In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
Lenny Cole, a London mob boss, puts the bite on all local real estate transactions. For substantial fees, he's helping Uri Omovich, a Russian developer. As a sign of good faith, Omovich loans Cole a valuable painting, promptly stolen off Cole's wall. While Cole's men, led by the dependable Archie, look for the canvas, three local petty criminals, the Wild Bunch, steal money from the Russian using inside information from his accountant, the lovely Stella. Meanwhile, a local drug-addled rocker, Johnny Quid, is reported drowned, and his connection to Cole is the key to unraveling the deceits and double crosses of life in the underworld. Written by
When Uri visits his accountant's house, he arrives in a silver S Class Mercedes Benz. Moments later when his bodyguard is shown waiting outside, he is sitting in a black Audi A8. See more »
People ask the question... what's a RocknRolla? And I tell 'em - it's not about drums, drugs, and hospital drips, oh no. There's more there than that, my friend. We all like a bit of the good life - some the money, some the drugs, others the sex game, the glamour, or the fame. But a RocknRolla, oh, he's different. Why? Because a real RocknRolla wants the fucking lot.
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There is a scene in the closing credits: the complete scene of One Two dancing with Handsome Bob at the gay bar. See more »
A Small Movie That May Make Big Things Happen For the People Involved
RocknRolla seems to be the beginning of the resurrection of Guy Ritchie's career. Not to anyone's surprise he does this with what he has been so potent with throughout his career; a British gangster film. If you've had any experience with Ritchie movies you know exactly what you're getting into here, a comedic thriller. This of course may seem problematic, in Ritchie's case it is not.
The writing and dialog is fast paced and quite witty and entertaining to watch. The movie as a whole maybe be a bit of a head scratcher here and there but the pay off is good and the idea is a bit of a parody of itself which is what makes this film so fun.
What Ritchie accomplishes though, in the same way he has with his past successful productions is putting together an extremely diverse and yet correlating cast. This starts with the lead man in Gerard Butler whose notoriety has steadily risen largely through his performances of comical caricatures (not an insult). With RocknRolla Butler seems to have found a role perfect for his appeal and charm he brings to the screen. This is largely because of a witty script and great, fun performances all around.
Then of course there is Mark Strong who until this year was largely a total unknown, at least in the American mainstream. While Gerard Butler may have found a genre he is most strongly suited for, Mark Strong could certainly use this along with Body of Lies to launch to the very least a respectable acting career. His posture, range and ability to change tone and style subtly not only between films but within them is something that should be and surely will be recognized.
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