Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ... Written by
The production had to cheat on the shot from Hello, Dolly! (1969) which features the lovers holding hands. In the 1969 film, there is no close-up of this hand-holding, so Pixar were luckily allowed to take the original film element and go in a little tighter on it. See more »
WALL·E's cockroach, Hal, sleeps in a "Kremie" (parody of the Hostess Twinkie). Twinkies grow stale and their cream filling evaporates after a few decades, yet Hal's interaction with it betrays it to be the same as a new Twinkie. This is most likely a joke implying that only cockroaches and Twinkies can survive the apocalypse. See more »
Voice in commercial:
Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.
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The end credits features a "mosaic" of a family of turtles (and an orange clown fish), a reference to Andrew Stanton's earlier film, Finding Nemo. See more »
I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
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