What I really like about Peter Kubelka's obscure avant garde filmography is that his films don't feel as if they're pretending to be something they aren't; instead, they are presented in a way that is very concise and to the point, often being just short enough to avoid pretension or tediousness. His films also offer a fascinating study of cinema and its relations to light and sound, especially in this film in which all that occurs is a series of white, dancing figures behind a bizarre, but somewhat catchy instrumental soundtrack. It has a surrealist vibe going on throughout; the constant moving, the enigma of it all, every frame being relentless in its contrast between darkness and lightness. It's a playful short that is likely to attract enthusiastic fans of experimental film.