| Photos (see all 55 | slideshow) | Videos (see all 8 NEW) |
| Edward Norton | ... | Eisenheim | |
| Paul Giamatti | ... | Inspector Uhl | |
| Jessica Biel | ... | Sophie | |
| Rufus Sewell | ... | Crown Prince Leopold | |
| Eddie Marsan | ... | Josef Fischer (as Edward Marsan) | |
| Jake Wood | ... | Jurka | |
| Tom Fisher | ... | Willigut | |
| Aaron Johnson | ... | Young Eisenheim | |
| Eleanor Tomlinson | ... | Young Sophie | |
| Karl Johnson | ... | Doctor / Old Man | |
| Vincent Franklin | ... | Loschek | |
| Nicholas Blane | ... | Herr Doebler | |
| Philip McGough | ... | Dr. Hofzinser | |
| Erich Redman | ... | Count Rainer | |
| Michael Carter | ... | Von Thurnburg | |
| Vanessa Gendron | ... | Shouting Woman | |
| Matthew Blood-Smyth | ... | Man Who Incites Riot | |
| David Forest | ... | Traveling Magician | |
| Laurie Athey | ... | Aristocratic Boy | |
| Oliver Blaha | ... | Aristocratic Boy | |
| Thomas McEnchroe | ... | Aristocratic Boy | |
| Andreas Grothusen | ... | Eisenheim's Father | |
| Brian Caspe | ... | Eisenheim's Assistant | |
| Ellen Savaria | ... | Mrs. Uhl | |
| Elias Zerael Bauer | ... | Street Urchin Messenger (as Elias Bauer) | |
| Dominik Havelka | ... | Street Urchin | |
| Robin Ferenc | ... | Street Urchin | |
| Vitezslav Bouchner | ... | Sophie's Driver | |
| David O'Kelly | ... | Archduke | |
| Richard Rowlands | ... | Archduke | |
| Sean Hall | ... | Young Prince | |
| Reuben-Henry Biggs | ... | Frankel (as Rueben-Henry Biggs) | |
| Vadam Bat-Orshikh | ... | Asian Assistant | |
| Purevdorj Boldsaikhan | ... | Asian Assistant | |
| Chen Feng | ... | Asian Assistant | |
| Sondom Nararbadrakh | ... | Asian Assistant | |
| Erdenbileg Sengee | ... | Asian Assistant | |
| Jan Cibulka | ... | Boy Apparition on Stage | |
| Fasihiddin Khasanov | ... | Boy Apparition in Audience | |
| Alfred Strejcek | ... | Guard | |
| Robert Russell | ... | Spiritualist Leader | |
| Noel le Bon | ... | Arrested Man (as Noel Lebon) | |
| David Fellowes | ... | Respectable Man | |
| Eve Kelemenova | ... | Sobbing Woman (as Eva Kelemenova) | |
| John Early | ... | Man on Street | |
| Jan Nemejovsky | ... | Senior Officer | |
| Ivo Novák | ... | Senior Officer | |
| Vladimir Kulhavy | ... | Train Conductor | |
| Nancy Bishop | ... | Audience Member | |
| Duke Faeger | ... | Audience Member (as Dusan Fager) | |
| Brendan Gunn | ... | Audience Member | |
| Ryan James | ... | Audience Member | |
| Alistair Macnaughtan | ... | Audience Member (as Alistair Macnaughton) | |
| Petr Meissel | ... | Audience Member | |
| Anezka Novak | ... | Audience Member | |
| Jeff Smith | ... | Audience Member | |
| Noelle Trkulja | ... | Audience Member | |
| Ivan Urbánek | ... | Audience Member | |
| Jiri Vacek | ... | Audience Member | |
| Jaroslav Vízner | ... | Audience Member | |
| rest of cast listed alphabetically: | |||
| James Babson | ... | Young Father (uncredited) | |
Directed by | |||
| Neil Burger | |||
Writing credits(WGA) | ||
| Neil Burger | (screenplay) | |
| Steven Millhauser | (short story "Eisenheim the Illusionist") | |
Produced by | |||
| Jane Garnett | .... | executive producer | |
| Joey Horvitz | .... | executive producer | |
| Tom Karnowski | .... | co-producer | |
| Brian Koppelman | .... | producer | |
| David Levien | .... | producer | |
| Ted Liebowitz | .... | executive producer | |
| Michael London | .... | producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| David Minkowski | .... | co-producer | |
| Tom Nunan | .... | executive producer | |
| Cathy Schulman | .... | producer | |
| Matthew Stillman | .... | co-producer | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Dick Pope | (director of photography) | ||
Film Editing by | |||
| Naomi Geraghty | |||
Casting by | |||
| Deborah Aquila | |||
| Nina Gold | |||
| Mary Tricia Wood | (as Tricia Wood) | ||
Production Design by | |||
| Ondrej Nekvasil | |||
Art Direction by | |||
| Stefan Kovacik | |||
| Vlasta Svoboda | |||
Set Decoration by | |||
| Petra Hábová | |||
Costume Design by | |||
| Ngila Dickson | |||
Makeup Department | |||
| Jan Archibald | .... | hair designer | |
| Libuse Barlova | .... | hair person (as Liba Barlova) | |
| Anita Burger | .... | assistant to hair designer | |
| Denise Dellavalle | .... | makeup artist | |
| Linda Dvorakova | .... | key hair stylist | |
| Václav Frank | .... | makeup person | |
| Dana Kohoutova | .... | hair assistant: second unit | |
| Ruzena Novotna | .... | hair stylist | |
| Julie Pearce | .... | makeup department head | |
| Hovette Stephanie | .... | wig maker | |
| Ivo Strangmüller | .... | key makeup artist (as Ivo Strangmuller) | |
Production Management | |||
| Vaclav Eisenhamer | .... | production supervisor | |
| Jiri Husak | .... | unit manager | |
| Tom Karnowski | .... | unit production manager | |
| Robert Katz | .... | executive in charge of production | |
| Bill Newcomb | .... | post-production supervisor: Visionbox Media Group | |
| Louise Runge | .... | post-production manager: Yari Film Group | |
| Andrew Zolot | .... | post-production supervisor: New York | |
Sound Department | |||
| Michael Babcock | .... | additional sound re-recording mixer (as Mike Babcock) | |
| Michael Babcock | .... | sound designer | |
| David E. Campbell | .... | sound re-recording mixer (as Dave Campbell) | |
| Rick Canelli | .... | adr recordist | |
| Tomas Cervenka | .... | cable person | |
| Eric Flickinger | .... | sound recordist | |
| Petr Forejt | .... | sound mixer | |
| Terry Garcia | .... | assistant sound | |
| Peter Gleaves | .... | adr mixer | |
| J. Paul Huntsman | .... | supervising sound editor | |
| Mary Jo Lang | .... | foley mixer | |
| Mark L. Mangino | .... | dialogue editor (as Mark Mangino) | |
| Mark L. Mangino | .... | sound editor | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Scott Morgan | .... | foley recordist | |
| Thomas J. O'Connell | .... | adr mixer | |
| John T. Reitz | .... | sound re-recording mixer (as John Reitz) | |
| Roman Rigo | .... | boom operator | |
| John Roesch | .... | foley artist | |
| Gregg Rudloff | .... | sound re-recording mixer | |
| Gregory H. Watkins | .... | additional sound re-recording mixer (as Greg Watkins) | |
| Jörg Klaussner | .... | dubbing mixer (uncredited) | |
Special Effects by | |||
| Martin Busek | .... | special effects technician: second unit | |
| Ondrej Pryca | .... | special effects technician | |
| Roman Tudzaroff | .... | special effects supervisor | |
| Rudolf Tudzaroff | .... | special effects senior technician | |
Visual Effects by | |||
| Sean Applegate | .... | effects animator | |
| Patrick Clancey | .... | digital opticals (as Patrick Clancey) | |
| Ales Dlabac | .... | 3D modeler and animator | |
| Miro Gal | .... | Flame operator | |
| H Haden Hammond | .... | digital compositor | |
| H Haden Hammond | .... | effects animator | |
| Eva Jindráková | .... | telecine coordinator (as Eva Jindrakova) | |
| Ntana Key | .... | second digital colorist: EFILM | |
| Vít Komrzy | .... | visual effects producer | |
| Jirí Linhart | .... | visual effects | |
| Jan Malír Jr. | .... | digital compositor (as Jan Malir) | |
| Ivo Marak | .... | hardware support | |
| Ivo Marak | .... | software support | |
| Vladimír Matousek | .... | digital compositor | |
| Viktor Muller | .... | visual effects supervisor | |
| Peter Nemec | .... | digital compositor | |
| Gregory Oehler | .... | senior Inferno artist (as Greg Oehler) | |
| Alejandro Perez | .... | dustbuster | |
| Robert Pik | .... | digital compositor | |
| David Schoneveld | .... | effects animator | |
| Steven J. Scott | .... | supervising digital colorist: EFilm | |
| Danita Slaughter | .... | digital opticals editor | |
| Jiri Stamfest | .... | matte painter | |
| Ondrej Stibinger | .... | telecine operator | |
| Thomas H. Tonkin | .... | storyboards | |
| Jan Vseticek | .... | visual effects coordinator | |
| Daniel E. Zobrist | .... | lead matchmover (as Daniel Zobrist) | |
Stunts | |||
| Romana Hajkova | .... | horse master | |
| Ladislav Lahoda | .... | stunt coordinator | |
| Miroslav Lhotka | .... | stunt double | |
Animation Department | |||
| Gary Hebert | .... | animator: title animation | |
Casting Department | |||
| Nancy Bishop | .... | casting: Prague | |
| Jirí Hrstka | .... | extras casting | |
| Joel Kirby | .... | casting assistant: Berlin | |
| Jennifer Ricchiazzi | .... | casting associate | |
| Georgia Simon | .... | adr voice casting | |
| Noelle Trkulja | .... | casting assistant: Prague | |
| Olga Záhorbenská | .... | casting associate (as Olga Zahorbenska) | |
| Stephen Moore | .... | casting assistant (uncredited) | |
| Jennifer L. Smith | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Milena Adamová | .... | seamstress (as Milena Adamova) | |
| Iva Bártová | .... | wardrobe assistant (as Iva Bartova) | |
| Marie Charvatova | .... | wardrobe assistant | |
| Libby Dempster | .... | costume textile artist | |
| Sian Evans | .... | head stand-by costumer | |
| Miroslav Fantys | .... | assistant to wardrobe supervisor (as Mirek Fantys) | |
| Karolina Jirova | .... | costumer: extras | |
| Alena Koucka | .... | set costumer | |
| Liba Malerova | .... | set costumer: second unit | |
| Liz McGregor | .... | assistant costume designer | |
| Katerina Mirová | .... | set costumer: second unit (as Katerina Mirova) | |
| Vera Mirová | .... | wardrobe supervisor | |
| Petr Pluhar | .... | set costumer | |
| Katerina Polanska | .... | set costumer | |
| Ladislav Procházka | .... | set costumer (as Ladiuslav Prochazka) | |
| Jitka Svecova | .... | costumer: extras | |
| Nancy Thompson | .... | assistant costume designer | |
| Helena Vitoulová | .... | seamstress (as Helena Vitoulova) | |
| Barbora Wildova | .... | wardrobe interpreter (as Bara Wildova) | |
Editorial Department | |||
| Kenny Becker | .... | color timer (as Kenny Beker) | |
| Ntana Key | .... | digital colorist assistant | |
| Attila Kovacs | .... | assistant editor: avid | |
| Esther Lee | .... | assistant digital intermediate producer | |
| Martha Pike | .... | digital intermediate editor | |
| John Portnoy | .... | post-production executive: Yari Film Group | |
| Steven J. Scott | .... | supervising digital film colorist (as Steve Scott) | |
| Russ Senzatimore | .... | second assistant editor | |
| Lorene Simpson | .... | digital intermediate producer | |
| Arturo Sosa | .... | first assistant editor | |
| Charlie Wiel | .... | post-production coordinator: Yari Film Group | |
Music Department | |||
| Dan Bora | .... | score mix engineer | |
| John Carbonara | .... | assistant music editor | |
| Pavel Ciboch | .... | music preparation | |
| Richard Glasser | .... | music executive: Yari Film Group | |
| Zdena Pelikanova | .... | orchestral contractor | |
| Suzana Peric | .... | music editor | |
| Michael Riesman | .... | conductor | |
| Alice Wood | .... | additional music editor | |
Other crew | |||
| Laura Atkins | .... | post-production accountant: Post Accountants Inc. | |
| Petr Bastar | .... | assistant location manager | |
| Aaron Baum | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Christina Born | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Kelly Brant | .... | assistant: Mr Koppelman and Mr Levein | |
| Stephan Burle | .... | title designer: main titles | |
| Adam Christian | .... | assistant: Ms Garnett | |
| Martin Cigler | .... | set production assistant | |
| Hana Duplinska | .... | assistant: Mr Burger (as Hanka Duplinska) | |
| David Eisenhamer | .... | production assistant | |
| Juliana Farrell | .... | assistant: Mr. London (as Juliana E. Farrell) | |
| Julio Ferrario | .... | title designer: main titles | |
| Anna Francis | .... | assistant unit publicist: DDA Public Relations Ltd. | |
| James Freedman | .... | magic consultant | |
| Ingo Gardner | .... | balloon operator | |
| Milan Garncarz | .... | set medic | |
| Kelli Gillam | .... | post-production accountant | |
| Kelli Gillam-Woolfolk | .... | post-production accountant: Post Accountants Inc. (as Kelli Gilliam Woolfolk) | |
| Rick Gold | .... | legal department assistant: Yari Film Group (as Richard Gold) | |
| Pamela B. Green | .... | title designer: main titles (as Pamela Green) | |
| Brendan Gunn | .... | head dialect coach | |
| Jack W. Haddox | .... | production controller (as Jack Haddox) | |
| Romana Hajkova | .... | horse master | |
| Andrea Hanson | .... | assistant: Mr. Yari, Yari Film Group | |
| Gary Hebert | .... | title designer: main titles | |
| Viera Hladisova | .... | assistant accountant | |
| Lenka Hojková | .... | script supervisor: second unit (as Lenka Hojkova) | |
| Jana Hrbková | .... | payroll clerk (as Jana Hrbkova) | |
| Mira Husseini | .... | film publicist | |
| David Hutkin | .... | production financing: ICB Entertainment Finance | |
| Ricky Jay | .... | technical advisor: magic | |
| Tomas Jeseticky | .... | caterer: second unit | |
| Julia Jones | .... | senior vice president: DDA Public Relations Ltd. | |
| Laine R. Kline | .... | business & legal affairs executive: Yari Film Group (as Laine Kline) | |
| Tomas Kreisl | .... | account cashier | |
| Michael J. Linowes | .... | legal counsel: Linowes & Burkin | |
| John Bard Manulis | .... | chief executive officer: Visionbox Media Group (as John Manulis) | |
| Vera Matousova | .... | production coordinator | |
| Frantisek Mesícek | .... | armorer: second unit (as Frantisek Mesicek) | |
| Zbynek Mrkous | .... | manager: base camp | |
| Nico Muhly | .... | assistant: Mr. Glass and Mr. Riesman | |
| Susan Muir | .... | completion bond: Film Finances Inc. | |
| Buckley Norris | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Olina Pekna | .... | set medic | |
| Maureen Pennison | .... | movement coach | |
| Scott Penrose | .... | magic consultant | |
| Petr Petovsky | .... | production runner | |
| Marketa Poruba | .... | production secretary (as Marketa Porubova) | |
| Jitka Prochazkova | .... | assistant location manager | |
| Andrea Puschova | .... | file clerk | |
| Tomas Radolf | .... | balloon technician | |
| Greg Reynard | .... | title designer: main titles | |
| Petr Riha | .... | manager: base camp | |
| Justin Hamilton Salem | .... | set production assistant | |
| Edgar Sandoval | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Katerina Silna | .... | production coordinator | |
| Jiri Sisak | .... | consultant: decorum and etiquette | |
| Petr Skvor | .... | assistant location manager | |
| Shelly Strong | .... | production executive: Yari Film Group | |
| Daniel Stutz | .... | business and legal affairs executive | |
| Dana Supkova | .... | set medic | |
| Vivian Tarn | .... | production financing: ICB Entertainment Finance | |
| Carsten Thoms | .... | balloon operator | |
| Jiri Tichacek | .... | production accountant | |
| Greg Trattner | .... | completion bond: Film Finances Inc. (as Gregory Trattner) | |
| Silvana Tropea | .... | assistant: Mr. Norton | |
| Susie Tullett | .... | unit publicist: DDA Public Relations Ltd. | |
| Jarda Vaculik | .... | location manager | |
| Jarik Van Sluijs | .... | title designer: main titles | |
| Alex Vonhungen | .... | assistant: Laine Kline, Yari Film Group | |
| Ian Watermeier | .... | staff coordinator: Yari Film Group | |
| Michael Weber | .... | technical advisor: magic | |
| Randy Weiss | .... | production executive: Visionbox Media Group | |
| Deborah Wettstein | .... | finance executive: Yari Film Group | |
| Todd Williams | .... | production executive: Yari Film Group | |
| Lori Wyant | .... | script supervisor | |
| Dale Wyatt | .... | dialect coach | |
| Franta Zunt | .... | craft service | |
| Vaclav Zunt | .... | caterer | |
| Steve Fletcher | .... | tutor (uncredited) | |
| Michael Giannantonio | .... | technical consultant: magic (uncredited) | |
| Jarin Rossiter | .... | business affairs coordinator (uncredited) | |
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| IMDb Drama section | IMDb Czech Republic section | Add this title to MyMovies |
"The Illusionist" is a unique film that combines two often stale genres into something fresh: the lush romantic period piece and the "AHA!" mystery thriller (a genre M. Night Shamalyan has single-handedly run into the ground recently). Helmed by a first time director (Neil Burger), based on a short story, and featuring an eclectic cast, "The Illusionist" had the perfect set-up to be a monumental disaster. With a graceful slight-of-hand, it ends up being something very good.
As with any run-of-the-mill period piece, there's a lavish attention to the set designs and costumes, here representing late nineteenth century Vienna. Director Burger puts a nice spin on the same-old, same-old with an acute attention to lighting (especially in the dreamily over-exposed flashbacks) and old fashioned camera techniques (witness the circular camera's eye closing to transition from scenes) to give the film the feel of being a fond memory of a classic movie from a bygone era.
The central romance where Edward Norton's title character and Jessica Biel's Dutchess are star-crossed lovers kept apart because of class and society, had all the makings of a snore-inducing cheese-athon. Executed in an understated manner that services the greater plot, it ends up being anything but. Norton's performance, especially in the second half of the film when he turns into a man of very few words, had the potential to be one-note. As an actor, he speaks volumes with his eyes. Biel, a former teen idol and TV star, seemed a horrific choice for this role. She pulls of the nifty trick of being quite good. Even better are Rufus Sewell as the tyrannical crown-prince and Paul Giamatti as the chief inspector. Using a short story as the source material, characterizations had the potential to be paper-thin, but these seasoned veterans make the most of their lines and scenes adding terror, humor, and gravitas through their vocal and physical deliveries where lesser actors would've been wooden and cold. The entire cast also worked together very well utilizing their odd, vaguely European and aristorcatic accent. Everyone used it so consistently and earnestly, it didn't seem to matter after awhile that the accent was unnecessary.
A more over-eager or pretentious director may have completely sabotaged the fantastic ending to "The Illusionist" and cheated the audience. Handled deftly by Burger, the grande finale where "all is revealed" is a wholly organic and satisfying conclusion that rewards the patient viewer and fulfills the lofty promises of the themes presented throughout the work.
"The Illusionist" boasts an excellent music score from minimalist composer Phillip Glass that easily rivals his great work done in "Candyman" and "The Hours." Norton and Giamatti treat us to some of the best "staring" since the days of silent films. The look on Giamatti's face and the positioning of his raised eyebrows as he watches Norton perform his illusions coupled with Norton's eyes as he pulls off his tricks are priceless.