Directed by
| Logan Miller | ||
| Noah Miller | ||
Writing Credits
| Logan Miller | ... | (screenplay) & |
| Noah Miller | ... | (screenplay) |
Cast (in credits order)
Produced by
| Logan Miller | ... | producer |
| Noah Miller | ... | producer |
| Gordon Radley | ... | executive producer |
| Brian Vail | ... | executive producer |
| Jeromy Zajonc | ... | producer |
Music by
| Martin Davich | ||
Cinematography by
| Ricardo Jacques Gale | ... | director of photography |
Editing by
| Robert Dalva | ||
Casting By
| Billy DaMota | ||
| Michelle Foumberg | ... | (as Michelle Metzner) |
Production Design by
| Roy Rede | ||
Art Direction by
| Thomas Power | ||
Costume Design by
| Inanna Bantu | ||
Makeup Department
| Karen Bradley | ... | makeup artist |
| Ginger Damon | ... | hair department head |
| Gretchen Davis | ... | makeup artist |
| Mary L. Mastro | ... | hair stylist: Ed Harris |
| Persia Matine | ... | assistant makeup artist (as Persia Matine-Coburn) |
Production Management
| Taylor Boyd | ... | production manager |
| John Orland | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Erik J. Carpenter | ... | second assistant director |
| Katie Hausmann | ... | second second assistant director (as Katie Botkin) |
| Constance L. Hoy | ... | first assistant director / second unit director |
Art Department
| Sarah Chase | ... | set dresser |
| April George | ... | additional props |
| Jessica M. Lapin | ... | property master |
| Annie Mueller | ... | additional props |
| Shane Richardson | ... | props |
| Marlaice Shoemate | ... | set dresser |
Sound Department
| Christopher Barron | ... | Digital Transfer (as Chris Barron) |
| Mark Berger | ... | re-recording mixer |
| Christopher Boyes | ... | re-recording mixer (as Chris Boyes) |
| Frank Clary | ... | Asst Supervising Sound Editor / foley editor |
| John Countryman | ... | Digital Transfer |
| Edwin Dunkley | ... | Video Services |
| Teresa Eckton | ... | sound effects editor (as Terry Eckton) |
| Jamison Empey | ... | post production sound accountant |
| Sean England | ... | foley recordist |
| Pascal Garneau | ... | sound designer / sound effects editor |
| Jonathan Greber | ... | Digital Transfer |
| Chris Gridley | ... | dialogue editor |
| Jon Hicks | ... | utility sound |
| David Hunter | ... | Digital Editorial Services |
| Richard Hymns | ... | supervising sound editor |
| Saravoot Kaitkalang | ... | boom operator / sound mixer: second unit |
| Mike Lane | ... | client services |
| Randy Lawson | ... | sound mixer |
| Leff Lefferts | ... | digital editorial services (as Leffert Lefferts) |
| Alan Mays | ... | engineering services |
| Marilyn McCoppen | ... | supervising dialog editor |
| Steve Morris | ... | engineering services |
| Nathan Nance | ... | recordist |
| Gordon Ng | ... | client services |
| Juan Peralta | ... | mix technician |
| Eva Porter | ... | Client Services |
| Philip Rogers | ... | adr recordist |
| Ronald G. Roumas | ... | recordist (as Ron Roumas) |
| Jurgen Scharpf | ... | mix technician |
| Clint Smith | ... | sound recordist |
| John Torrijos | ... | Video Services (as John 'J.T.' Torrijos) |
| Clayton Wood | ... | engineering services |
Visual Effects by
| Jeffrey Benedict | ... | digital effects artist: ILM |
| Patrick Clancey | ... | digital opticals |
| Jake King | ... | digital colorist assist |
| Eddie Pasquarello | ... | associate visual effects supervisor |
| Mitch Paulson | ... | digital colorist: EFilm |
Camera and Electrical Department
| Michael Anthony | ... | electrician |
| Steve Bellen | ... | assistant camera |
| Tim Bellen | ... | steadicam operator |
| Tony Bendt | ... | dolly grip: "a" camera |
| Phil Bowen | ... | b camera assistant |
| Thomas Burns | ... | set lighting technician |
| Kris Butler | ... | videographer |
| Bianca Butti | ... | film loader |
| Gerardo Cabrera | ... | grip |
| Sharla Cipicchio | ... | first assistant camera |
| Jon Fontana | ... | gaffer |
| Daniel Gorrell | ... | electrician |
| Darrell M. Lee | ... | additional grip |
| David Moir | ... | still photographer |
| Phil Pastuhov | ... | aerial director of photography |
| Arthur Phelan | ... | electrician |
| Edwin Schenderlein | ... | electrician |
| Michael J. Walsh | ... | gaffer |
Casting Department
| Holly Dorff | ... | adr voice casting |
| Dea Vise | ... | casting associate |
Costume and Wardrobe Department
| Sheryl Oliva | ... | costumer |
| Lisa Russey | ... | assistant costume designer |
Editorial Department
| Samuel H. Hinckley | ... | assistant editor |
| Rosalie A. Staley | ... | digital intermediate assistant producer (as Rosalie Staley) |
| Lance Spindler | ... | color timer (uncredited) |
Location Management
| Taylor Boyd | ... | location manager |
Music Department
| Marc Bonilla | ... | composer: additional music |
| Brad Dechter | ... | orchestrator |
| Michael Mason | ... | music editor / music producer / music supervisor |
| Marc Bonilla | ... | musician: electric guitar (uncredited) |
Script and Continuity Department
| Carol DePasquale | ... | script supervisor |
| Kathleen Messmer | ... | script supervisor |
Transportation Department
| Bao Van Phung | ... | transportation coordinator |
Additional Crew
| Robert Beaumont | ... | sales and distribution |
| Alexei Bien | ... | production assistant |
| David Bradley | ... | production assistant |
| Kris Butler | ... | head set medic |
| Anthony Calla | ... | production assistant |
| Antonio Graña | ... | production assistant (as Antonio Grana) |
| Mark E. Hough | ... | production assistant |
| Lauren McNerney | ... | assistant production coordinator |
| Jeff Mellinger | ... | set production assistant |
| Sam Rider | ... | production coordinator |
| Aimey Stinchcomb | ... | production coordinator |
| James Vasquez | ... | production assistant |
| Robert 'Bobby Z' Zajonc | ... | aerial coordinator |
Thanks
| Jean-Pierre Busche | ... | additional thanks |
| Holly Dorff | ... | special thanks |
| Tyler Martinolich | ... | additional thanks |
