1 win & 7 nominations
- 2005 Nominee ASC Award
- Outstanding Achievement in Cinematography in Movies of the Week/Mini-Series/Pilot (Basic or Pay)
- 2004 Nominee Primetime Emmy
- Outstanding Sound Editing for a Miniseries, Movie or a Special
- Mark Friedgen (supervising sound editor)
- Joy Ealy (sound editor)
- Kathryn Madsen (sound editor)
- Lou Thomas (sound editor)
- Billy B. Bell (sound editor)
- Tim Terusa (sound editor)
- Anton Holden (sound editor)
- William C. Carruth (sound editor)
- Mark Steele (sound editor)
- Mike Dickeson (sound editor)
- Richard Steele (sound editor)
- Adriane Marfiak (sound editor)
- Gary Macheel (sound editor)
- Bob Costanza (sound editor)
- Kevin Fisher (sound editor)
- James Bladon (music editor)
- Jill Schachne (foley artist)
- Tim Chilton (foley artist)
For night 2.
- 2005 Nominee Golden Reel Award
- Best Sound Editing in Television Long Form - Sound Effects & Foley
- Mark Friedgen (supervising sound editor)
- Billy B. Bell (sound effects editor)
- Bob Costanza (sound effects editor)
- Mike Dickeson (sound effects editor)
- Lou Thomas (sound effects editor)
- Richard Steele (sound effects editor)
- Adriane Marfiak (sound effects editor)
- Gary Macheel (sound effects editor)
- Robert Webber (sound effects editor)
- 2005 Nominee Golden Reel Award
- Best Sound Editing in Television Long Form - Dialogue & ADR
- Mark Friedgen (supervising sound editor)
- Joy Ealy (supervising dialogue editor)
- Kathryn Madsen (supervising adr editor)
- Tim Terusa (dialogue/adr editor)
- Randal S. Thomas (dialogue/adr editor)
- Anton Holden (dialogue/adr editor)
- William C. Carruth (dialogue/adr editor)
- Rick Crampton (dialogue/adr editor)
- Mark Steele (dialogue/adr editor)
For episode "Night Two".
- 2005 Nominee VES Award
- Outstanding Supporting Visual Effects in a Broadcast Program
- 2005 Winner VES Award
- Outstanding Created Environment in a Live Action Broadcast Program
For the opening.
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