Directed by
Philip Abatecola |
Writing Credits (in alphabetical order)
Michael Thomas Wallace | ... | (as Michael Wallace) |
Cast (in credits order)
Produced by
Philip Abatecola | ... | co-producer |
Jonathan Grossman | ... | executive producer |
Jeff McLaughlin | ... | producer |
Jeffrey M. Meyer | ... | associate producer |
Kathryn Michelle | ... | associate producer |
Elizabeta Vidovic | ... | associate producer |
Michael Thomas Wallace | ... | producer (as Michael Wallace) |
Music by
Ted Masur |
Cinematography by
Tarin Anderson |
Editing by
Philip Abatecola | ||
Hallie Faben Comfort | ... | (as Hallie Faben) |
Casting By
Richard Courtney |
Set Decoration by
Natalie Reed |
Costume Design by
Theresa Reilley |
Makeup Department
Katia DeMirdjian | ... | hair stylist: second unit / makeup artist: second unit |
Lisa Ellingwood | ... | hair stylist / makeup artist |
Production Management
Anthony Gonzales | ... | post-production supervisor (as Tony Gonzales) |
Second Unit Director or Assistant Director
Michael Becker | ... | first assistant director: second unit |
Greg Sidnam | ... | first assistant director |
Sona Stamboltsyan | ... | first assistant director: additional photography |
Art Department
Jeffrey Forsyth | ... | lead man |
Natalie Reed | ... | property master |
Sound Department
Robert Backus | ... | sound recordist: additional photography |
Tyler Coats | ... | boom operator: second unit |
Ian James Duncan | ... | sound mixer: second unit (as Ian Duncan) |
Larry Dean Embry | ... | adr recordist |
Thadeus Frazier-Reed | ... | re-recording mixer / sound designer / sound mixer |
Mario Restive | ... | boom operator |
Visual Effects by
Ian James Duncan | ... | visual effects (as Ian Duncan) |
Camera and Electrical Department
Doug Agnew | ... | grip |
Vincent Allen | ... | grip |
Karen Campbell | ... | still photographer |
Bennett Cerf | ... | additional cinematographer |
Mac Cushing | ... | grip |
Craig Jennette | ... | first assistant camera: second unit |
Phaedra Kolias | ... | gaffer: additional photography |
Roberto Lewis | ... | first assistant camera |
Stephen Long | ... | key grip |
Mat Lucas | ... | camera operator: additional photography |
Adam Orellana | ... | camera operator |
Marc Parsons | ... | rigging grip: second unit |
R. Aaron Ruiz | ... | key grip: second unit |
Meg Schrock | ... | swing grip |
Jamal A. Smith | ... | gaffer |
Dan Woods | ... | generator operator |
Julien Zeitouni | ... | crane operator |
Casting Department
Kellie Brutcher | ... | extras casting |
Costume and Wardrobe Department
Natalie Reed | ... | wardrobe |
Location Management
Eric Summit | ... | location scout |
Music Department
Jeff Ham | ... | music consultant |
Jeff McLaughlin | ... | music supervisor |
Damon Tedesco | ... | score recordist |
Script and Continuity Department
Glenda L. Richardson | ... | script supervisor |
Transportation Department
Greg Sidnam | ... | transportation |
Additional Crew
Greg Bernstein | ... | legal services |
Kellie Brutcher | ... | production assistant |
Mark Bruzzi | ... | production assistant |
Sam Campbell | ... | caterer: additional photography |
Ian James Duncan | ... | production assistant (as Ian Duncan) |
Lily Duncan | ... | production assistant |
Thomas Esposito | ... | production assistant |
Jeffrey Forsyth | ... | production coordinator |
Scott McGroty | ... | forklift operator |
Natalie Reed | ... | craft service |
Vaughn Schoonmaker | ... | production assistant |
Steven Tamer | ... | caterer |
Aaron Williams | ... | production assistant |