatric colleagues, his wife and family, his brother-in-law and his cosmologist astronomer work colleagues (who after getting some data from Prot, pretty much admit that he might be telling the truth!) A great film... that get's you wondering.....
8/10 Dave
Kevin Spacey is without doubt one of the greatest actors ever and I really like Jeff Bridges (Big Lewbowski, Blown Away, Arlington Road). The film revolves around a patient in a nursing home who claims he is from another planet. Yeah right, you think... but what if his story is so believable that even his psychiatrist begins to wonder if he is telling the truth.
That is how the story evolves with Bridges going through all kinds of emotions dealing with Prot (as he is known), his own psychiatric colleagues, his wife and family, his brother-in-law and his cosmologist astronomer work colleagues (who after getting some data from Prot, pretty much admit that he might be telling the truth!) A great film... that get's you wondering.....
8/10 Dave
A Charming, Hidden Gem Of A Movie
shoeless-113 April 2002
It never ceases to amaze me how movies like this get made.
No car crashes, no explosions, no pyrotechnical performances with people screaming at each other or themes/bravura megalomaniacal rants that self-consciously have "Please nominate me for an Oscar" whispering in the Academy's ear.
No, instead we're given a quiet, enormously fascinating, compassionate, well-intentioned film that sits back and realizes that above beautiful cinematography (Which it has in spades), before performances which nail you to your seat (Which it carries in abundance), the most important thing of all is story. And K-Pax despite all "common sense" in Hollywood, throws out every safe-bet to get a movie produced and gives us just that. Wonderful story. Marvelous story.
I don't need to talk about that. Everyone from the science fiction fans (Who appreciated the depth and seriousness of the subject matter) to the warm n' fuzzy brigade (Who "Get the message" of the movie) have done their part to praise the various facets of a film that refuses to be categorized and is simply a very, very good story.
And perhaps because of that, because no one knows precisely what it is, just that's it's wonderful--Not unlike Prot himself--the people who came to this picture and created it have made a film that doesn't slant itself one way or the other but does a wonderful job of juggling seemingly disparate elements--the science, the drama, the message,the psychological aspects--and approach the movie fresh-eyed and innocent. The cinematography is, at times, simply beautiful and inspiring. And Iain Softley obviously had an enormous respect for the material because when it came time to tell the stories and let it speak through the actors, he pulled back, kept it simple and left the audience to witness to incredible performances by Jeff Bridges and Kevin Spacey to leave viewers with the same feeling; the acting is beautiful and inspiring.
Kevin Spacey's "Prot" is a wonderfully understated character with the gentle, knowing presence of an outsider who understands. It is his very calmness and seeming omnipotence that make his emotional outbursts, when they come, that much more intense and painful for audiences. He brings to the story the delicate sense of ironic humanity that comes from someone who may not actually lay claim to being human.
Jeff Bridges provides the warm, tired, cynical but still hopeful center of the film that provides reality to Spacey's quiet otherworldliness. Jeff Bridges is the much needed Everyman of this movie who is like so many of us out there; intelligent, wanting to do the right thing, essentially a good person at heart who is perhaps little lost and a LOT tired of the shackling nature of every day life in a first world nation. He asks the hard questions, he clings to his perceived reality. But he also wants to help. And all he's looking for is an excuse, some kind of spark to ignite his hope.
I suspect that K-Pax is going to occupy the same space in most people's hearts as that of a good book. I can't see it raking in buzillions of dollars, despite the fact that far, FAR less worthy films do that every summer. Instead, it will carry along, fondly or even maniacally supported by lovers of the film by word of mouth, quietly finding a new audience and making change where ever it goes. It's a gentle, engaging, quiet film that punches viewers between the eyes not through editing, action or shouting, but through that most basic and often forgotten art of cinema, finding a strong story and just letting it tell itself.
No car crashes, no explosions, no pyrotechnical performances with people screaming at each other or themes/bravura megalomaniacal rants that self-consciously have "Please nominate me for an Oscar" whispering in the Academy's ear.
No, instead we're given a quiet, enormously fascinating, compassionate, well-intentioned film that sits back and realizes that above beautiful cinematography (Which it has in spades), before performances which nail you to your seat (Which it carries in abundance), the most important thing of all is story. And K-Pax despite all "common sense" in Hollywood, throws out every safe-bet to get a movie produced and gives us just that. Wonderful story. Marvelous story.
I don't need to talk about that. Everyone from the science fiction fans (Who appreciated the depth and seriousness of the subject matter) to the warm n' fuzzy brigade (Who "Get the message" of the movie) have done their part to praise the various facets of a film that refuses to be categorized and is simply a very, very good story.
And perhaps because of that, because no one knows precisely what it is, just that's it's wonderful--Not unlike Prot himself--the people who came to this picture and created it have made a film that doesn't slant itself one way or the other but does a wonderful job of juggling seemingly disparate elements--the science, the drama, the message,the psychological aspects--and approach the movie fresh-eyed and innocent. The cinematography is, at times, simply beautiful and inspiring. And Iain Softley obviously had an enormous respect for the material because when it came time to tell the stories and let it speak through the actors, he pulled back, kept it simple and left the audience to witness to incredible performances by Jeff Bridges and Kevin Spacey to leave viewers with the same feeling; the acting is beautiful and inspiring.
Kevin Spacey's "Prot" is a wonderfully understated character with the gentle, knowing presence of an outsider who understands. It is his very calmness and seeming omnipotence that make his emotional outbursts, when they come, that much more intense and painful for audiences. He brings to the story the delicate sense of ironic humanity that comes from someone who may not actually lay claim to being human.
Jeff Bridges provides the warm, tired, cynical but still hopeful center of the film that provides reality to Spacey's quiet otherworldliness. Jeff Bridges is the much needed Everyman of this movie who is like so many of us out there; intelligent, wanting to do the right thing, essentially a good person at heart who is perhaps little lost and a LOT tired of the shackling nature of every day life in a first world nation. He asks the hard questions, he clings to his perceived reality. But he also wants to help. And all he's looking for is an excuse, some kind of spark to ignite his hope.
I suspect that K-Pax is going to occupy the same space in most people's hearts as that of a good book. I can't see it raking in buzillions of dollars, despite the fact that far, FAR less worthy films do that every summer. Instead, it will carry along, fondly or even maniacally supported by lovers of the film by word of mouth, quietly finding a new audience and making change where ever it goes. It's a gentle, engaging, quiet film that punches viewers between the eyes not through editing, action or shouting, but through that most basic and often forgotten art of cinema, finding a strong story and just letting it tell itself.
Inspired storytelling
FlickJunkie-212 May 2002
K-Pax is a very intriguing film. Is Prot (Kevin Spacey) really an alien, or is he a mentally deranged human who just thinks he is an alien? That is the question that Dr. Powell (Jeff Bridges) must answer before the self proclaimed deadline that Prot sets for his departure from Earth.
As the film unfolds and more evidence is uncovered, both theories grow in credibility. His ability to map from memory the area of the galaxy where his home planet is located indicates a knowledge that no human could possibly possess. Yet the hypnosis sessions lead us to a real person with a very real and traumatic life, filled with devastating events that could have caused such a personality aberration. The ending seems to give the answer, but is just ambiguous enough to make you wonder if you really know. Normally, I don't like lady or tiger endings, but this one is tantalizing. I have my own theory that fits all the clues, but I don't know that my theory is any more correct than anyone else's.
Director Iain Softley (`Wings of the Dove') spins the tale delicately, with great skill. This is a rare example of the director staying in the shadows and inducing outstanding acting performances out of talented actors to let the story dominate. This is not to say that the directing is technically inferior, because it is excellent. However, Softley remains unobtrusive, delivering great power through the use of subtlety, a pleasant change from today's vanguard directors who visually grab and shake the viewer as if to scream, `Look how brilliant I am!'
Kevin Spacey once again delivers a marvelous performance as Prot. This is a part that is extraordinarily demanding, requiring Spacey to render the cool and logical Prot one minute, and then switch gears to conjure his tormented alter ego under hypnosis the next. Spacey is so believable as both alien and human, it makes the viewer's task that much more difficult. Jeff Bridges is also terrific as the relentless psychologist who becomes obsessed with learning the truth about Prot.
This is inspired storytelling for the thoughtful viewer. I rated it a 9/10. If you must have closure at the end of a film, this movie will be very frustrating. However, if you like a fascinating mystery that keeps you thinking long after the credits, you won't be disappointed.
As the film unfolds and more evidence is uncovered, both theories grow in credibility. His ability to map from memory the area of the galaxy where his home planet is located indicates a knowledge that no human could possibly possess. Yet the hypnosis sessions lead us to a real person with a very real and traumatic life, filled with devastating events that could have caused such a personality aberration. The ending seems to give the answer, but is just ambiguous enough to make you wonder if you really know. Normally, I don't like lady or tiger endings, but this one is tantalizing. I have my own theory that fits all the clues, but I don't know that my theory is any more correct than anyone else's.
Director Iain Softley (`Wings of the Dove') spins the tale delicately, with great skill. This is a rare example of the director staying in the shadows and inducing outstanding acting performances out of talented actors to let the story dominate. This is not to say that the directing is technically inferior, because it is excellent. However, Softley remains unobtrusive, delivering great power through the use of subtlety, a pleasant change from today's vanguard directors who visually grab and shake the viewer as if to scream, `Look how brilliant I am!'
Kevin Spacey once again delivers a marvelous performance as Prot. This is a part that is extraordinarily demanding, requiring Spacey to render the cool and logical Prot one minute, and then switch gears to conjure his tormented alter ego under hypnosis the next. Spacey is so believable as both alien and human, it makes the viewer's task that much more difficult. Jeff Bridges is also terrific as the relentless psychologist who becomes obsessed with learning the truth about Prot.
This is inspired storytelling for the thoughtful viewer. I rated it a 9/10. If you must have closure at the end of a film, this movie will be very frustrating. However, if you like a fascinating mystery that keeps you thinking long after the credits, you won't be disappointed.
Perhaps the most underrated movie I have ever seen
Rizzyay5 November 2014
It never ceases to amaze me how people's minds work.
First, you have a brilliant actor - Kevin Spacey - pulling off perhaps the best acting performance of his career as Prot. He claims to be an alien, gets locked in mental institute (understandably), and knows all sorts of things he shouldn't know about astrophysics.
So is he an alien or isn't he? The psychiatrist, played by Bridges, tries to find out, but the question is ultimately left for the viewer to decide. That is what I love about the movie: it doesn't preach. It doesn't demand us to believe in Prot. But at the same time, the movie does raise some questions. Do we really know how the universe works? What if - that is the question this movie wants to - and manages to - raise.
Then you have the ending, which isn't Hollywood-like, it only slightly touches the usual clichés about family and stuff, yet it is hart-warming and beautiful in its own silly way. I won't go deep into it so I won't spoil it for anyone, but please watch closely throughout the movie, and be prepared to use your brains a bit at the end.
The movie also plays a lot with audiovisual stuff. Beams of light are shown throughout the movie accompanied with beautiful piano music, perhaps because Prot allegedly arrived on our planet with a beam of light. This play with light makes the movie a subtly beautiful experience.
Altogether, this is an incredible work of art.
So you have all this - and what do the critics say? Most of them simply call it cr*p, and if they bother to explain why they think this way, they mumble something about this movie belonging neither to the scifi genre nor to the psychological drama genre (like the critic of the Guardian magazine). Well, get this to your heads: A GOOD STORY DOESN'T HAVE TO HAVE A CLEARLY DETERMINED GENRE.
I repeat, in case the professional critics didn't quite understand what I said.
A GOOD STORY DOESN'T HAVE TO HAVE A...
...Ahh, what's the use. The critics ain't gonna understand it, no matter how much I yell. Luckily, there are always people who are open to a good story. This review is dedicated to those people.
First, you have a brilliant actor - Kevin Spacey - pulling off perhaps the best acting performance of his career as Prot. He claims to be an alien, gets locked in mental institute (understandably), and knows all sorts of things he shouldn't know about astrophysics.
So is he an alien or isn't he? The psychiatrist, played by Bridges, tries to find out, but the question is ultimately left for the viewer to decide. That is what I love about the movie: it doesn't preach. It doesn't demand us to believe in Prot. But at the same time, the movie does raise some questions. Do we really know how the universe works? What if - that is the question this movie wants to - and manages to - raise.
Then you have the ending, which isn't Hollywood-like, it only slightly touches the usual clichés about family and stuff, yet it is hart-warming and beautiful in its own silly way. I won't go deep into it so I won't spoil it for anyone, but please watch closely throughout the movie, and be prepared to use your brains a bit at the end.
The movie also plays a lot with audiovisual stuff. Beams of light are shown throughout the movie accompanied with beautiful piano music, perhaps because Prot allegedly arrived on our planet with a beam of light. This play with light makes the movie a subtly beautiful experience.
Altogether, this is an incredible work of art.
So you have all this - and what do the critics say? Most of them simply call it cr*p, and if they bother to explain why they think this way, they mumble something about this movie belonging neither to the scifi genre nor to the psychological drama genre (like the critic of the Guardian magazine). Well, get this to your heads: A GOOD STORY DOESN'T HAVE TO HAVE A CLEARLY DETERMINED GENRE.
I repeat, in case the professional critics didn't quite understand what I said.
A GOOD STORY DOESN'T HAVE TO HAVE A...
...Ahh, what's the use. The critics ain't gonna understand it, no matter how much I yell. Luckily, there are always people who are open to a good story. This review is dedicated to those people.
Very good remake of the argentinean film "Man looking south-east"!!!
oscar_rio3 July 2002
I was surprised that at the end of the film at least the message "Inspired in the movie Hombre mirando al Sudeste" was not shown...the film is almost a remake!!!!
It's a good version, but the fact that they never mention it makes me feel a little uncomfortable.
It's a good version, but the fact that they never mention it makes me feel a little uncomfortable.
One of the most underrated films of the past decade
Vampenguin11 March 2006
Due to a very misleading advertising campaign, I saw this film in theatres at the relatively young age of 10. The trailers on TV portrayed the film as a comedy, and I bugged my parents until they took me. After seeing the movie, I was blown away. I had no idea what to think. Totally different than anything I had seen before, leaving far to many questions for such a young mind. Needless to say, I loved it. This morning was the first time I'd watched in in probably 2-3 years, and I still think it's one of the greatest films made in the last decade. Kevin Spacey and Jeff Bridges are both in top form, as a mysterious man who may or may not be from another planet, and the psychiatrist that develops a bond with him while trying to decipher his mystery. The supporting cast are near perfect as well, each resident of the mental institution is incredibly convincing in their own way. The open ending was handled very well, giving lots of evidence to support whatever you believe happened in the end. How this movie failed to receive at least a nomination in that year's Oscars is beyond me. If you haven't seen this film, run to Wal-Mart RIGHT NOW. The DVD is usually in the bargain bin, pick it up!
9.5/10
9.5/10
Fun Movie, Keeps You Guessing
gavin694211 March 2015
Prot (Kevin Spacey) is a patient at a mental hospital who claims to be from a far away planet called K-PAX. His psychiatrist (Jeff Bridges) tries to help him, only to begin to doubt his own explanations.
Apparently, at one point Will Smith was supposed to be Prot and Kevin Spacey was the doctor. That is completely unimaginable. Smith is a bit of a stretch for the alien role (though he could do it), and Spacey is clearly stronger as the alien than as a doctor (though he is always great).
What makes this film so good is that while the viewer believes that Prot is an alien, it is never definitely established. Every so often the doctor throws in a doubt here or there. The line between genius and madman is dangerously thin.
Roger Ebert wrote, "I admired how the movie tantalized us with possibilities and allowed the doctor and patient to talk sensibly, if strangely, about the difference between the delusional and that which is simply very unlikely." The film was also alleged to be plagiarized from "Man Facing Southeast" (1986), an Argentinian movie. As I have never seen that film, I cannot comment on any similarities.
Apparently, at one point Will Smith was supposed to be Prot and Kevin Spacey was the doctor. That is completely unimaginable. Smith is a bit of a stretch for the alien role (though he could do it), and Spacey is clearly stronger as the alien than as a doctor (though he is always great).
What makes this film so good is that while the viewer believes that Prot is an alien, it is never definitely established. Every so often the doctor throws in a doubt here or there. The line between genius and madman is dangerously thin.
Roger Ebert wrote, "I admired how the movie tantalized us with possibilities and allowed the doctor and patient to talk sensibly, if strangely, about the difference between the delusional and that which is simply very unlikely." The film was also alleged to be plagiarized from "Man Facing Southeast" (1986), an Argentinian movie. As I have never seen that film, I cannot comment on any similarities.
Emotionally Involving Drama
jhclues31 October 2001
Life is comprised of infinite possibilities; some known, others a mystery and destined to remain so. And what of the vast unknown, the realms beyond which knowledge has no established boundaries or parameters? Who is to say what exists or what is possible? Valid questions, all of which are raised and explored in the story of a particular individual's personal journey, a strange and dramatic odyssey that defies facts and logic, in `K-PAX,' directed by Iain Softley, and starring Kevin Spacey and Jeff Bridges. In the wake of an incident in New York's Central Station, a man named Prot (Spacey) is transported to a psychiatric hospital in Manhattan, where he is delivered into the care of Dr. Mark Powell (Bridges), who attempts to uncover the truth about his patient, who claims to be from the distant planet K-PAX. It quickly becomes a challenge for Dr. Powell, as Prot, with his calm, direct, forthcoming manner and a propensity for produce (he eats bananas peels and all, and Red Delicious Apples are his favorites) is quite convincing. But it's Powell's job, as well as his nature, to be skeptical. Prot's claims, however, remain intact and stand up even under the most intense probing and the watchful eye of Dr. Powell, who finds himself in something of a quandary-- Prot even tells him the exact date and time that he will depart for K-PAX, a scheduled return trip that allows Powell but a short time to sort it all out. And Powell just can't seem to get his mind around the idea that he is dealing with a real alien being; and it's something he is going to have to resolve quickly, if he is ever going to know the truth. And he has to know. The truth, after all, is the only thing that is going to set him free in his own mind.
Softley has created and delivered a sensitive, thought-provoking film that challenges the viewer by sustaining the mystery surrounding Prot while forcing you to reflect upon your own concepts of what is, in fact, possible. And as you never know for sure about Prot until the denouement, you are able to identify with Powell, seeing the situation from his point of view and trying to solve the riddle right along with him. Softley creates an atmosphere of wonder and a real sense of being confronted with something that is truly unique as the story unfolds and you begin to realize that Prot just may be what he says he is. And in the context of the reality to which the film is disposed, it's an engrossing matter to try to wrap your mind around. How do you react when all of the evidence is contrary to the physical limitations we've set for ourselves? While at the heart of the film there is a resounding depth of humanity that is evident, not only in Prot, but in Dr. Powell, as well. All of which makes for an extremely engaging and gripping drama.
As we've come to expect, Kevin Spacey gives a brilliant performance as Prot, presenting his character from the inside out, emotionally deep and physically convincing at the same time. This is a unique individual, and Spacey brings him to life with care and the ability to share those moments that are particularly revealing, which adds to the believability of the character and the credibility of the story itself. For this film to work, it is essential that we believe who and what Prot is; we do, and it does. Spacey simply pulls it off magnificently. It's a memorable performance, from which evolves a character that will stay with you for a long, long time.
Jeff Bridges, meanwhile, emerges on equal footing with Spacey, adeptly making a very real person of Dr. Powell. It's a fairly straightforward role, and the challenge for Bridges was to take this very normal and ordinary character and make him unique in his own right, which, opposite the character of Prot was no small task. And, again, for this film to work it was necessary for Bridges to rise to the occasion. And, with exceptional skill and being the consummate professional that he is, he succeeds without question. Bridges infuses Powell with an underlying complexity, and is so giving in his performance, that it makes the interaction between Powell and Prot vibrant, and at times intense. It's a demonstration of two of the finest actors in the business doing what they do best, creating a dynamic that is alive and inspiring. It's a great job by Bridges, who never attempts to steal the spotlight from Prot, which serves to raise the level of the film to an even higher notch.
The supporting cast includes Mary McCormack (Rachel), Alfre Woodard (Dr. Villers), Ajay Naidu (Dr. Naidiu), Vincent Laresca (Navarro), Kimberly Scott (Joyce), Conchata Ferrell (Betty) and Saul Williams (Ernie). An entertaining, emotionally involving film, `K-PAX' is a dissertation on possibilities, as well as an examination of the ever evolving complexities of the human condition. It's a film that demands an open mind and rewards those who are able to approach it on it's own terms and embrace it. In the end, it makes you realize just how real K-PAX is; and it makes you appreciate Prot's journey, and just how much we all share and have in common with those around us, human or alien. And it may just make you reflect upon your own journey-- where you've been and where you're going. And that's the magic of the movies. I rate this one 10/10.
Softley has created and delivered a sensitive, thought-provoking film that challenges the viewer by sustaining the mystery surrounding Prot while forcing you to reflect upon your own concepts of what is, in fact, possible. And as you never know for sure about Prot until the denouement, you are able to identify with Powell, seeing the situation from his point of view and trying to solve the riddle right along with him. Softley creates an atmosphere of wonder and a real sense of being confronted with something that is truly unique as the story unfolds and you begin to realize that Prot just may be what he says he is. And in the context of the reality to which the film is disposed, it's an engrossing matter to try to wrap your mind around. How do you react when all of the evidence is contrary to the physical limitations we've set for ourselves? While at the heart of the film there is a resounding depth of humanity that is evident, not only in Prot, but in Dr. Powell, as well. All of which makes for an extremely engaging and gripping drama.
As we've come to expect, Kevin Spacey gives a brilliant performance as Prot, presenting his character from the inside out, emotionally deep and physically convincing at the same time. This is a unique individual, and Spacey brings him to life with care and the ability to share those moments that are particularly revealing, which adds to the believability of the character and the credibility of the story itself. For this film to work, it is essential that we believe who and what Prot is; we do, and it does. Spacey simply pulls it off magnificently. It's a memorable performance, from which evolves a character that will stay with you for a long, long time.
Jeff Bridges, meanwhile, emerges on equal footing with Spacey, adeptly making a very real person of Dr. Powell. It's a fairly straightforward role, and the challenge for Bridges was to take this very normal and ordinary character and make him unique in his own right, which, opposite the character of Prot was no small task. And, again, for this film to work it was necessary for Bridges to rise to the occasion. And, with exceptional skill and being the consummate professional that he is, he succeeds without question. Bridges infuses Powell with an underlying complexity, and is so giving in his performance, that it makes the interaction between Powell and Prot vibrant, and at times intense. It's a demonstration of two of the finest actors in the business doing what they do best, creating a dynamic that is alive and inspiring. It's a great job by Bridges, who never attempts to steal the spotlight from Prot, which serves to raise the level of the film to an even higher notch.
The supporting cast includes Mary McCormack (Rachel), Alfre Woodard (Dr. Villers), Ajay Naidu (Dr. Naidiu), Vincent Laresca (Navarro), Kimberly Scott (Joyce), Conchata Ferrell (Betty) and Saul Williams (Ernie). An entertaining, emotionally involving film, `K-PAX' is a dissertation on possibilities, as well as an examination of the ever evolving complexities of the human condition. It's a film that demands an open mind and rewards those who are able to approach it on it's own terms and embrace it. In the end, it makes you realize just how real K-PAX is; and it makes you appreciate Prot's journey, and just how much we all share and have in common with those around us, human or alien. And it may just make you reflect upon your own journey-- where you've been and where you're going. And that's the magic of the movies. I rate this one 10/10.
Serenely nutty...
moonspinner5524 July 2010
Kevin Spacey finds a tailor-made vehicle here for his self-satisfied smile and glibly patient manner, portraying a New York City mental patient at Bellevue who claims to be a visitor from a distant planet called K-PAX. Jeff Bridges is the staff psychiatrist (and hypnotist!) at the hospital who takes an interest in Spacey's Prot, testing his knowledge about astrophysics but always coming up with more questions than answers. The other patients on the ward are a friendly, movie-colorful lot, and Spacey and Bridges manage a comfortable give-and-take (though the hypnosis scenes are strenuous), so why was "K-PAX" so maligned by professional critics? This smoothly-handsome film, adapted from the novel by Gene Brewer (also the associate producer), may be an unabashed commercial "product" but it isn't a cop-out. The tall tale weaves a squirrelly spell on its audience--a spell that may seem silly once it wears off--however it is an entertaining and satisfying endeavor for the time it's on. Bridges is controlled and professional, while Spacey gets some nervous highs and contrite lows (a dream for any actor). It would be easy to put down such a picture for its outrageous qualities, and I didn't much care for the opening where Spacey is seemingly arrested for no reason (nor a later one involving a freak-out at a holiday gathering). Nevertheless, the movie does find its voice, it manages a solid final act, and the character Prot is a memorable one. "K-PAX" isn't Oscar material, but it isn't campy or weepy, either. It's harmless fun. *** from ****
More People Should Know About This Movie
JackCowart3417 September 2019
I can't believe I had never heard of this movie before I came across it. I mean, how have I not heard about a movie starring masterclass actors like Kevin Spacey and Jeff Bridges? The dialogue between these two characters was written extremely well. It's not often you can have a movie where there's this much sitting and talking between two charachters and not get bored. With this movie it's the exact opposite, you actually get sucked into the conversations because of how interesting they are. Probably my favorite aspect of this movie is the mystery that surrounds this whole dilemma. It keeps your mind active the entire time wondering whether Prot is in fact an alien, or just a man who's disillusioned. At different times they'll give clues to have you leaning one way or the other, but they'll never let you completely make up your mind. Overall, the talented acting and the skillfully crafted writing are what make this movie so enthralling to watch. This is one of those movies that definitely deserves more noteriety than it's gotten.
"Now if you'll excuse me, I have a beam of light to catch."
ackstasis23 March 2007
Warning: Spoilers
Following a mugging incident at New York's Grand Central Station, an innocent bystander (Kevin Spacey, "The Usual Suspects") is arrested by police who believe him to be under the influence of hallucinogenic drugs. We can understand why they think this, considering how the man politely informed them that he wears his dark glasses because "the light on your planet is really bright." And so Prot (as he identifies himself, pronounced as rhyming with "goat,") is shipped off to the Psychiatric Institute of Manhattan, where a weary workaholic doctor, Mark Powell (Jeff Bridges, "The Big Lebowski"), attempts to understand this man's so-called delusion.
Prot's manner is courteous and cooperative. When asked why he believes he has been institutionalised, he matter-of-factly replies that it is because "you think I'm crazy." Within minutes, after satisfying his insatiable newfound hunger for Earth-fruit, the completely forthright Prot has revealed that he is an extraterrestrial from the planet K-PAX, which resides 1000 light-years away, circling the binary star system Agape and Satori located in the Lyra constellation. He also details how his infinitely-more advanced species has already mastered faster-than-light travel, through harnessing the energy of light, an accomplishment that is allegedly eons away for the human race.
Powell is understandably very skeptical of these outrageous claims, though he is nevertheless fascinated by them, and commits himself to understanding how Prot came to believe such a thing. Meanwhile, Prot uses his time to observe his fellow patients in the psychiatric ward, eventually offering everybody around him something to live for, and hope of a cure. On July 27, Prot later reveals, he will depart again for K-PAX, and he can only take one human with him. Of what will actually happen on that date, nobody is certain.
Originally slated to play Dr. Powell with Will Smith as Prot Kevin Spacey stepped into the main role when Smith had to withdraw from the film. You can tell that he had a lot of fun with his character, the completely matter-of-fact delivery of his sometimes ridiculous dialogue ("Your produce alone has been worth the trip") often eliciting genuine laughter. There is undeniable intelligence behind many of Prot's words, but logic maintains that he must be delusional... mustn't he?
The audience is led back and forth between the possibilities for the first segment of the film, we almost accept the possibility that Prot is an extraterrestrial (this is a sci-fi movie, isn't it?!), before being totally convinced when Prot inexplicably displays an impossible knowledge of the astronomy of a newly-discovered planet system. A final investigation by Dr. Powell offers us a neatly-packaged terrestrial explanation for Prot's delusions, but this is just as quickly whisked away, and we are left scratching our heads again. The film, quite rightly, keeps its ending open, leaving the audience to contemplate what they've just watched and to discuss it with those around them. Nevertheless, whether you believe Prot to be an alien or not, two irresistible certainties linger in your mind: the Universe is, indeed, a fascinating place, and perhaps there are higher forces that we humans are yet to discover.
Prot's manner is courteous and cooperative. When asked why he believes he has been institutionalised, he matter-of-factly replies that it is because "you think I'm crazy." Within minutes, after satisfying his insatiable newfound hunger for Earth-fruit, the completely forthright Prot has revealed that he is an extraterrestrial from the planet K-PAX, which resides 1000 light-years away, circling the binary star system Agape and Satori located in the Lyra constellation. He also details how his infinitely-more advanced species has already mastered faster-than-light travel, through harnessing the energy of light, an accomplishment that is allegedly eons away for the human race.
Powell is understandably very skeptical of these outrageous claims, though he is nevertheless fascinated by them, and commits himself to understanding how Prot came to believe such a thing. Meanwhile, Prot uses his time to observe his fellow patients in the psychiatric ward, eventually offering everybody around him something to live for, and hope of a cure. On July 27, Prot later reveals, he will depart again for K-PAX, and he can only take one human with him. Of what will actually happen on that date, nobody is certain.
Originally slated to play Dr. Powell with Will Smith as Prot Kevin Spacey stepped into the main role when Smith had to withdraw from the film. You can tell that he had a lot of fun with his character, the completely matter-of-fact delivery of his sometimes ridiculous dialogue ("Your produce alone has been worth the trip") often eliciting genuine laughter. There is undeniable intelligence behind many of Prot's words, but logic maintains that he must be delusional... mustn't he?
The audience is led back and forth between the possibilities for the first segment of the film, we almost accept the possibility that Prot is an extraterrestrial (this is a sci-fi movie, isn't it?!), before being totally convinced when Prot inexplicably displays an impossible knowledge of the astronomy of a newly-discovered planet system. A final investigation by Dr. Powell offers us a neatly-packaged terrestrial explanation for Prot's delusions, but this is just as quickly whisked away, and we are left scratching our heads again. The film, quite rightly, keeps its ending open, leaving the audience to contemplate what they've just watched and to discuss it with those around them. Nevertheless, whether you believe Prot to be an alien or not, two irresistible certainties linger in your mind: the Universe is, indeed, a fascinating place, and perhaps there are higher forces that we humans are yet to discover.
Lame copy of Argentinian film
laurakis7421 October 2010
I had a lot expectations about this movie but when i started watching it, it was soon evident to me that the storyline was lifted from a famous Argentinian movie of the 80s called "Hombre mirando al sudeste". And when i say lifted, i mean its almost a copy but no reference to the original is found anywhere nor any info about the script or rights being purchased by American producers/director. It is a pity, because i like Kevin Spacey. But watching so obviously a copy made me feel uncomfortable and ended up hating it. You cant beat (or steal) a classic. Plus, this movie seems to lack some of the deep and uncomfortable questions that the original creates in the viewer; the story is sort of "bleached". So, if you are thinking about watching this movie, go and watch the original version instead. If you have already watched it, go and watch the original too, you won't regret it.
One of the better and more intelligent films to come out in the past two or three years.
TxMike26 October 2002
Warning: Spoilers
When any of us sit down to watch a film we need to make one of two choices - are we going to believe the premise is possible, or are we going to believe it is impossible? In TOY STORY and SHREK, will we believe that toys and animals can talk? In BACK TO THE FUTURE, will we believe time-travel is possible? In THE MATRIX, will be believe one can travel between reality and virtual reality? In SUPERMAN, STARMAN, and E.T., will we believe that a being from another planet can visit us and interact with us? The answer is perhaps obvious, "yes" if we are to become immersed in the story and enjoy the film.
This film, "K-PAX" is just like that. If one sits down to it and buys into the premise, that it is possible for Prot to be from a far-away planet called K-PAX, then it is a totally absorbing film. One of the best I have seen in a long time. Ultimately this film isn't about aliens or space travel, it is about the human condition, and about finding out what is really important to us. The character, Prot, is a catalyst in this story and it doesn't matter in the end whether he really is from K-Pax.
some possible SPOILERS - On my second viewing of K-PAX, tonight, I took careful note of everything that was said and presented. When you do so there should be no residual doubt that Prot, in this story, really is a K-PAXian. An alien who is completely harmless, and who is more like a guardian angel than anything else. One who can travel anywhere he wants on a beam of light, taking one and only one person with him. Through most of the story he takes the catatonic Porter with him. At 5:51AM on July 27th, 2001, he returns to K-PAX, leaves Porter behind in the care of the good doctor, and takes one of the patients with him.
This film, "K-PAX" is just like that. If one sits down to it and buys into the premise, that it is possible for Prot to be from a far-away planet called K-PAX, then it is a totally absorbing film. One of the best I have seen in a long time. Ultimately this film isn't about aliens or space travel, it is about the human condition, and about finding out what is really important to us. The character, Prot, is a catalyst in this story and it doesn't matter in the end whether he really is from K-Pax.
some possible SPOILERS - On my second viewing of K-PAX, tonight, I took careful note of everything that was said and presented. When you do so there should be no residual doubt that Prot, in this story, really is a K-PAXian. An alien who is completely harmless, and who is more like a guardian angel than anything else. One who can travel anywhere he wants on a beam of light, taking one and only one person with him. Through most of the story he takes the catatonic Porter with him. At 5:51AM on July 27th, 2001, he returns to K-PAX, leaves Porter behind in the care of the good doctor, and takes one of the patients with him.
A movie that moved me!
serafinogm5 October 2015
I must have been in an emotional state when I saw this movie for the first time as I found myself crying throughout! I quite enjoyed the interplay between the Jeff Bridges character and the Kevin Spacey character but they were just as good apart. The impact upon seeing the sprinkler in the back of the ruin of a house laying in the long untended yard near the ruined swing set was an emotional jolt that I'll never forget and every sorrowful drama in my life came to the fore like a fountain that to this day resonates deep in my soul. It was a powerful movie, beautifully acted and directed and I encourage all to see it (unless of course you're more inclined to zombies, and horror films) but I assure even those types that the horror suggested by this movie is far more powerful, far more compelling!
Quite an amazing movie
Travis_Bickle0112 August 2005
Personally, I think Kevin Spacey is one of the greatest actors of his generation, maybe the greatest. This in combination with another amazing actor named Jeff Bridges, it can't be bad. And that's exactly what this movie is! "K-PAX" is one of the most pleasant surprises of the latest years. To start with has the movie a brilliantly written story. It's part of what makes the movie so great. The other aspect that contributes to the greatness of the movie is the acting. The combination Spacey-Bridges really works.
This was already the second time I saw the movie and I'm sure it won't be the last time. "K-PAX" has everything. There are moments which are extremely funny, parts that remind of a true thriller and others which reminds of high-class drama. I think this movie deserves a much higher rating and a lot more awards. Great movie!
9/10
This was already the second time I saw the movie and I'm sure it won't be the last time. "K-PAX" has everything. There are moments which are extremely funny, parts that remind of a true thriller and others which reminds of high-class drama. I think this movie deserves a much higher rating and a lot more awards. Great movie!
9/10
This film is just a rip off from one excellent Argentinian movie...
artolk8 May 2005
This film is just a rip off from one excellent Argentinian movie which English title is: "Man Facing Southeast" - USA or "Man Looking Southeast". K-Pax doesn't reach the same level at all. The original film was much deeper and more simple. Story started directly from a mental hospital in an ordinary day except that there was on patient too much. Then the nursers and doctors are trying to find out who this extra patient is and how did he get in to the hospital. Otherwise the story is more or less the same as in K-Pax, but I don't understand why there is no mention about the original story in credits. Does anyone know any reason for that?
Wonderful
beautiful_suburban_midnight29 October 2001
I started to take an interest in Kevin Spacey because of his unbelievable preformance in "American Beauty", and his preformance in K-PAX has sealed his spot in my top five favorite actors. The movie's twists and turns held me to my seat and I started crying during the last half-hour.
If you're tired of glossy, overbudget, heartless pictures, then definately go to see K-PAX. 10/10.
If you're tired of glossy, overbudget, heartless pictures, then definately go to see K-PAX. 10/10.
Nice little movie about identity and trying to uncover it
Quinoa198426 October 2001
Warning: Spoilers
(Spoiler ahead)
K-PAX is a movie that will most likely get better with more viewings, but the first one is satisfying enough if you just want to see it once. It brings us on the journey of a being, or sorts, called Prot (Kevin Spacey) who is found in a train station and since he claims to be from a planet called K-PAX, is transferred to a mental hospital in greater New York. Jeff Bridges becomes his psychiatrist and immediately becomes fascinated by his new patient's dilussion, but wants to know more, at any costs. The plot starts to un-needengly wander in the third act, but the performances (in particular by Spacey and Bridges), overall feel and an ending that leaves it up to the audience to figure out what happenned make this a good see in the theater. B+
K-PAX is a movie that will most likely get better with more viewings, but the first one is satisfying enough if you just want to see it once. It brings us on the journey of a being, or sorts, called Prot (Kevin Spacey) who is found in a train station and since he claims to be from a planet called K-PAX, is transferred to a mental hospital in greater New York. Jeff Bridges becomes his psychiatrist and immediately becomes fascinated by his new patient's dilussion, but wants to know more, at any costs. The plot starts to un-needengly wander in the third act, but the performances (in particular by Spacey and Bridges), overall feel and an ending that leaves it up to the audience to figure out what happenned make this a good see in the theater. B+
A Transcendent Experience!!
rjasraj17 April 2016
This movie.. man.. it takes you away to another place altogether. I don't usually write reviews, but i had to write for this wonderful movie. It is unlikely that you will ever see a movie like this again. The beautiful way it displays emotions and humanity, with both the lead actors acting superbly, is the reason that even after watching the movie once, i keep finding myself watching it over and over again. Kevin Spacey is one of the best actors of this generation, so is Jeff Bridges. The soundtrack is so immensely beautiful, that by solely listening to the music, you can find yourself transported to anywhere you like. It will change your outlook of life. Its underrated, sure, but as i said.. No words to express what this movie is.
Interesting movie
adineag3 August 2013
Warning: Spoilers
Kevin Spacey has a very good performance in this movie, as he always does.
At the beginning, the story is quite interesting, and the level of knowledge about the K-Pax planet and universe that Prot possess almost made me believe that he actually came from that planet. I still don't get how did he know how to draw that solar system.
The movie becomes very dramatic as we discover Prot's true identity and his horrible past, and the tension is starting to increase as he announces that he is going to return to his home planet.
In conclusion, i think K-Pax is a good movie and is worth watching.
At the beginning, the story is quite interesting, and the level of knowledge about the K-Pax planet and universe that Prot possess almost made me believe that he actually came from that planet. I still don't get how did he know how to draw that solar system.
The movie becomes very dramatic as we discover Prot's true identity and his horrible past, and the tension is starting to increase as he announces that he is going to return to his home planet.
In conclusion, i think K-Pax is a good movie and is worth watching.
Criminally Underrated Gem
Mcnabbbeasty27 October 2020
K-Pax is such a refreshing watch, especially in 2020 you can really appreciate how quiet and subtle the atmosphere throughout the entire film is. No shootings, explosions, CGI alien scenes, or any sense of common Hollywood allure. This is truly a hidden gem, maybe because it was mis-marketed pre release as a comedy, and although it has it's humorous touch in no way should it be considered a comedy. K-Pax is an extremely thought provoking Sci-Fi/Drama and Kevin Spacey was spectacular as the lead in whoever you want to interpret his character Prot to be (mentally deranged human or alien from planet K-Pax). I genuinely can't think of a better fit to be lead of this highly under appreciated 2001 motion picture. K-Pax is a supremely enjoyable cinematic experience.
K-PAX okay
paul-nemecek5 July 2018
In K-PAX , Kevin Spacey plays Prot, a rather skuzzy-looking character who claims to be from the planet K-PAX which is located in an entirely different solar system. That Prot is a messiah figure is clear from our very first glimpse of him as he arrives on a beam of light. The messianic imagery becomes more pronounced as he is quizzed by the elders and heals those around him.
But Prot is a quirky messiah and Kevin Spacey chews up the scenery (as well as some bananas) in this role that is made-to-order for Spacey's abilities. Jeff Bridges turns in a solid performance as the psychiatrist who works with Prot at the Manhattan Psychiatric Institute, Prot's home for most of the story.
There are elements of this story that reminded me of many other films. First among these is Starman wherein Bridges plays the alien messiah figure. It also reminded me of John Travolta in Michael. The relationship between psychiatrist and patient is very reminiscent of The Adventures of Don Juan De Marco and Good Will Hunting, movies in which the healers are themselves healed as a result of their interactions. Astute observers may also note similarities to Awakenings, Patch Adams, and One Flew Over the Cuckoo's Nest.
It is a tribute to the director that the film transcends its indebtedness and manages to borrow plot devices and yet weave them into a story that is engaging and original. In spite of the similarities mentioned above, I was engaged throughout the film and was never sure where the storyteller's were taking me next. In fact, at the end of the film the viewer will be left uncertain still. The ambiguity of the ending is one of the strengths of the film. This is one of those "yeah, but" films. That is, as my wife and I talked about the film the whole way home, we found ourselves saying, "yeah, but what if . . .".
I do have one minor complaint. There is one line at the very end that I will call "neobabble"-new age theological babble inserted as a kind of moral to the story. It diminished the film's ending somewhat and was pretty unnecessary. Other than that, the film gets a big "thumbs up" for an innovative story and a "stellar" performance by Kevin Spacey. This film does not have all of the answers, but it might get you thinking about some of the questions.
But Prot is a quirky messiah and Kevin Spacey chews up the scenery (as well as some bananas) in this role that is made-to-order for Spacey's abilities. Jeff Bridges turns in a solid performance as the psychiatrist who works with Prot at the Manhattan Psychiatric Institute, Prot's home for most of the story.
There are elements of this story that reminded me of many other films. First among these is Starman wherein Bridges plays the alien messiah figure. It also reminded me of John Travolta in Michael. The relationship between psychiatrist and patient is very reminiscent of The Adventures of Don Juan De Marco and Good Will Hunting, movies in which the healers are themselves healed as a result of their interactions. Astute observers may also note similarities to Awakenings, Patch Adams, and One Flew Over the Cuckoo's Nest.
It is a tribute to the director that the film transcends its indebtedness and manages to borrow plot devices and yet weave them into a story that is engaging and original. In spite of the similarities mentioned above, I was engaged throughout the film and was never sure where the storyteller's were taking me next. In fact, at the end of the film the viewer will be left uncertain still. The ambiguity of the ending is one of the strengths of the film. This is one of those "yeah, but" films. That is, as my wife and I talked about the film the whole way home, we found ourselves saying, "yeah, but what if . . .".
I do have one minor complaint. There is one line at the very end that I will call "neobabble"-new age theological babble inserted as a kind of moral to the story. It diminished the film's ending somewhat and was pretty unnecessary. Other than that, the film gets a big "thumbs up" for an innovative story and a "stellar" performance by Kevin Spacey. This film does not have all of the answers, but it might get you thinking about some of the questions.
HOMBRE MIRANDO AL SUDESTE, (MAN LOOKING SOUTHEAST)
jotix1002 December 2001
Although, supposedly, there is a book in which this mess was based on, I just couldn't stop thinking about another, better Argentine film directed by Eusebio Subiela, HOMBRE MIRANDO AL SUDESTE, that came out a few years ago. The premise is the same, almost to the point that I thought, K-Pax was a remake of that other film. Kevin Spacey should employ someone with keen insight to advise him on what films to appear since he, obviously, either goes for his gut feeling, and or, the money, and the results are not very pretty, as was the case with last year's fiasco, Pay it Forward. On the other hand, this actor can make very interesting choices in the theatre and also he has a fine sense of helping other worthy causes, as he did with COBB, at the Lortel Theatre in NY, in which he spent his own money because he thought it was a good play.
There are people that keep comparing him with that other actor who makes dismal choices, but Spacey is an intelligent individual who can act, be it in the theatre, television, or films and he deserves better material in which to shine on his own. Let's hope The Shipping News will redeem him for the bad selections he's made in his career. One can only hope that if this medium fails him badly, he can come running to the New York stage any time soon.
There are people that keep comparing him with that other actor who makes dismal choices, but Spacey is an intelligent individual who can act, be it in the theatre, television, or films and he deserves better material in which to shine on his own. Let's hope The Shipping News will redeem him for the bad selections he's made in his career. One can only hope that if this medium fails him badly, he can come running to the New York stage any time soon.
Brain working
hoerthoert15 May 2006
Usually I do not like movies with/about aliens but K-PAX is different. The actors are great in the movie - especially Kevin Spacey played his character breathtaking! The movie never fall to a lower level - the suspense is always in the movie and you absolutely wanna know how it ends, what's about Prot... You have to think a lot after the movie over the movie because there are a few open questions... Is Robert Porter Prot or is Prot only using Robert Porters body as a means of transportation. How can he see uv-light and how can he know that much about astrology. But everybody can make his own end and can decide in what he wanna believe. Very good movie with an excellent Kevin Spacey!
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