Peter Werner, an Oscar-winning director known for his work behind the camera on such TV series as “Moonlighting,” “A Different World” and “Law & Order: Svu,” has died at age 76.
His brother Tom Werner, co-founder of The Carsey-Werner Company, said via an email to The Hollywood Reporter that Peter died Tuesday morning in Wilmington, North Carolina, of a torn aorta.
Born in New York on Jan. 17, 1947, Werner earned his B.A. from Dartmouth College, his M.A. from Antioch University and an Mfa from the American Film Institute.
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While still a student at AFI, Peter won an Oscar for his 1976 live-action short film “Region of Ice,” which was based on Joyce Carol Oates’ short story and starred Irish actress Fionnula Flanagan.
The next year, he began his long and illustrious...
His brother Tom Werner, co-founder of The Carsey-Werner Company, said via an email to The Hollywood Reporter that Peter died Tuesday morning in Wilmington, North Carolina, of a torn aorta.
Born in New York on Jan. 17, 1947, Werner earned his B.A. from Dartmouth College, his M.A. from Antioch University and an Mfa from the American Film Institute.
Also Read:
Lance Reddick Remembered by James Gunn, Ben Stiller, Wendell Pierce: ‘A Man of Great Strength and Grace’
While still a student at AFI, Peter won an Oscar for his 1976 live-action short film “Region of Ice,” which was based on Joyce Carol Oates’ short story and starred Irish actress Fionnula Flanagan.
The next year, he began his long and illustrious...
- 3/22/2023
- by Sharon Knolle
- The Wrap
Peter Werner, the Oscar-winning director known for his television work that spanned five decades and included helming episodes of such popular series as Moonlighting, A Different World, Justified and Law & Order: Svu, has died. He was 76.
Werner died Tuesday morning in Wilmington, North Carolina, his younger brother, Tom Werner (producer on The Cosby Show, Roseanne, That ’70s Show, The Conners), told The Hollywood Reporter. “He had a torn aorta that the doctors weren’t able to repair. So sudden,” he wrote in an email.
As a student project while attending the American Film Institute, Peter Werner directed the 1976 short film In the Region of Ice, which was based on Joyce Carol Oates’ short story and starred Fionnula Flanagan. The project won the Oscar for live-action short film.
His career kicked off from there, with Werner helming a 1977 episode of Family. The ABC drama counted Mike Nichols and Aaron Spelling as executive producers.
Werner died Tuesday morning in Wilmington, North Carolina, his younger brother, Tom Werner (producer on The Cosby Show, Roseanne, That ’70s Show, The Conners), told The Hollywood Reporter. “He had a torn aorta that the doctors weren’t able to repair. So sudden,” he wrote in an email.
As a student project while attending the American Film Institute, Peter Werner directed the 1976 short film In the Region of Ice, which was based on Joyce Carol Oates’ short story and starred Fionnula Flanagan. The project won the Oscar for live-action short film.
His career kicked off from there, with Werner helming a 1977 episode of Family. The ABC drama counted Mike Nichols and Aaron Spelling as executive producers.
- 3/22/2023
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
This story first appeared in the Movies and Limited Series issue of TheWrap Emmy magazine. The phrase “a Lifetime movie” usually conjures up a specific type of film — one geared for a female audience and typically genteel. In recent years, the network’s Emmy nominees have included “A Trip to Bountiful,” “Georgia O’Keeffe,” “Prayers for Bobby,” “Coco Chanel” and “Why I Wore Lipstick to My Mastectomy.” But “Stockholm, Pennsylvania,” which the network bought out of the Sundance Film Festival this year, might be the least Lifetime-y movie Lifetime has ever aired. The dark, emotionally wrenching story of a girl who is.
- 6/19/2015
- by Steve Pond
- The Wrap
It's not hard to understand why Lifetime would want to take a risk on the erratic Lindsay Lohan to play Elizabeth Taylor in the channel's new movie "Liz & Dick" (Sunday at 9 p.m.). First Lohan's likely the most famous actress the channel could get for the role — even if she's been more infamous for the last several years — and her presence will draw attention from people who otherwise wouldn't bother watching. (Case in point: this is the first Lifetime movie I've written about in six years, going back to Sarah Chalke in "Why I Wore Lipstick to My...
- 11/23/2012
- by Alan Sepinwall
- Hitfix
By Allen Gardner
Pier Paolo Pasolini’S Trilogy Of Life (Criterion) Pier Paolo Pasolini was Italy’s last Neo-Realist, a product of post-ww II Europe who was fervently Catholic, openly gay, defiantly Marxist, and one of the most original voices of the 20th century’s second half. Before his brutal murder in 1975 (after the premiere of his still-controversial swan song, “Salo”), Pasolini directed a trilogy of films based on masterpieces of medieval literature: Boccaccio’s “The Decameron,” Chaucer’s “The Canterbury Tales,” and “The Thousand and One Nights (also known as “The Arabian Nights”). The three films celebrate the uninhibited, earthy, raw carnal nature of the original texts, leaving little to the imagination, but also offering Pasolini’s own very unique and pointed views on modern society, consumerism, religious and sexual mores (and hypocrisies), and an unexpurgated celebration of the human body, both male and female. Extraordinary production design by Dante Ferretti and another evocative,...
Pier Paolo Pasolini’S Trilogy Of Life (Criterion) Pier Paolo Pasolini was Italy’s last Neo-Realist, a product of post-ww II Europe who was fervently Catholic, openly gay, defiantly Marxist, and one of the most original voices of the 20th century’s second half. Before his brutal murder in 1975 (after the premiere of his still-controversial swan song, “Salo”), Pasolini directed a trilogy of films based on masterpieces of medieval literature: Boccaccio’s “The Decameron,” Chaucer’s “The Canterbury Tales,” and “The Thousand and One Nights (also known as “The Arabian Nights”). The three films celebrate the uninhibited, earthy, raw carnal nature of the original texts, leaving little to the imagination, but also offering Pasolini’s own very unique and pointed views on modern society, consumerism, religious and sexual mores (and hypocrisies), and an unexpurgated celebration of the human body, both male and female. Extraordinary production design by Dante Ferretti and another evocative,...
- 11/14/2012
- by The Hollywood Interview.com
- The Hollywood Interview
Photo by: Ben Mark Holzberg/Lifetime
The shows you get out of Lifetime can be pretty hit or miss. That's generally a good thing as far as I'm concerned. You either love Drop Dead Diva, or you hate it, and I for one appreciate the "not for everyone" approach to show design. It's a recipe that gets trickier when you're venturing out into the massively overpopulated world of crime shows though, and Lifetime's new efforts, The Protector and Against the Wall, are faced with a tough road with genre norms butting heads against network image.
Shows focusing on cops and/or crime aren't well-suited to flights of fancy, or niche shtick, like several of Lifetime's other working models, and when people think Lifetime, a network that's going to suck in crime show fans is not exactly what leaps to mind.
I'm still not convinced by Lifetime's effort at balancing things with The Protector.
The shows you get out of Lifetime can be pretty hit or miss. That's generally a good thing as far as I'm concerned. You either love Drop Dead Diva, or you hate it, and I for one appreciate the "not for everyone" approach to show design. It's a recipe that gets trickier when you're venturing out into the massively overpopulated world of crime shows though, and Lifetime's new efforts, The Protector and Against the Wall, are faced with a tough road with genre norms butting heads against network image.
Shows focusing on cops and/or crime aren't well-suited to flights of fancy, or niche shtick, like several of Lifetime's other working models, and when people think Lifetime, a network that's going to suck in crime show fans is not exactly what leaps to mind.
I'm still not convinced by Lifetime's effort at balancing things with The Protector.
- 8/12/2011
- by Marc Eastman
- AreYouScreening.com
Here we are at last: the final challenge of the season before the top 3 are chosen to go to Fashion Week. It's fitting that it features what's possibly the craziest, most ridiculous judging in a season full of crazy, ridiculous decisions. It left a bad taste in my mouth. But let's get on with it.
Previously, a truly terrible challenge caused a lot of drama. Ivy, The Bitch Queen of the Universe, returned and stirred some shit for no reason, then disappeared, and hopefully will never be heard from again. Andy won for making the least boring clothes in a show that was amongst the worst we've ever seen, and Christopher was finally sent home.
We open seconds after Christopher's exit after his elimination. Tim tells them there's a surprise waiting, and to go out and meet Heidi at the runway. She tells them they're getting the night off to "relax,...
Previously, a truly terrible challenge caused a lot of drama. Ivy, The Bitch Queen of the Universe, returned and stirred some shit for no reason, then disappeared, and hopefully will never be heard from again. Andy won for making the least boring clothes in a show that was amongst the worst we've ever seen, and Christopher was finally sent home.
We open seconds after Christopher's exit after his elimination. Tim tells them there's a surprise waiting, and to go out and meet Heidi at the runway. She tells them they're getting the night off to "relax,...
- 10/18/2010
- by Dustin Rowles
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