| Photos (see all 18 | slideshow) | Videos (see all 12 NEW) |
| Matt Dillon | ... | Hank Chinaski | |
| Lili Taylor | ... | Jan | |
| Didier Flamand | ... | Pierre | |
| Fisher Stevens | ... | Manny | |
| Marisa Tomei | ... | Laura | |
| Adrienne Shelly | ... | Jerry | |
| Karen Young | ... | Grace | |
| Thomas Lyons | ... | Tony Endicott (as Tom Lyons) | |
| Dean Brewington | ... | Old Black Man | |
| James Cada | ... | Bald Man | |
| James Michael Detmar | ... | Smithson | |
| Kurt Schweickhardt | ... | Ice Plant Supervisor | |
| Dee Noah | ... | Hank's Mother | |
| James Noah | ... | Hank's Father | |
| Michael Egan | ... | Taxi Office Clerk | |
| Terry Hempleman | ... | Superintendant Barnes | |
| Emily Hynnek | ... | Stripper (as Emily 'Sophia Simone' Hynnek) | |
| Wayne Morton | ... | Mantz | |
| Tony Papenfuss | ... | John Handler | |
| Lana Schwab | ... | Mrs. Adams | |
| Sally Wingert | ... | Payroll Lady | |
| Robert Downing Davis | ... | George Henley | |
| Bryan J. Walker | ... | Pharmacist | |
| Dan Lee Jr. | ... | Elf | |
| Peter Moore | ... | Editor | |
| Bruce Bohne | ... | Auto Parts Manager | |
| Larry Roupe | ... | Pete | |
| Chris Carlson | ... | Liquor Store Clerk | |
| Stephen D'Ambrose | ... | Mailman | |
| Emil Herrera | ... | Mendoza | |
| Michelle Hutchison | ... | Young Lady | |
| Andy Hubbell | ... | Employment Office Man | |
| Martin Marinaro | ... | Bartender | |
| Raye Birk | ... | Heathercliff | |
| Stephen Pelinski | ... | Mr. Hansen | |
| Stanley Kipper | ... | Spencer | |
| Brent Doyle | ... | McBride | |
| John Paul Gamoke | ... | Peters | |
| Jim Lichtscheidl | ... | Calloway (as James Lichtscheidl) | |
| Jay Gjernes | ... | Truck Driver | |
| Clyde Lund | ... | Employment Office Clerk | |
| Debbie DeLisi | ... | Bartender | |
| George McGuire | ... | Carson Gentry | |
| Brad Madson | ... | Tailor | |
| Gary Tournier | ... | Bar Patron | |
| Esera Tuaolo | ... | Laura's Bar Bartender | |
| John Nadeau | ... | Sleeping Man | |
| Cathi Cooper | ... | Bar Patron | |
| Carole Samuelson | ... | Bar Patron | |
| rest of cast listed alphabetically: | |||
| Matthew Feeney | ... | Harry Berglund (scenes deleted) | |
| Stephanie Allensworth | ... | Woman on the street and patron at the race track (uncredited) | |
| Jim Brockhohn | ... | Bartender (uncredited) | |
| Jimmy Brockhohn | ... | Gambler (uncredited) | |
| Clint Clark | ... | Horse Race Fan (uncredited) | |
| Joseph Courtemanche | ... | Bouncer in bar scene (uncredited) | |
| Frank Crandell | ... | Man Drinking Beer Next To Ms. Tomei (uncredited) | |
| Christopher Day | ... | 2nd Man Placing Bet (uncredited) | |
| Diane Kelson | ... | Woman on fire escape (uncredited) | |
| Nels Lennes | ... | Man going to work (uncredited) | |
| Shawn McNulty | ... | Bike shop worker (uncredited) | |
| Doua Moua | ... | Spectator (uncredited) | |
| Lisa Pechmiller | ... | Spectator (uncredited) | |
| Geoff Schilz | ... | Man placing bet (uncredited) | |
| Christina Sedlacek | ... | Spectator (uncredited) | |
| Annie Wallick | ... | Woman on Street (uncredited) | |
| Jim Westcott | ... | Cab Driver (uncredited) | |
| Donny West | ... | Taxi Class Student (uncredited) | |
Directed by | |||
| Bent Hamer | |||
Writing credits | ||
| Charles Bukowski | (novel) | |
| Bent Hamer | (written by) and | |
| Jim Stark | (written by) | |
Produced by | |||
| Karl Baumgartner | .... | associate producer | |
| Reinhold Elschot | .... | associate producer | |
| Bent Hamer | .... | producer | |
| Rainer Mockert | .... | associate producer | |
| Peter Nadermann | .... | associate producer | |
| Jim Stark | .... | producer | |
| Christine K. Walker | .... | executive producer (as Christine Kunewa Walker) | |
| Meinolf Zurhorst | .... | associate producer | |
Original Music by | |||
| Kristin Asbjørnsen | |||
Cinematography by | |||
| John Christian Rosenlund | (director of photography) | ||
Film Editing by | |||
| Pål Gengenbach | |||
Production Design by | |||
| Eve Cauley | (as Eve Cauley Turner) | ||
Set Decoration by | |||
| Sarah Kruchowski | (as Sarah Jean Kruckowski) | ||
| Kate Sheeley | |||
Costume Design by | |||
| Tere Duncan | |||
Makeup Department | |||
| Natalie A. Hale | .... | additional makeup artist (as Natalie Hale) | |
| Sherry Heart | .... | key hair stylist | |
| Patricia Regan | .... | makeup designer | |
| Tara Smith | .... | hair stylist: Marisa Tomei | |
Production Management | |||
| Devorah DeVries | .... | production manager | |
| Jason Cooper Hall | .... | production supervisor | |
Art Department | |||
| Cheri Anderson | .... | set dresser | |
| Paul Berglund | .... | assistant property master | |
| Jennie Bond | .... | graphic designer | |
| Kelsey Cramer | .... | production assistant: props | |
| Mindy Harris | .... | property master | |
| Oceana Lawler Larsen | .... | set dresser | |
| Evan Morris | .... | construction foreman | |
| Savannah Rhomberg-Reich | .... | head painter | |
| Paul Rothmeier | .... | carpenter | |
| Andrew Shea | .... | draftsperson | |
| Mark S. Turner | .... | art department associate (as Mark Steven Turner) | |
| Dave Underhill | .... | lead person | |
Sound Department | |||
| Ken Chastain | .... | sound recordist | |
| Petter Fladeby | .... | sound designer | |
| Petter Fladeby | .... | sound re-recording mixer | |
| Cully Gallagher | .... | boom operator | |
| Micki Joanni | .... | synchron editor | |
| Christopher Riley | .... | production assistant: sound department | |
| John Sims | .... | production sound mixer (as John L. Sims Jr.) | |
| John Sims | .... | sound recordist (as John L. Sims Jr.) | |
| Richard Sveen | .... | sound editor | |
| Erik S. Watland | .... | foley artist | |
Visual Effects by | |||
| Torgeir Busch | .... | visual effects | |
| Aksel Jermstad | .... | visual effects artist | |
| Aksel Jermstad | .... | visual effects | |
Stunts | |||
| Rose M. Frazier | .... | stunts | |
| Eric D. Howell | .... | stunt coordinator (as Eric Howell) | |
| Peter Moore | .... | stunts | |
Camera and Electrical Department | |||
| Tristan Allen | .... | camera production assistant: video | |
| Sebastián Almeida | .... | first assistant camera | |
| Ray Attridge | .... | electrician | |
| Eddie Cohen | .... | lighting technician | |
| Edward Cohen | .... | gaffer (as Eddie Cohen) | |
| Joseph Gallup | .... | key grip | |
| Fernando Gayesky | .... | camera operator | |
| Fernando Gayesky | .... | director of photography: second unit | |
| Tony Hanson | .... | grip | |
| Mark Higashino | .... | still photographer | |
| Travis Hottinger | .... | electrician | |
| Marty Jurek | .... | camera production assistant (as Martin Jurek) | |
| Kevin Karpinski | .... | best boy grip | |
| Yoshiji D. Katagiri | .... | electrician | |
| Damian Kussian | .... | grip | |
| Michael Lindquist | .... | second assistant camera (as Michael V. Lindquist) | |
| Chris Malone | .... | best boy electric | |
| Lucas McCarter | .... | grip | |
| David S. Pope | .... | dolly grip (as David Pope) | |
| Shannon Schaefer | .... | grip | |
| Randall Smith | .... | first assistant camera: second unit | |
| Michael Winn | .... | electrician | |
| Dean Woytcke | .... | grip | |
Casting Department | |||
| Lynn Blumenthal | .... | casting director: Minneapolis | |
| Marisa Collins | .... | extras casting assistant | |
| Debbie DeLisi | .... | extras casting | |
| Carolyn Deters | .... | extras casting intern | |
| Matthew Feeney | .... | extras casting associate | |
| Kaari Moen | .... | extras casting intern | |
| Amber Lee Olivier | .... | extras casting assistant (as Amber Lee Olson) | |
| Jay Runquist | .... | extras casting intern | |
| Lisa Stearns | .... | extras casting intern | |
Costume and Wardrobe Department | |||
| Deborah Fiscus | .... | wardrobe supervisor | |
| Amy Pickering | .... | costume design assistant: New York City | |
| Hannah Walker | .... | wardrobe assistant | |
| Hannah Walter | .... | wardrobe assistant | |
Editorial Department | |||
| Liv Risvaag | .... | colorist | |
| Darren Roark | .... | digital color corrector (uncredited) | |
Music Department | |||
| Jostein Ansnes | .... | music mixer | |
| Jostein Ansnes | .... | music recordist | |
| Trygve Brøske | .... | composer: organ music | |
| Thomas Henriksen | .... | music recordist | |
| Magnus Torkildsen | .... | music mixer | |
| Magnus Torkildsen | .... | music recordist | |
| Peer Espen Ursfjord | .... | music recordist | |
Transportation Department | |||
| Michael Kennedy | .... | transportation captain (as Mike Kennedy) | |
| Brenton McCracken | .... | transportation coordinator | |
| Rajiv Sarin | .... | driver | |
| Leo Skudlarek | .... | driver | |
Thanks | |||
| Linda Saetre | .... | thanks | |
| Ruth Waldburger | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Best line in the movie... | jabberttp |
| Location | taylorcp |
| A good actor to play Bukowski would be... | freaky-styley101 |
| I really liked Jan. | cgrady-2 |
| Ending... | luvehorror |
| play feel to it | StoneVed |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
'A man or woman of all work' is indeed what Matt Dillon is in this out-there adaptation of Bukowski stories. Bent Hamer directs in this brilliant and quirky tale of a man who walks through life doing odd-jobs to fund his booze, gambling and womanising habits.
Henry Chinaski is made real by the always brilliant Matt Dillon. It really is no surprise that Hollywood's former pin-up embodies the part so well, as his perfected mix of sleaze and slack minded cool have made him the renowned actor he is. From 'Over the Edge' in 1979, the award winning 'Drugstore Cowboy' and his recent role as the scarred cop in 'Crash', Dillon really has the ability to expose man's flaws and run to a bar with them.
The film is spliced from various Bukowski writings and follows Chinaski (his alter-ego) around town as he drinks from job to job occasionally taking time to get fired and get laid. Lily Taylor and Marisa Tomei play two of Chinaski's bed-pals with equal sleaze and conviction.
This is not your usual movie in terms of subject matter and execution. It takes a Norwegian director, committed actors and a fantastic performance from Dillon to pull off a story that really is as much a Homage to Bukowski but also a bold attempt to deliver something different, a word not regularly accepted in today's Hollywood run industry. (Hence some of the finance coming from Japan).
From our introduction to Chinaski's routines of getting work and drinking; then losing work and drinking to watching what is essentially a horrible man (his treatment of woman, his lack of respect for anything) we are never really meant to like him. So why do we? It isn't just the looks or square jaw of the lead (Bukowski was the complete opposite) or his fantastic humorous charm but what lies beneath those eyes. Dillon has always been able to make the jerk likable. In this case, we do because he's funny and because we get a tiny glimpse of background reasoning why this man is so talented and yet so flawed. (The real Bukowski suffered a tough childhood and Chinaski's family is only referenced to in a hilarious scene of steak and ass- you'll see what I mean ).
Bent Hamer has accomplished a feat pretty standard in European film-making traditions- light comedy with black undertones outside of the rules of the usual three part formation. This tale could have started anywhere and ended anywhere in this man's life as the selling point it simply having Dillon on screen as this character- that is the story.
Bukowski was a genius who stuck to his loose morality with his back to society. It should be noted that he held down jobs for long periods, one for 12 years while doing what he did best, drinking and gambling but the only time he truly engaged was when he was observing for his writings, looking for funding i.e. work or needed a female drink buddy. He later had works published, hung around with Sean Penn (also considered for the role) and U2 dedicated a song to him.
The cast and crew have created a delightful fresh film that is both funny and dark. The performances are as authentic as ever with a mention going to Lily Taylor's career best performance. This film is a Jack of all trades and seems to have mastered a new one with the tone and atmosphere set perfectly to mirror the down and dirty LA Bukowski became part of.