In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
A raw, powerful story of two young men, a Wyoming ranch hand and a rodeo cowboy, who meet in the summer of 1963 sheepherding in the harsh, high grasslands of contemporary Wyoming and form an unorthodox yet life-long bond--by turns ecstatic, bitter and conflicted. Written by
Larry McMurtry and Diana Ossana
By 2010, this film was on many critics' and publications' "Best of the Decade" lists, including Peter Travers, Entertainment Weekly, The London Times, The A.V. Club, Time Out New York, and The London Telegraph. See more »
When Jack arrives at Aguirre's trailer his pickup is parked nose in, but when he and Ennis are back from the mountain and Ennis is helping him get his truck started, it is facing nose out. See more »
You pair of deuces lookin' for work, I suggest you get your scrawny asses in here pronto.
See more »
I just saw this at the Toronto International Film Festival (TIFF) to a packed house (with Ang Lee present for today's screening). And I have to say, it absolutely transfixed me and was worth the watch. Out of 24 movies I screened at the TIFF this year, this was the only one I rated a 10/10! Three things really stood out for me making this a stand-out of a film:
1) HONESTY: Heath Ledger and Jake Gyllenhaal really pulled this off. I wasn't expecting performances so real and nuanced, and was warmly surprised. Kudos, also, to Mr. Lee for making such a poignant and refreshingly honest film!
2) STORY: Great story-telling. In fact you're not actually being *told* a story. The story unfolds and the viewer watches what happens pulling you in. What a great experience! In fact, I want to experience this story again -- I'm going to look for the short story.
3) NUMBING: In a thought-provoking kind of way. I left the theatre digesting the story even as I sat on the streetcar thinking about the characters. I cared for them, and wondered what could/might happen to them after the screen went black. My mind was playing out scenarios and in that sense, it was numbing, in a thought-provoking, emotionally heavy way.
This is powerful cinema and is definitely worth checking out. It's the best Ang Lee film I've seen to date (I've seen most, but not all of his feature films).
1,158 of 1,587 people found this review helpful.
Was this review helpful to you?