Directed by
| László Nemes | ||
Writing Credits (in alphabetical order)
| László Nemes | ... | (screenplay) |
| Timea Varkonyi | ... | (screenplay) |
Cast (in credits order)
 |
Virág Marjai | ||
| Attila Menszátor-Héresz | |||
|
|
Éva Kelényi | ||
|
|
Kálmán Kovács | ||
|
|
Endre Ferenczy | ||
Produced by
| György Durst | ... | co-producer |
| István Major | ... | co-producer |
| András Muhi | ... | producer |
Cinematography by
| Mátyás Erdély | ||
Casting By
| László Nemes | ||
| Timea Varkonyi | ||
Production Design by
| László Rajk | ||
Art Direction by
| Péter Brill | ||
Set Decoration by
| Sándor Katona | ||
Costume Design by
| Gábor Homonnay | ||
| Edit Szücs | ||
Makeup Department
| Rita Fekete | ... | key makeup artist |
| Gabriella Vincze | ... | hair stylist |
Production Management
| Miklós Fekete | ... | unit manager |
| Andrea Taschler | ... | production manager |
Second Unit Director or Assistant Director
| László 'Samu' Bednárik | ... | second assistant director (as László 'Samu' Bednárik) |
| Máté Illés | ... | assistant director |
| László Kádár | ... | first assistant director |
Art Department
| György Csarnó | ... | set dresser |
| Csaba Drótos | ... | stand-by carpenter |
| Pál Hrepka | ... | set dresser (as Pál Repka) |
| Sándor Katona | ... | set dresser |
| Balázs Krasznahorkai | ... | artistic advisor |
| Imre Nagy | ... | property master |
| István Németh | ... | set dresser |
| Zsuzsanna Rebeka Pál | ... | title and end credit designer |
| Tamás Szabó | ... | set constructor |
| János Tóth | ... | assistant set decorator |
| Timea Varkonyi | ... | artistic advisor |
Sound Department
| Tamás Beke | ... | foley artist |
| Tamás Zányi | ... | sound |
Special Effects by
| Barnabás Princz | ... | special effects (as Barna Princz) |
| Károly Princz | ... | special effects |
| Szabolcs Princz | ... | special effects |
Visual Effects by
| Károly Körmöczi | ... | 3D previsualization |
Camera and Electrical Department
| László Angyal | ... | lamp operator |
| György Berghoffer | ... | lamp operator |
| Károly Gaál | ... | best boy |
| István Gottmann | ... | second assistant camera |
| Miklós Herczeg | ... | grip |
| Gusztáv Kirsch | ... | first assistant camera / focus puller |
| Ferenc Laczkó | ... | lamp operator |
| Zoltán Pataki | ... | cable man |
| József Simon | ... | gaffer |
| Lenke Szilágyi | ... | still photographer |
| Andrea Szirmai | ... | camera rental |
| Márton Velencei | ... | lamp operator |
Casting Department
| Máté Birkás | ... | preliminary casting |
| Mária Boros | ... | additional casting |
| Judit Gonda | ... | extras casting |
| Tamás Kertész | ... | extras casting |
| Balázs Kovács | ... | extras casting |
| Dániel Rosenfeld | ... | special extras |
Costume and Wardrobe Department
| Brigitta Kõvári | ... | wardrobe |
| Csaba Zollai | ... | wardrobe |
Editorial Department
| Krisztián Balogh | ... | digital color timer |
| Gyöngyi Féjja | ... | negative cutter |
| Péter Politzer | ... | post-production coordinator |
| Zsuzsanna Rebeka Pál | ... | titles (as Rebeka Pál) |
| Viola Regéczy | ... | color timer |
Location Management
| Miklós Fekete | ... | location manager |
| Felicián Keresztes | ... | assistant location manager |
| László Lakatos | ... | location manager: pre-production |
Additional Crew
| László Kiss | ... | assistant to director: pre-production |
| Timea Varkonyi | ... | assistant to director |
