Directed by
Phillip Broste |
Writing Credits (in alphabetical order)
Phillip Broste | ... | (writer) |
Cast (in credits order)
Steve Watson | ... | Jarid Keeper | |
Orion Barnes | ... | The Master Shade | |
Jeremy Wolter | ... | Zak Madison | |
Ben Hogestyn | ... | Tavis Swinburne | |
Charlie Koznick | ... | Ray Berrit | |
Sammi Barrows | ... | Kate Nelson | |
Andy Gätjen | ... | Desmond Richards (as Andy Gatjen) | |
Yuri Lowenthal | ... | Sül Depetri | |
Rainy Kerwin | ... | Anna Lightfoot |
Produced by
Roseanne Bermisa | ... | assistant producer |
Christina Ferguson | ... | producer |
Ashley Jordan | ... | producer |
Music by
Bear McCreary |
Cinematography by
Nathan Perkins | ||
Michael Roy |
Editing by
Matthew Gilna | ||
Jamie Kurihara |
Casting By
Kate Freund |
Production Design by
Thomas Zamora |
Second Unit Director or Assistant Director
Ashley Jordan | ... | first assistant director |
Nicholas Lam | ... | second assistant director |
Sound Department
Phillip Broste | ... | supervising sound editor |
Andrew Burnop | ... | boom operator |
Tim Farrell | ... | re-recording mixer |
Pete Vander Giesen | ... | sound mixer |
Wes Kobernick | ... | re-recording mixer / sound recordist |
Chris Williams | ... | boom operator |
Special Effects by
Tim Carras | ... | special effects supervisor |
Jason Porath | ... | special effects |
Jason Scott | ... | special effects supervisor |
Brian Smith | ... | special effects |
James S. Trois | ... | special effects |
Visual Effects by
Bruce Allen | ... | compositor |
Phillip Broste | ... | visual effects supervisor: compositing |
Andrew Burnop | ... | rotoscope artist |
Tim Carras | ... | visual effects cinematography / visual effects supervisor |
Todd Carson | ... | animator: main titles |
John Cooper | ... | digital cloth simulation |
Dante Fabiero | ... | rotoscope artist |
Matthew Gilna | ... | visual effects editor |
David Heayn | ... | rotoscope artist |
Anna Kojimoto | ... | rotoscope artist |
Todd Lamansky | ... | rotoscope artist |
Carl Lundgren | ... | rotoscope artist |
Elizabeth Marriner | ... | lead keyer |
Jason Porath | ... | modeling and texturing / visual effects supervisor |
Elaine Samarin | ... | rotoscope artist |
Stephen Schrott | ... | rotoscope artist |
Jason Scott | ... | visual effects producer |
Adam Simms | ... | rotoscope artist |
Peter Tipton | ... | rotoscope artist |
James S. Trois | ... | rotoscope artist |
Malcolm Trotter | ... | texture painter |
Zach Turner | ... | additional models |
Stunts
Brian Danner | ... | co-swordmaster / sword fight choreographer |
Camera and Electrical Department
Nikki Alvarado | ... | still photographer |
Kenneth Armstrong | ... | second assistant camera |
Curnal Achilles Aulisio | ... | electrician |
Jason Cochard | ... | gaffer |
Andrew Deacon | ... | gaffer |
Astrid Phillips | ... | first assistant camera |
Joel Allen Schroeder | ... | grip |
Jeffrey Waldron | ... | electrician |
Andrew Waruszewski | ... | grip |
Casting Department
Sophie Kipner | ... | casting assistant |
Editorial Department
Alan Starbuck | ... | colorist |
Music Department
Steve Kaplan | ... | scoring engineer |
Brendan McKian | ... | midi programmer (as Brendan McCreary) |
Script and Continuity Department
Bryan Louie | ... | script supervisor |
Additional Crew
Orion Barnes | ... | sword choreographer |
Roseanne Bermisa | ... | assistant to director |
Brian Danner | ... | co-swordmaster |
Jimmy Fusil | ... | GlideCam operator |
John Syrjamaki | ... | faculty advisor: USC |