They call this a comedy!!?? Not funny. Not entertaining. When a movie opens with a total loser, I know it's going to be really bad. When that total loser is also one of the most intensely obnoxious and annoying people on the planet, without an ounce of humor, it's going to be horrible. And when I fast-forward a few times and the same intensely obnoxious loser is being as annoying as possible, still without even a hint of humor, I turn the movie off (or walk out). I know I sound sarcastic, but seriously, is this really supposed to be enjoyable and entertain me and make me laugh? Absolutely no way. P.S. If there exists an entire genre of "be as annoying as possible but not in a humorous or entertaining way" movies, I wish they'd get a name for it and clearly label them, so I wouldn't have to be subjected to them. Have a nice day -- M
9 Reviews
Just terrible
lefty-3714 March 2008
This is one of the worst movies I've ever seen. The acting is dreadful, none of the characters are believable or even likable, and it is absolutely full of clichés.
The film meanders for the first thirty minutes in a story that makes very little sense and is annoying at best. By forty minutes in, you're bored stiff and staring at the clock, wondering when this is going to end.
Though I'm sure one might wonder how a movie that contains such gems as "What are you two, in the brotherhood of penises?" and "If I'm going to kill myself, I'm gonna make damn sure I'm drunk enough to do it!" slurred out oh-so-convincingly by a "pregnant" woman who has spent the last hour cursing out every person she comes into contact with.
Argh. Life's too short for movies like this.
The film meanders for the first thirty minutes in a story that makes very little sense and is annoying at best. By forty minutes in, you're bored stiff and staring at the clock, wondering when this is going to end.
Though I'm sure one might wonder how a movie that contains such gems as "What are you two, in the brotherhood of penises?" and "If I'm going to kill myself, I'm gonna make damn sure I'm drunk enough to do it!" slurred out oh-so-convincingly by a "pregnant" woman who has spent the last hour cursing out every person she comes into contact with.
Argh. Life's too short for movies like this.
fun, entertaining, and witty style that for me displayed a hidden undertone about the meaning of life.
forum-2011 January 2007
Warning: Spoilers
As I was writing this review for my website I just looked on IMDb.com to double check the actors names and found this movie was only rated 3/10 stars. I find this rather upsetting; I thought this was a funny and original movie. I give it 7/10 stars.
The movie was called "My Tiny Universe" and had a fun, entertaining, and witty style that for me displayed a hidden undertone about the meaning of life. Starring (Dickie) Andy Comeau as a suicidal out of work actor who finds the phone of a wealthy famous movie producer played by (Bobby) John Heard whose life is a train wreck. Dickie convinces Bobby to come to his apartment to pick up his phone and this is where the adventure begins. It's an adventure of twists and humor as (Bobby's pregnant mistress) Debi Mazar shows up to confront Bobby about divorcing his wife played by Lesley Ann Warren. This movie brings to light the question "Is the grass always greener on the other side?"
The movie was called "My Tiny Universe" and had a fun, entertaining, and witty style that for me displayed a hidden undertone about the meaning of life. Starring (Dickie) Andy Comeau as a suicidal out of work actor who finds the phone of a wealthy famous movie producer played by (Bobby) John Heard whose life is a train wreck. Dickie convinces Bobby to come to his apartment to pick up his phone and this is where the adventure begins. It's an adventure of twists and humor as (Bobby's pregnant mistress) Debi Mazar shows up to confront Bobby about divorcing his wife played by Lesley Ann Warren. This movie brings to light the question "Is the grass always greener on the other side?"
Amazing ensemble work in dark but hilarious farce
atombee8 November 2004
Saw "My Tiny Universe" at the AFI Film Festival yesterday. Logged in to see what others had to say. Nothing yet, so let me be the first!
This is simply a wonderful movie with great performances from everybody. It shifts rapidly from dark to light ... very intelligent and very funny, laugh out-loud (not just me, the whole audience) comedy.
I can't single out a performer for praise. All were wonderful and the chemistry between them was magical.
Great music too. This is the kind of movie that makes the whole realm of independent movies so special.
Kudos to all, esp. the writers/directors Glenn Scantlebury and Lucy Phillips, for being able to bring this cast together.
This is simply a wonderful movie with great performances from everybody. It shifts rapidly from dark to light ... very intelligent and very funny, laugh out-loud (not just me, the whole audience) comedy.
I can't single out a performer for praise. All were wonderful and the chemistry between them was magical.
Great music too. This is the kind of movie that makes the whole realm of independent movies so special.
Kudos to all, esp. the writers/directors Glenn Scantlebury and Lucy Phillips, for being able to bring this cast together.
LOL @ guns!
rooprect21 January 2011
When the description calls this a 'dark comedy' it ain't kidding. We begin with an opening scene of a guy preparing to blow his brains out. The film progresses through alcoholism, infidelity, assault & battery, douchebags, sleazy entertainment suits, guns, more alcoholism, irreverent Mexican stereotyping, more guns, and more people about to blow their brains out. Call me sick, but I laughed the whole way.
Despite these sensational events, this is a very character-driven story, and its minimal presentation (the whole movie basically happens on a guy's balcony) reminds me of a cleverly written play or slick British comedy. If you liked "Death at a Funeral" (original British version) or "Le dîner de cons" (original French version) or maybe even the classic "Arsenic & Old Lace", I think you'll enjoy this flick. The common theme of all these films being: a whole bunch of certifiably insane characters are stuck together for 90 minutes. Throw in a few guns and you got a laugh riot on your hands.
Beyond laughs, though, this film has some compelling themes going on. In particular the title "My Tiny Universe" implies just what it sounds like. For a brief afternoon, a seemingly insignificant loser's life attracts a menagerie of mighty & powerful people, all of whom find themselves irrevocably sucked in to a black hole of events. We see a group of incompatible people who are ironically drawn close by the common misery of having the worst day of their lives. It makes you realize that the universe isn't as big as it seems, nor is it exclusive. Thumbs up to great writing, great directing & great performances all around.
Despite these sensational events, this is a very character-driven story, and its minimal presentation (the whole movie basically happens on a guy's balcony) reminds me of a cleverly written play or slick British comedy. If you liked "Death at a Funeral" (original British version) or "Le dîner de cons" (original French version) or maybe even the classic "Arsenic & Old Lace", I think you'll enjoy this flick. The common theme of all these films being: a whole bunch of certifiably insane characters are stuck together for 90 minutes. Throw in a few guns and you got a laugh riot on your hands.
Beyond laughs, though, this film has some compelling themes going on. In particular the title "My Tiny Universe" implies just what it sounds like. For a brief afternoon, a seemingly insignificant loser's life attracts a menagerie of mighty & powerful people, all of whom find themselves irrevocably sucked in to a black hole of events. We see a group of incompatible people who are ironically drawn close by the common misery of having the worst day of their lives. It makes you realize that the universe isn't as big as it seems, nor is it exclusive. Thumbs up to great writing, great directing & great performances all around.
A film which uses excellent acting and dialog to carry the plot.
caprimulgusvociferus1 July 2006
Warning: Spoilers
I almost did not watch this movie due to the low rating on this website, then I noticed that the two non-US ratings averaged 9.5 compared to the thirteen US ratings which averaged 4. Not that I have anything against Americans (I am an American), but too many Americans have become accustomed to relying on action to carry plot and are willing to accept sub-par acting. Let's face it, Vin Diesel is not a quality actor. Anyway, I decided to take the chance and watch the movie and I am glad that I did. This movie was fun and engaging, and rarely do I find myself laughing out loud so frequently while watching a movie. I rated this movie a 10 compared to other comedies for this reason (not that any comedy compares to good drama). Sure, the set is limited to one apartment (in the vein of HurlyBurly or Tape), but the performances carry the plot well.
fast-moving adventure-ette
ksf-218 September 2014
Warning: Spoilers
Minor Spoilers (but not really...) "Universe" opens with Dickie Bates (Andry Comeau), on a hill near the Hollywood sign, getting ready to commit suicide. He finds a cell phone in the grass, and when he answers it, his life begins to change. John Heard is "Bobby", the big shot producer, and Lesley Warren is the producer's wife. We see right off that Dickie is a strange duck, and probably WAAAAY over-caffeinated. He does everything way over the top. Then we meet Bonnie (Debi Mazar is Bobby's girl on the side), and the real fireworks start. The tension is high throughout, and like the song says, "Anything Could Happen". And it does. We're never sure just what the heck is going to happen next. It's a roller coaster ride of crazy show-biz people doing crazy things. Fun to watch, as long as you go with the flow. Written AND directed by the team of Lucy Phillips and Glen Scantlebury, who seem to have worked on several projects together. Light, but entertaining, especially for the Lesley Warren fans!
Funny, rich ensemble work and great writing
muststayanonymous14 June 2006
I just rented this flick and I gotta tell ya': it's just too good, writing and ensemble work. I cleared out a whole bag of tortilla chips with a hint of lime with basil dipping sauce watching it. Yes, I'm actually gonna give it 8 stars (with an 'h').
My only problem is that the film is unnecessarily racist. The only undeveloped character is the Latino limo driver. This one facet threatened to sully the film for me but then I had to consider the totality of the writing and performances.
Lesley Ann Warren: now that's a classy actress, let me tell ya'. She was a hoot in 'Victor/Victoria'...too bad I don't see her in too many other vehicles. Perhaps she's only suitable for scorned sex-pots but I doubt it.
My only problem is that the film is unnecessarily racist. The only undeveloped character is the Latino limo driver. This one facet threatened to sully the film for me but then I had to consider the totality of the writing and performances.
Lesley Ann Warren: now that's a classy actress, let me tell ya'. She was a hoot in 'Victor/Victoria'...too bad I don't see her in too many other vehicles. Perhaps she's only suitable for scorned sex-pots but I doubt it.
a brilliant dark-comic gem: Tarantino meets Coen Brothers meets Edward Albee
bhmundy17 June 2014
This overlooked Indie features razor-sharp performances in a really brilliant script. It's a shame that it didn't get a distribution deal.
One reviewer on Amazon hated the main character, but that does not make me dislike the movie. After all, at the outset of the film he was about to commit suicide anyway, so you can't really expect his subsequent actions to be very clearly motivated by any specific identifiable goals of his with which the viewer may sympathize -- except perhaps to strike back at the small cast of other more successful and more clearly motivated Hollywood types who are successively dragged into orbit around him through the accident of his finding the producer's cell-phone. But the unfolding and increasingly complicated details of this process for me made a highly entertaining story.
And from a technical viewpoint I greatly admired the way the filmmakers were able to tell this story so vividly and engagingly, within the evident constraints of a low budget production: no special effects, no crane or tracking shots, no expensive locations. Once the situation is established, all of the action happens in and around a small apartment and the adjoining balcony and long stairway (which provides a nice running joke). This forces the use of narrative devices more familiar from theater than film, moving a small cast of characters around this fixed interior set, with cinematic techniques limited to the blocking of shots and cutting between close-ups and two-shots. This puts all the weight on the script and the performances, and I thought these were both brilliant. I kept being reminded of Mike Nichols' film version of 'Who's Afraid of Virginia Woolf?', or of the garage scenes in 'Reservoir Dogs', but with Coen Brothers' sardonic humor replacing overt violence.
One reviewer on Amazon hated the main character, but that does not make me dislike the movie. After all, at the outset of the film he was about to commit suicide anyway, so you can't really expect his subsequent actions to be very clearly motivated by any specific identifiable goals of his with which the viewer may sympathize -- except perhaps to strike back at the small cast of other more successful and more clearly motivated Hollywood types who are successively dragged into orbit around him through the accident of his finding the producer's cell-phone. But the unfolding and increasingly complicated details of this process for me made a highly entertaining story.
And from a technical viewpoint I greatly admired the way the filmmakers were able to tell this story so vividly and engagingly, within the evident constraints of a low budget production: no special effects, no crane or tracking shots, no expensive locations. Once the situation is established, all of the action happens in and around a small apartment and the adjoining balcony and long stairway (which provides a nice running joke). This forces the use of narrative devices more familiar from theater than film, moving a small cast of characters around this fixed interior set, with cinematic techniques limited to the blocking of shots and cutting between close-ups and two-shots. This puts all the weight on the script and the performances, and I thought these were both brilliant. I kept being reminded of Mike Nichols' film version of 'Who's Afraid of Virginia Woolf?', or of the garage scenes in 'Reservoir Dogs', but with Coen Brothers' sardonic humor replacing overt violence.
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