A nurse who suspects her very rich husband of killing his first wife seeks advice from a lawyer instead of going to the police.A nurse who suspects her very rich husband of killing his first wife seeks advice from a lawyer instead of going to the police.A nurse who suspects her very rich husband of killing his first wife seeks advice from a lawyer instead of going to the police.
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Did you know
- TriviaFirst directorial credit for Leonard J. Horn in TV or film.
- GoofsThe attorney Paul Brett tells Mrs. Cannon-Hughes that "a wife cannot testify against her husband". That is, however, incorrect and as an attorney Paul Brett should know that. A wife cannot be forced to testify against her husband against her own will, however, if she chooses to do so she can of course testify against her husband.
- Quotes
Alfred Hitchcock - Host: It seems to me that she could take my blood pressure with a tire gauge.
- SoundtracksFuneral March of a Marionette
Written by Charles Gounod
Featured review
Accounting for truth
'Alfred Hitchcock Presents' "A True Account" (1959)
Opening thoughts: 'Alfred Hitchcock Presents' is a very interesting and very well done, if not consistent, series that ran for seven seasons between 1955 and 1962. Every season had some truly fine episodes, and they all had some not so good episodes. "A True Account" is the first of two 'Alfred Hitchcock Presents' episodes to be directed by Leonard J. Horn, a relatively unfamiliar name to me. From his episodes, Horn struck me as a director who was competent, but also not particularly distinguished.
This is obvious in "A True Account". By all means it is an above average and more than watchable episode of 'Alfred Hitchcock Presents' and also for anything in general, thanks to a strong first half. At the same time, it is not great either, with the patchy storytelling hurting it. As far as the uneven but solid Season 4 goes, "A True Account" is not one of the best episodes, "Poison" for example being an example of an outstanding effort. It is also not one of the worst, like for instance "Don't Interrupt".
Good things: There is a huge amount to like about "A True Account". Jane Greer and particularly Kent Smith are extremely good in their roles and have a very strong chemistry together that generates genuine tension when necessary. The script is generally thought provoking, not taking itself too seriously while also not being farcical.
It stops off really well, being very intriguing and taut with a great opening, a masterpiece of character dynamics. It is very atmospherically shot, the editing flows smoothly and cohesively and while simple the settings are not simplistic. The beginning is particularly atmospheric and the photography is quite clever. The audio doesn't overbear and "Funeral March of a Marionette" is an appropriately macabre choice for main theme. Hitchcock provides some typically droll humour.
Bad things: Did feel however that the promise showed in the first half didn't translate as much in the second. It could have done with a good deal more suspense, tighter pacing and more surprises, when it felt too over stretched and talky. Character motivations and such were on the vague side and not fleshed out enough.
All this is especially apparent in the final quarter, which is truly far fetched to an over silly degree, muddled and also a bit rushed. Hitchcock's epilogue felt tacked on and wasn't needed, too over explained as well.
Closing thoughts: Overall, above average if unexceptional.
6/10.
Opening thoughts: 'Alfred Hitchcock Presents' is a very interesting and very well done, if not consistent, series that ran for seven seasons between 1955 and 1962. Every season had some truly fine episodes, and they all had some not so good episodes. "A True Account" is the first of two 'Alfred Hitchcock Presents' episodes to be directed by Leonard J. Horn, a relatively unfamiliar name to me. From his episodes, Horn struck me as a director who was competent, but also not particularly distinguished.
This is obvious in "A True Account". By all means it is an above average and more than watchable episode of 'Alfred Hitchcock Presents' and also for anything in general, thanks to a strong first half. At the same time, it is not great either, with the patchy storytelling hurting it. As far as the uneven but solid Season 4 goes, "A True Account" is not one of the best episodes, "Poison" for example being an example of an outstanding effort. It is also not one of the worst, like for instance "Don't Interrupt".
Good things: There is a huge amount to like about "A True Account". Jane Greer and particularly Kent Smith are extremely good in their roles and have a very strong chemistry together that generates genuine tension when necessary. The script is generally thought provoking, not taking itself too seriously while also not being farcical.
It stops off really well, being very intriguing and taut with a great opening, a masterpiece of character dynamics. It is very atmospherically shot, the editing flows smoothly and cohesively and while simple the settings are not simplistic. The beginning is particularly atmospheric and the photography is quite clever. The audio doesn't overbear and "Funeral March of a Marionette" is an appropriately macabre choice for main theme. Hitchcock provides some typically droll humour.
Bad things: Did feel however that the promise showed in the first half didn't translate as much in the second. It could have done with a good deal more suspense, tighter pacing and more surprises, when it felt too over stretched and talky. Character motivations and such were on the vague side and not fleshed out enough.
All this is especially apparent in the final quarter, which is truly far fetched to an over silly degree, muddled and also a bit rushed. Hitchcock's epilogue felt tacked on and wasn't needed, too over explained as well.
Closing thoughts: Overall, above average if unexceptional.
6/10.
helpful•80
- TheLittleSongbird
- Mar 10, 2024
Details
- Runtime30 minutes
- Color
- Aspect ratio
- 1.33 : 1
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