The Wrestler (2008) User Reviews

Well done!!

[MissyH316 · 8/10 · 31 July 2011]

As someone who's a fan and who has actually worked behind the scenes in pro wrestling, I can tell you that Randy "The Ram" Robinson's story is a very respectful and realistic portrayal of the toll pro wrestling takes on its stars' lives. Certainly not everyone in the biz ends up as destitute and lonely as Randy was - some do, definitely - but those who end up well-off in every sense of the word (like Hulk Hogan, John Cena, Stone Cold Steve Austin, and The Rock, for instance) are VERY, VERY rare. Most end up somewhere in between.

Interestingly, as precarious as Randy's health became, however, if he were in his mid-50's (as was Mickey Rourke at the time), he still had a longer pro wrestling career than many others who abused their body likewise. Randy still was made up of some very tough stuff and in fact beat the odds with his career length.

When asked "is pro wrestling fake?", I always answer, "only where it needs to be" - i.e., the story lines and SOME of the action. No one deliberately sets out to end another one's career, but like any other contact sport such as pro football, the athleticism and subsequent pain & injury are all TOO real. There's no "off season" in pro wrestling, and certainly no astronomically high salaries as other pro athletes make - not by a long shot. But in pro wrestling you'll find the best athletes in the world.

Bottom line: It's a brutal business and an extremely hard way to make a living - period. That's why the men and women who stick with it and suffer all they do is for one reason only - because they love it. May God bless them all. :)

The role Mickey Rourke was born to play

[Superunknovvn · 8/10 · 27 February 2009]

"The Wrestler" is a beautiful movie, but it wouldn't be half as good if Mickey Rourke hadn't given the main character a face and a heart. There's virtually no other Hollywood actor that could have embodied Randy "The Ram" Robinson as perfectly as Rourke, and it's shocking to think how the movie could have turned out had someone else, say Bruce Willis or - as originally planned - Nicolas Cage played the part. With Rourke it's not so much an actor memorizing lines and delivering them convincingly, it's like watching a guy having gone through hell and now showing his scars. Rourke's performance even lets one overlook some rather clichéd elements in the story (the exotic dancer with a golden heart, the neglected daughter, a dance in a romantic dilapidated ballroom). It's all good, because one look at Randy's face reminds us of all the hits and punches he must have taken in the past, and it all becomes real again.

So, Rourke obviously makes the movie, but that's not the only remarkable thing. Besides a very good performance by the beautiful Marisa Tomei, "The Wrestler" is also worth mentioning because it marks the first time Darren Aronofsky has made a straight forward drama that's not heavy headed or laden with too much symbolism. After the highly pretentious "The Fountain" such a movie was more than due. "The Wrestler" proves that Aronofsky is not only capable of stylistic extravaganza, but can also handle the art of "plain" storytelling.

The fine title song by Bruce Springsteen must not be forgotten, either. After "Streets Of Philadelphia" and "Dead Man Walking" this is his third soundtrack contribution that captures the feel of a movie beautifully. Props to Aronofsky for putting an emphasis on that song by letting it play over a black screen for a couple of seconds before the closing credits start to roll.

In the end, "The Wrestler" is such a huge success because Aronofsky made the right choice by insisting on Rourke to play the main role, and because Rourke more than lived up to the director's expectations. Sean Penn may have been very good in "Milk", but the character of The Wrestler is a thousand times more interesting and memorable, and considering that fact that Rourke will forever be remembered for this great performance, he would really have deserved the Oscar.

A Haunting Portrait Of Loneliness

[ccthemovieman-1 · 9/10 · 25 March 2009]

Wow, what a sordid but fascinating film. I can why Mickey Rourke won so many awards for his performance, too. The same goes for the film.

The film was shocking to me: For instance, it was a shock seeing Rourke -"Randy The Ram" - with the long, flowing blond hair and rippling muscles. Hey, it's not that former boxer was ever in bad shape, but he never had muscles like this either. The man must have pumped a lot of iron to get ready for this role as an aging wrestler.

Another shock was seeing Maria Tomei, of "My Cousin Vinny" fame, naked - and in that state in more than one scene. She didn't leave much to the imagination as "Cassidy." A third shock was seeing some of the early wrestling scenes. Yeah, pro wrestling is rough stuff and it's bloody and it's fake, etc., but the scenes in here are pretty brutal, more than I've ever seen on TV. The one extended match with the "staples" was pretty gruesome.

Evan Rachel Wood is convincing as Randy's daughter "Stephanie." This 21-year-old is no stranger to acting, having been doing it since she was four! The scenes with her and her dad are memorable.

When the shock of the above scenes of sex and violence (and language) fade away, underneath it all is a very tender, sad tale of a lonely man who invested too much in his career and, after coming close to mortality, realizes the important of family and simply being loved by anyone. That's what sticks with you long after the film ends. Loneliness can be a killer.

"Randy" tries to mend fences and post a few himself - in his final quest not to wind up as an island in this world of humanity - with both successful and unsuccessful results. Sometimes you can never change what you are, and sometimes you can. Both of those are demonstrated here in this oddly-edgy-but sentimental film.

Brutal, Honest, Touching film

[Billy_Costigan · 20 January 2009]

The Wrestler is a drama centered around an aging professional wrestler past his prime. It's so much more than that. You don't have to be a fan of wrestling to enjoy this film. The wrestling part of it can be put aside as a back story. Randy "The Ram" could be in any other profession, doing any other thing and could be in the same situation. That's what's so great about it. He's just a lonely guy, whose life seems to have passed him by. A middle aged man who doesn't have much going for him. Sure, he's a wrestler, but he needs wrestling more than wrestling needs him. He needs it to feel important, to feel like a somebody. He really has nothing to show for himself, no wife, just a daughter he hasn't been there for his whole life. Missed opportunities. He's sad and alone and we really do feel for him.

A closer bond seems to be forming between him and his stripper friend, played by Marisa Tomei, who seems to be in a similar situation as he is. The middle aged stripper who seems to have a real connection with "The Ram" is shown in another misunderstood profession. We all may not be as different as we may think. Health problems compromise his wrestling career as he tries to deal with the real world and rebuild his relationship with his abandoned daughter. The scenes with Evan Rachel Wood (his daughter) are touching. Beautifully done. Rourke's character portrayal of the Ram is one of the best in a long time. He's not just acting, he transforms into the character on screen. It's amazing to watch. All the credit he's getting is truly deserved.

The film is Directed by Darren Aronofsky, who also directed Requiem for a Dream. He does a beautiful job showing the sport with realism. The film respects the wrestlers and their world, and expects the same from the audience. This film is done in a style that's so real, so honest, so amazing, in easily one of the best films of the year. All around great performances and great direction. Definitely worth checking out sometime.

A Broken Down Piece of Meat That Doesn't Deserve To Be All Alone

[BandofInsiders · 10/10 · 10 December 2008]

It's no coincidence that Mickey Rourke is responsible for the comeback performance of the year if not the decade. Rourke's life and tumultuous past parallel Randy "The Ram" Robinson's own life so eerily close it becomes clear that no one else could have ever played this role. Darren Aronofsky's fourth feature is not only his most intimate but also his most accomplished to date. Aronofsky offers his most simplistic film both visually and narratively and ends up creating a film that has more depth and layers to it than any of his previous films.

Everything about Randy's life is in a state of decay. He retains a body that is on the verge of collapse, he hasn't seen his only daughter in years, financially he is exhausted, and the only thing that brings him solace in life is the same thing that threatens to end it. The most effective aspect of Randy's character is that no matter what mistakes he might have made in the past his sense of regret is so strong and genuine that it is impossible not to forgive him. As beaten down and alone as Randy might be he never looses his fighting spirit or sense of hope, no matter how little it may be. Regardless what hardship Randy is confronted with he never retreats and is admirably courageous even if being courageous might not be the smartest settlement.

For the general public who tend to find professional wrestling laughable and are quick to judge as a form of entertainment rather than a sport will find a deadly adversary in Aronofsky. The Wrestler shows that while outcomes of matches may be fixed the physical tolls these men take on their body are often more extreme and long lasting than most other "respectable" sports. The fact that Randy gives so much of himself and is ridiculed from everywhere to the trailer park he lives in to the job he keeps while not in the ring, makes us even more empathetic to the struggle Randy goes through to try and make it back on top. Overall The Wrestler is a constantly engaging and compelling character study with some of the finest acting, writing, directing I have seen in recent years. Oh and I forgot, the last shot will leave you speechless.

Honest to the core!

[natasha-bishop · 10/10 · 12 December 2008]

I caught an advanced screening of The Wrestler starring Mickey Rourke last night in Hollywood, CA. Following the screening was a Q&A session with Mickey Rourke, Darren Aronofsky, Marisa Tomei, Evan Rachel Wood, and film composer Clint Mansell.

Mickey Rourke delivers one of the most honest and heart breaking performances I've seen from an actor. Very rarely do you see an actor come back with such a role. He is truly extraordinary in The Wrestler. There are times in this film when I wonder just how much of this is Mickey in character as "The Ram" or Mickey reacting as Mickey to a situation similar to what he went through in his "lost years". The parallels are astounding. There is a scene when Randy "The Ram" is in the ring and he points to the audience "It is not over until you tell me it's over". Is it Mickey or Randy talking there? As a newly revived Mickey Rourke fan, I can tell you this audience member says it's just beginning Mickey!

Marissa Tomei delivers a stellar performance as an aging exotic dancer the parallel story to Mickey's character "The Ram". Evan Rachel Wood really brings it as "The Rams" angry, abandoned and emotionally exhausted daughter. The chemistry between Mickey and Evan is breath taking!

Darren Aronofsky delivers this story to us with honesty, realism and artistic skill. I think this young director will be around making fantastic films for some time to come. At least I hope he is!

You can't go wrong with this film. It is rock solid to the core!

Facts from the Q&A

Only the 3rd American Film to with the Golden Lion at the Venice Film Festival.

The film was made for $7 Million.

The filmscore is more atmospheric as the composer did not want to interfere with the documentary feel of the film.

Mickey Rourke trained for 6 months to get to the wrestling weight of 235 for the film. Weight training, wrestling training and eating 5,000 calories.

The scenes of Mickey Rourke and Evan Rachel Wood were as real as they could get. The actors put on music before the scene and just talked about their real life and Mickey's parallels to the film. When the director felt they were there he would yell action and they would work through the scene.

The scenes back stage with the wrestlers were all real as well. The crew would go to wrestling matches and film the wrestlers before/after matches. Mickey would walk in and introduce himself (in character) and the scene was improvised.

The film was about 20-30% improvisation from the actors.

An excellent drama about an aging wrestler

[grmagne · 9/10 · 9 September 2008]

The Wrestler won the Golden Lion a few days ago in Venice. Obviously that's going to build up some high expectations but director Darren Aronofsky introduced it as a "simple little film" and he didn't want the movie to get over-hyped. He said it's been a busy week as he only finished the film 6 days ago!!

Randy "The Ram" Robinson, played brilliantly by Mickey Rourke, was a star professional wrestler in the 1980s. He had a legendary pay-per-view match against the Ayatollah in his prime, his own Nintendo game, posters, "Best of The Ram" VHS series and legions of fans who worshipped him. The film begins in the present day with The Ram collecting a paltry sum of money for his latest fight only to discover he's been locked out of his trailer home because he's behind on his rent. He has a good physique for his age - with the aid of steroids and tanning salons - he still has good friends in the local wrestling brotherhood and he enjoys hanging out with Cassidy (played by Marisa Tomei) at the strip club where she works. He's a likable guy and the neighbourhood kids look up to him as a hero, so it's easy to root for this washed-up old wrestler as he participates in choreographed, yet amazingly bloody, wrestling matches. He struggles to pay the rent while also searching for deeper meaning in his life as he knows that he can't wrestle forever. However, wrestling is the only thing he's good at, and he lives for those precious moments when he stands on the top turnbuckle and his adoring fans cheer his name – but once he steps out of the ring his life is a mess. He'd like to reconcile with estranged daughter Stefanie (played by Evan Rachel Wood) but she hates him after he abandoned her in her youth. He's never given her a birthday gift, probably because he doesn't know which day it is.

There's a parallel story with Cassidy, an aging stripper. She also knows that her career is coming to an end, but unlike The Ram she seems to have plans after she retires, and her finances are in good order. They've obviously known each other for quite some time, and though there seems to be some mutual attraction Cassidy has always followed the rule "don't get involved with a customer". They have a complex relationship that changes throughout the film, but you can always feel that Cassidy cares about his well-being.

This movie works because it feels so real. All the characters are so natural in their roles that you'll feel drawn into this world of wrestling. Mickey Rourke doesn't just play a wrestler, he is a wrestling star, he is Randy The Ram in every way. The wrestling scenes were also amazingly crafted and you can see Randy build off the crowd's excitement. The film does a great job of showing why so many fans love "fake" wrestling.

I thoroughly enjoyed this little film but it's not for all tastes. It's gritty, raw, sometimes depressing, sometimes funny, and yeah I'll admit that I cried. A 9.5/10 for me and it's a must-see for wrestling fans (especially from 1980s era) and, obviously, anyone who enjoyed the previous works of Aranofsky and/or Rourke. Mickey Rourke and Marisa Tomei were both outstanding and Evan Rachel Wood also shone in her supporting role.

One of the best films of 2008

[MovieAddict2016 · 10/10 · 31 December 2008]

Enough has been written already about Mickey Rourke's real-life parallels with his fictional character in The Wrestler. Yes, it makes the story seem even realer, and is perhaps what attracted Rourke to the project. (Or perhaps not — perhaps, instead, it is what attracted Darren Aronofsky to the actor.) But to focus on such surface similarities seems like an undermining of his work here. Rourke may not be as out-of-his-comfort-zone as Sean Penn in Milk, the only other Oscar-worthy lead performance this year, but that is merely a testament to his fundamental understanding of his character: Randy is an understated guy with big scars, both literally and figuratively. He's been wrestling for years — now reduced to borderline tribute shows in front of dwindling crowds, scrounging up barely enough cash to buy the variety of drugs and steroids he needs to maintain his weight. He lives in a trailer park and gets locked out for not being able to keep up rent. He works part-time at a grocery store and visits strip clubs regularly, because it's the only place where he seemingly has any meaningful connections with another human being — namely the dancer Cassidy (played by Marisa Tomei), who is similarly a bit older than most peers in her "profession," yet doesn't really know any other way to live.

The Wrestler draws immediate comparison to the classics of working class cinema, including Rocky and On the Waterfront. Sylvester Stallone returned to his iconic character two years to bring resolution to the life of Rocky Balboa, the Philly boxer who got back in the ring for one final match . It was a good film and touched on similar themes — a nice guy stuck in a mean world, an estranged child– and ultimately both films present us with the dilemma these men find themselves in: too old to continue doing what they know best, and too old to learn how to do anything else.

Whereas Rocky Balboa was a trip down memory lane, it was hardly as bleak or frank as The Wrestler, which is a vastly superior film. Darren Aronofsky has established himself with this picture as one of the most important of modern American filmmakers; to acknowledge that this work is from the same man who directed The Fountain is astonishing, because they couldn't be farther apart on a sylistic level. The Wrestler is grainy, low-key and rough. It isn't polished, fantastical or elaborate. And that suits the material perfectly. The fact that Aronofsky was willing to almost entirely reinvent his approach for the benefit of the story is more than admirable. He deserves a nomination.

Tomei is wonderful in her supporting role, fleshing out her character (again, both literally and figuratively) with greater competence than most actresses would probably be able to manage, because it's a fairly obvious role — the "stripper with a heart of gold" who is the object of desire for the gruff guy with a tortured soul. Yet she manages to strike a balance in the film as one of two female roles, the other belonging to Evan Rachel Wood as Randy's emotionally severed daughter.

The Wrestler is impressive for all its smaller parts as well as the larger ones. When Randy goes to visit his daughter, the reaction is fleeting; it's not overly dramatic and revelatory, like most films of this nature often create such scenes to be. We can tell by her reaction that it's not the first time Randy has attempted to reconcile with her, as she seems unfazed by his appearance on her doorstep. It is in this fashion that the film jumps through all the mandatory hoops of its genre (think, of all things, The Royal Tenenbaums), yet still manages to seem fresh and realistic.

And then there's Rourke. As aforementioned, he deserves the Oscar nom he's likely to receive. And he should probably win. This is one of the best performances of the decade, perhaps even of all time, if we really want to get down to it. It's the best work of his career, at once the most fully developed of his characters and the most imperfect. Randy isn't airbrushed to make him seem more appealing to the audience; Aronofsky and Rourke exploit his faults and present him as a normal man, tempted by vices and haunted by his past. Yet we recognize that the drugs, the empty sex and the generally self-destructive behavior Randy partakes in is rooted in the same emotional enguish that the actor himself seems to carry with him; Aronofsky spotted this quality in Rourke, and he fought the producers for Rourke over their first choice (Nicolas Cage), and his dedication paid off — you'll be hard-pressed to find a more convincing, moving or memorable lead performance this year.

Ultimately, The Wrestler is one of the year's very best films — a character study that is at once timeless and powerful. And it's helmed by a director who has managed to bounce back from an aesthetically pleasing but shallow art-house film to produce one of the great works of American cinema in the 21st century.

Wrestling is not as fake as they say

[igornveiga · 7/10 · 12 August 2022]

When I was a kid, I really liked watching WWE, I was in disbelief with the blows, I remember liking Jeff Hardy and Rey Mysterio a lot, having these good memories I started watching this movie with good expectations, hoping that maybe it would be a movie that spoke more behind the scenes or that maybe real fighters would appear.

The film is far from what I expected, we follow the story of Randy, better known by his ringname The Ramp, who is a wrestler who in the distant past was very successful and today lives without money in jobs that are obviously not compatible with his personality perhaps too eccentric. The film does not explain how he ended up in this situation, after all, if he was so famous, it is deduced that he also had money. We only know that due to his life in the ring, he can't keep up with his daughter's growth. With no friends and having a lonely life The Ramp tries again to find himself in life, in love, in family and in the ring.

A good movie, it covers the backstage of a wrestler fight very well, in addition, it has good fight scenes and dramas. Obviously it's not a masterpiece, but it's a good movie.

The Return of Mickey Rourke

[littlemartinarocena · 9/10 · 10 November 2008]

Very rarely an artistic come back is so pointed, so truthful and/or so honest. Mickey Rourke is extraordinary here and I can assure you, he'll break your heart. "It's not over until you (pointing at the audience) tell me its over" Who was saying that? Mickey Rourke himself or his character? Both, I think both. I felt a chill run down my spine, the kind of chill you feel when confronted by an unvarnished truth. Darren Aronofsky is definitely someone to watch and to follow. His characters face limit situations and he finds torturous paths for them to travel. What makes the whole thing endurable is the unmistakable signs of self awareness. In "The Wrestler" the painful meeting between Ram and his daughter (played by Evan Rachel Wood) have the overwhelming weight of the truth without a hint of sentimentality. As we are approaching Oscar season I imagine already a fight to the finish between Sean Penn for "Milk" and Mickey Rourke for "The Wrestler" They both deserve the highest accolade. What a year!

Heartbreaking

[Smells_Like_Cheese · 7/10 · 6 June 2009]

OK, after all the talk, literally, talk after talk of how wonderful Mickey Rourke's performance was in The Wrestler and that he's finally back in action. So I just had to see what all the hype was, especially after everyone started panicking when Sean Penn took the 2009 Oscar for Milk, I was curious if this movie really was as good as everyone was making it to be. So I'm going to give my honest opinion which either is going to get me a lot of hate mail or the "un-useful" marks on my comment, but I'm an honest user, I tell it like it is. The Wrestler is actually a really good movie, I would say that it was one of the top 10 that came out of 2008, but one thing that I really didn't like about the movie was the way it was made and the ending, which I'll explain why in a moment. Mickey Rourke does pull in a top performance, including Marisa Tomei, they took us on this heartbreaking story and made the movie into a small gem.

Randy "The Ram" Robinson, is a professional wrestler who was a major star in the 1980s but is now years past his prime and wrestling on the weekends for various independent promotions. Randy goes home and is locked out of his trailer for not paying the rent. Depressed, he takes pain medication and falls asleep in the back of his van. At night he visits a strip club where he has befriended a faded stripper named Pam, stage-named Cassidy. He continues the training rituals for his wrestling appearance, including steroid use and self-tanning. At his next show, Randy wrestles a brutal hardcore match, in which he and his opponent attack each other with thumbtacks, staple guns, barbed wire and glass. Post-match, Randy is treated for his wounds backstage, but he suffers a heart attack soon after and collapses. The heart attack necessitates a bypass operation and Randy is told by the doctor that his weakened heart cannot stand the stresses of steroids or wrestling. Randy cancels his upcoming matches and begins working as a deli counter operator at a supermarket. Randy visits his estranged daughter, Stephanie, whom he had left years before; she curses him and tells him to leave her alone. On his second visit to his daughter, Randy brings a thoughtful gift and admits that he has been a bad father; things seem to brighten up for him, but after a rough night, everything goes down hill for him again.

Now my two complaints, the way the movie was made, I understand what Darren Aronofsky was going for where he was trying to make us feel the realism, as if he was filming a day in our lives. But seeing the back of Mickey Rourke's head walking to work didn't exactly feel necessary to me, then there are scenes that cut too fast and made me do a double take. Then the ending, a lot of people are praising the ending, now I'm a huge film buff and I very much appreciate when a film leaves the audience with what they will give the to the movie. But for Randy's story, I felt like it was left incomplete, with him just doing his signature move and they cut to black, this is one of the stories I wished would have come to a complete circle where we see this poor man who's just broken down and find out what happened to him. I guess people are going to call this review stupid and think that I didn't understand it or don't appreciate the "imagination" factor, but honestly it's one of those endings I just felt a little cheated. But it is the performances that made this movie for me, they were real and gritty. It's the actors and the story that make The Wrestler worth watching.

7/10

Powerful Performance by Mickey Rourke

[preda01 · 10/10 · 21 November 2008]

The authenticity is the hallmark of this movie combined with vivid cinematography and set design. An amazing career-best performance from Mickey Rourke and outstanding work by Marisa Tomei and Evan Rachel Wood, the film is very powerful and emotional. Again, an exceptional achievement by a true artist-Rourke. His performance is so penetrating, wise, and authentic that it deserves the Oscar. Randy "The Ram" Robinson was the biggest wrestler in the world, back in the 80s. Now it's 2008 and while things have changed, in his head he's stuck back in good old days. He's still wrestling, even though the money and his audiences are long gone. His aging body can no longer take the punishment. Aronofsky really captures the magic in Mickey's performance. It is the true essence of method acting. He is "The Ram".

Terrific performances, but the story is pretty formulaic

[anhedonia · 6/10 · 16 February 2009]

There is no denying that Darren Aronofsky's "The Wrestler features two tremendous performances by Mickey Rourke and Marisa Tomei. But there's also no denying that former The Onion editor Robert Siegel's screenplay is rather conventional, plot-wise. And that does hamper this film.

Which is perhaps why Academy Award voters decided not to nominate "The Wrestler" for Best Picture or Siegel's screenplay. If you look at the other original screenplay nominees - Courtney Hunt for "Frozen River," Mike Leigh for "Happy-Go-Lucky," Martin McDonagh for "In Bruges," Dustin Lance Black for "Milk" and Andrew Stanton and Jim Reardon for "Wall-E" - conventional or formulaic they certainly are not.

This is not to say that I didn't enjoy "The Wrestler." It is great to see Rourke back and acting to his fullest potential. Not only is this a juicy, meaty role - though some might argue he really isn't acting but simply being himself - but it is such a far cry that some of the crappy movies he came to be known for.

Perhaps it is because Rourke finds such a personal connection to Randy "The Ram" Robinson in "The Wrestler" that he is able to truly tap into the character's deepest fears and insecurities. Rourke is completely convincing as the once-famous, now washed-up wrestler peddling his talents at dingy venues and trying to eke out a living at mediocre autograph sessions. There's genuine angst in Rourke's performance and it is one that certainly propels the film forward.

Tomei, too, turns in a stunning performance as Cassidy, a stripper more by circumstance than by choice. It is a bravura turn by this one romantic-comedy lead. She has matured brilliantly as an actress and there really isn't a false note in her performance.

But then there's Siegel's screenplay. I realize there are tons of people who absolutely adore this film and my reaction to the movie isn't by any means meant to demean their adoration.

"The Wrestler" starts out well and, for the first 30 minutes or so, kept me wondering where it was heading. It had a few genuinely nice surprises. But then comes the scene in the dressing room after a match. When that happened, I immediately knew how a conventional writer would unwind the plot. I hoped this film wouldn't, but it did. Everything I expected would happen happened. The twists, the turns, the character revelations - nothing that came after surprised me and that was a huge disappointment.

I would have expected something novel from Aronofsky, but he clings to Siegel's formulaic script and provides us with nothing that we couldn't have anticipated. I kept waiting for something to change my mind, but nothing did.

So what we're left to marvel at are Rourke's and Tomei's remarkably honest and, at times, brutally so, performances. And what I was left wondering was how much better, more trenchant, this film could have been with a more original screenplay.

Useless

[jamesearp-1 · 1/10 · 13 August 2009]

I get that this film is meant to be an anti climax. I get that it's meant to paint a bleak picture. I get what the film is doing, but to me it's just useless. Mickey Rourke's acting is really good but that's it.

The film doesn't give you any high's or low's, it's all delivered in a linear fashion to the point where i wanted to walk out of the cinema: There is no hope for the guy. There is no glimpse of hope. He is fighting FAKE fights, so there is no sympathy or action. His relationship with his daughter is so cliché it's actually embarrassing. It's like watching 2 hours of Eastenders, you can't take anything good from it and although i know you're not meant to, why would anybody want to watch such a pointless piece of cinema?

It's like going, "hey, let's watch this paint dry... I wonder what's going to happen??"

2 hours later "Oh, it's dry. Guess i'll go out and have some fun then"..

It would have been a major twist if something had actually happened in this film.

Sorry Mickey; great acting, but useless film.

Mickey Rourke is as great as everyone's saying he is.

[nonsequitur247 · 10 December 2008]

Nicholas Cage? Bruce Willis? Wrong. Never would have worked. No one else could have played Randy "The Ram" Robinson with the compassion and energy he brings to the role--it's painful to see the fading professional wrestler coming to terms with both his mortality and the emptiness of his life outside the ring, and this is largely due to Rourke's excellent acting. Twenty years after the defining match of his career, Randy is still a fan favorite and loving his work--until he suffers a heart attack. The film follows the gentle giant as he tries to adjust to living without wrestling, reconnect with his estranged daughter (Evan Rachel Wood), and kindle a bond with a friend who works in a strip club (Marisa Tomei).

This isn't just a film about professional wrestling, but Aronofsky gets that part right. He does a beautiful job showing the sport with realism without mocking it: he highlights the humor, but never makes fun of it. He doesn't just deconstruct the mythical image of wrestlers' performances, but he also destroys their apparent rage towards each other. It's clear that these guys are friends--they care about and respect each other. These other wrestlers in the film are all played by professionals, and they do a great job with the acting. The film respects them and their world, and demands the same from the audience.

The other supporting characters are strong as well. Tomei and Wood's characters could easily have fallen into clichés, but they give Randy some of his best moments on screen. Tomei's storyline, especially, serves as a nice parallel and contrast to Randy's. Wood's could use a little more juice, but her story arc does the same. Both are effective.

Another notable aspect of the film is its music. The character of Randy is a big '80s rock fan, and for the film, they got the rights to use Guns N' Roses' "Sweet Child o' Mine." A special thanks at the end of the film went out to Axl Rose. On the softer side, Bruce Springsteen wrote "The Wrestler" for the credits, and its sweet melancholy serves as the perfect coda for the film.

Overall, 'The Wrestler' is great. It's a rich, round film that smoothly weaves together pathos and comedy and soul. It's funny and dramatic, tear-jerking and tough. Definitely a must-see this winter.

Amazing film that focuses on two often misjudged professions.

[Ludypro1 · 9/10 · 1 December 2008]

Mickey Rourke returns to the big screen in Darren Aronofsky's brilliant character study, The Wrestler. Mickey Rourke gained about 35 pounds of muscle to play Randy 'The Ram' Robinson and looks the part of an old beaten down wrestler. Aronofsky creates a cold atmosphere that leaves the audience feeling as old and depressed as Rourke's character. The Wrestler doesn't have the look or feel of any previous Aronofsky film, it is mainly hand-held and has a gritty look to it that gives it a documentary feel. This film sucked me in. I really felt for the main character. I felt his pain and anger throughout the film. I felt his desperation. When a film has you reflecting the emotions expressed on the screen then it has accomplished something. I also appreciated that the story focused on two professions that are frowned upon in society, that being professional wrestling and stripping. Both professions are linked in the film and has the audience realize how similar they are. We also see the hardship of carrying out such a profession. I really enjoyed this film and had the pleasure of meeting the director after the showing. I was most impressed with him and can't wait till this film gets released.

Wow!!!

[kurt-haider · 10/10 · 8 September 2008]

I saw the movie at the world premiere in Venice and Mickey Rourke, Darren Aronofsky and other crew members were also in the audience. When the credits began, people were jumping out of their seats (including me) applauding and cheering for more than 15 minutes. It was really amazing. I have been a Rourke fan for 10 years now and to me Darren Aronofsky is one of the greatest directors of the last ten years. So when I entered the cinema my expectations were as high as never before. But this 40 Euro ticket was worth every cent. I never saw such a moving performance by "Sir Eddie Cook" who played Randy "the Ram" with such authenticity that I was paralyzed for almost two hours. And that's because Rourke isn't just playing "Ram", he IS "Ram", at least a part of him (there are many parallels to his real troubled past). Aronofsky really did a great job and really pushed the actors to their limits. It is amazing to see how a good director can turn such a simple story into one of the greatest movies I have ever seen (and I watch hundreds of movies). So everybody who grew up in the 80's with wrestling, hard rock and Nintendo or just loves movies should see this - at least ten times. God bless you Darren, Mickey and all the other crew members for the best cinema experience I have ever had. no doubt about it.

Indicative of Mickey Rourke's Career

[alexkolokotronis · 10/10 · 29 January 2009]

The Wrestler is a very good drama filled with originality. The film follows a fictional character named Randy "Ram" Robinson whose a "has been" wrestler. His prime far behind him and continues to wrestle hoping to get back in the lime light.

The acting Mickey Rourke was quite good deserving his Oscar nomination. His feelings of loneliness and isolation is very heart felt and sad to watch. His search for some sort of love becomes far more important to him as wrestling now endangers his life. He attempts to reconcile with his daughter played by Evan Rachel Wood and takes a love interest in a stripper played very well by Marisa Tomei. Altogether it culminates into a very sad, open but yet satisfying ending. The authenticity of all the emotions could not be better displayed by any other actor than Mickey Rourke who like his character shares many experiences and hardships in order to get back to fame. It brings out an amazing amount of depth out of his character and simply pushes the film to that of the least a very good movie.

The direction of Darren Aronofsky and writing of Robert Siegel combined for an amazingly heart felt sympathy portrayal of a man. The movie is left open yet simultaneously feels as if its all we need to know. That we've gotten what we need to see and can figure out things for ourselves. The abrasive and gritty look of the movie only adds to the emotions felt for the character. Usually I would not mention this at all but Bruce Springsteen's song was a superb song for the movie as he always captures the scope of a movie and its complicity.

Hopefully this film will set up Mickey Rourke for more films to make as he has certainly convinced me here that hes worthy of more lead roles. His comeback story is compelling in that he was literally a forgotten soul up until this was made. He reputation had dispersed so much that it took years of searching for distributors from Darren Aronofsky that would accept Mickey Rourke as the lead actor. Well it certainly payed off and it shouldn't of been made any other way.

Have you ever seen a broken man...

[loco_73 · 8/10 · 21 January 2009]

If the phrase "the little movie that could" applies to any movie this year then it most certainly does to "The Wrestler". It is one of the best movies I've seen last year, and more than that it is even more special due to the brilliant and amazing performance of its cast.

The return of Mickey Rourke was overdue, a gifted and talented actor, who in my opinion was wrongly shunned and marginalized because of his past attitude and behaviour which marked him as a "bad boy". Hollywood surely likes to sometimes punish its own, especially those individuals who don't repent and crawl on their knees asking for "cinematic forgiveness" from their peers. What happened to Mickey Rourke was pure hypocrisy on the part of an industry that has no problem tolerating much, much worse behaviour on the part of less talented individuals; an industry that from time to time seeks to attain some kind of superficial saving grace marked by a phony mea culpa and a symbolic sacrificial lamb, in this case Mickey Rourke. I ask, how is what he did any different than the behaviour of let's say Lindsay Lohan, whom many critics where at one point anointing her as the next Jody Foster or Merryl Streep?!?!? Talk about self-imposed blindness! When I last saw Rourke in "Sin City", I was, albeit briefly but forcefully reminded, of how good of an actor he really is. So imagine my pleasure and anticipation when "The Wrestler" came out! At heart this is a story of redemption, but here comes the kick, it is actually an attempt and ultimate failure at redemption, at least in the sense that redemption is understood in today's society. This is a profoundly sad movie, but that fact does not take away one bit from the movie, rather it makes it more believable and even more powerful.

As Bruce Springsteen's song by the same title points out, there are some wrongs that can't be righted and some wounds that can't be mended, and that is the situation Mikey Rourke's character finds himself in. I don't want to discuss the movie in detail, nor give anything away from the plot or storyline, suffice to say that this is one viewing that is more than worth sitting through from beginning to end.

Rourke, Marisa Tomei (another grossly underrated actress) and Evan Rachel Wood are phenomenal and really hold their own and make the most of their on-screen time. Whatever award nominations and wins these actors are likely to get are more than deserved. Darren Aronofsky has really grown by leaps and bounds in his solid and varied career as director. I am personally glad that he decided to helm this project, the end result speaks for itself.

Ultimately there is redemption to be found in this movie, but it comes at a heavy price, to me that redemption takes the form of the triumph of the human spirit against insurmountable odds and seemingly impossible choices. These days that is a bold statement to make!

'Rocky' and 'Milk' it ain't

[gpaltrow2001 · 7/10 · 8 February 2009]

There are many comparisons to 'Rocky' in that this is a movie about a down-and-out athlete with a final chance at glory. Well, as much as Sly made a little film, it was still a Hollywood audience-pleaser. This is beyond gritty, with no qualms about leaving the audience let down. Sean Penn in 'Milk' might deserve the Oscar, but Mickey Rourke may get it. Sean Penn is an Oscar-winner, and while he is at the top of his game, he is still 'acting' in a Hollywood-type film. Mickey Rourke IS The Wrestler. This is a one-time only chance for him to win, since we are basically seeing his real life of the last 20 years play out allegorically. Since Penn has already won, Rourke may walk away with the statue. 'The Wrestler' surprised me with how it failed to pull its punches, so to speak. It was barbaric, rough, claustrophobic, and pathetic. I gave it a 7 because of the balance between Rourke's great performance, and the film's refusal to let us enjoy it. Marisa Tomei was a revelation-- her performance was difficult and fearless. I was with an audience of mostly middle-aged people who couldn't get into 'The Reader' or 'Milk' because they were sold out. The quiet at the end of the film told me they were just hit over the head with a metal folding chair, and were a bit stunned. My girlfriend had to close her eyes at some of the more brutal scenes. This is a tough-as-nails, street, gritty and grimy movie that just isn't for everyone. Thank God for films like this.

Charisma, heart, and hard work make a comeback of a has-been

[Chris Knipp · 8/10 · 2 October 2008]

Billed as Mickey Rourke's big comeback, this film is the finale presentation of the New York Film Festival 2008. Awarded in Venice and shown at Toronto, it features a winning performance by Rourke. It's a simple story, a mixture of raw authenticity and old fashioned corn about a washed up professional wrestler who's 20 years past his prime and resists admitting it till he has a heart attack and is forced t turn to the only two people he has in his life, a lap dancer and an estranged daughter. It's pretty monochromatic and claustrophobic, but the tiny framework shows off Rourke's generous, authoritative performance. Rourke's weathered, soulful face and sweet-sad smile sell the movie.

Early scenes establish that Randy 'The Ram' Robinson (Rourke), who has long graying bleach-blond hair and wears a hearing aid, still has fans from his heyday in the 80's and warm contacts in the pro wrestler community of today, who give him work on weekends. He's well liked (kids in his neighborhood clamor around him), and takes life's hard knocks with patience--and that smile.

But all is not well. The first night we see him after a fight locked out of his trailer because he owes the manager money. He lives alone, has a shaky relationship with a lap dancer, work name Cassidy (Marisa Tomei). His lesbian daughter Stephanie (Evan Rachel Wood), who's in school, despises him for not being there when he was needed. We're in the world of numbed pain and charred, sealed-away emotions here.

The second evening of fights pits the Ram against an S/M wrestler who uses a staple gun on him, and broken glass, and barbed wire. Ram collapses after this fight and wakes up in intensive care after a bypass operation. The hospital is the real beginning of the film, though Rourke and the filmmakers are over-committed to the wrestling scene, and stage more painful and realistic bouts, in which all the fighters other than Rourke were professionals.

Ram realizes he's not the man he was. The doctor has told him he can't wrestle any more. He tries to jog and can't. Helpless and alone, he turns to Cassidy (whose real name is Pam), but she is reluctant to admit he's more than a customer. He visits his daughter, but she is extremely hostile. In just a couple scenes, Evan Rachel Wood is raw and powerful. Tomei is authentic too, having mastered the lap-dancing technique and assimilated its world's mix of sensuality and distance. Rourke/Ram's encounters with both women are painful and memorable.

There's a good sense of context, even though Ram's world as shown is narrow. "The 90's f----ing sucked!" he exclaims to Cassidy when he finally coaxes her into having a beer with him outside the club. He hates that bastard Kurt Cobain. Axel Rose was The Man. You realize she's as washed up as he is. She has a 9-year-old kid and wants to quit and somehow get into a condo.

The screenplay by Roy Siegel, an original editor of The Onion, has lightness and humor to undercut the melodrama and doom. Ram is a laugh when, after the heart attack, he starts working longer hours at the Jersey Dollar's deli counter, doling out potato salad and ham, joking with the man and flattering the women.

Finally after he is pushed away by Cassidy/Pam, on a bad day at the deli, Ram flashily quits and calls a promoter and countermands his resignations, saying the re-match with "The Ayatollah" is on again. The Aronofsky of 'Requiem for a Dream' set a record for determinism, and it's hard not to see this Wrestler as doomed. But the filmmakers' and and cast's involvement in the milieu and Rourke's humility and charm undercut that enough so the final sequence is uncertain and interesting. And all the fights are good.

The title 'The Wrestler' can be generic because unlike boxing films, wrestling ones are rare, indeed nonexistent. Rourke himself is a boxer; the switchover wasn't easy, but he had the athletic background, and not only that, the has-been life of his character, a washed-up star in an activity looked down on by all but rabid fans. Few think of it even as a sport, though it requires conditioning and skill and involves constant injuries. In the NYFF Q&A Rourke conveyed a sense of his respect for this activity as a sport, and Aronofsky reported that his work on the mat won the approval of the pros. If this is an iconic performance as some are saying, it's not just Rourke's personal identification with the character's comeback mode, but good hard technical work to make it all authentic.

The art of realism

[mistarkus · 7/10 · 26 December 2008]

A movie about a professional wrestler is ironically a slice of life tale about a relatable, down to earth, common man. A universal theme of a man who's seen his prime come and go. A man trying to reconcile age with his profession, reconnect with his estranged daughter and form some sort of relationships and romance. Despite being of this extravagantly, oddly, special profession of a wrestler, everyday people will relate to the earthiness felt in this tale and moodily connect with the wintry nowhere Jersey.

We become exposed to the insides of the wrestling world, the fakeness of it, as we watch the "combatants" shake hands and fraternize before and after the bout, and the brutal realism of it, of the excruciatingly painful (even to watch) consensual physical torture just in order to get a rise out of the crowd.

The story doesn't amount to much but it is the art of realism. Effectively filmed like a reality show or home video with a shaky lower budget camera which gave the feeling of rawness, grittiness and simplicity taking us to the Wrestler's level. Simplicity in a movie can be profoundly powerful. But it must not get too simple where substance will be forfeited. This movie just toted that line and rose slightly above the "too simple" threshold.

The poetic feel of an earthy bluesiness transpires from such scenes as when the father and daughter as they try to reconnect stroll along the isolated boardwalks in the wintry Jersey beach. We are enveloped by a delightful melancholy as we become warmed by these soft scenes and the character's gentleness and heart. These scenes contrast dramatically to the wrestling matches and the character's size and identity and underlying macho-ism.

There are some flaws such as lack of development with the supporting characters. You especially wanted to know and feel more for Marisa Tomei's part and the lack of development in her character made it feel a bit empty. It seems far fetched that a Pro wrestler, one with a fan base, supposedly big star decades ago, with posters and action figures, that this larger than life "idol?", is so destitute that he has to live in a trailer (granted I am not familiar with pro wrestler's economic situation). . Maybe this should have been explained more, did he squander all his money, does he not make that much, does he not care to spend it?

The flaws don't scathe the root of the movie, like the pleasure derived when listening to the husky, raw voice of a great blues musician craning out the simplest lyrics, which is the art and poetry of realism

Mickey Rourke's Resurrection

[hassa_3 · 8/10 · 16 March 2009]

Rarely does a talent like Mickey Rourke get a second chance at stardom. As the star of popular 80s films such as "The Pope of Greenwich Village" and "Nine ½ Weeks," Rourke was on the verge of super-stardom when addiction to drugs and alcohol left him a "broken down piece of meat." But we don't want to hate Mickey, we love Mickey. He stole the show in Sin City a few years back but now he has completely returned to top form. We are looking at the Hollywood version of Lazarus.

The Wrestler is one of the most gripping and emotional films of the past few years – it's brutally honest and very realistic in how it tackles its subject matter. The film is so realistic it feels like a true documentary on underground wrestling. The camera follows Rourke's character, Randy "The Ram" Robinson, inside and outside the ring and stays close at all times. He may be playing a wrestler here but this is not WWE. There's no championship belt, the life he leads is by no means glamorous. He gets locked out of his trailer for not paying rent, he has a struggling love relationship with a stripper by night./mother by day and the only family he has, his daughter, doesn't even want to talk to him.

Rourke is the star here, he makes the film great. The raw intensity in his emotions connects with everyone in the theater and those who appreciate good art will be left breathless by his performance. The Ram is a gladiator, a gentle giant, trying to reclaim the success of his past. Maybe it's because it mirrors Mickey's own resurrection that we find his character so intriguing, but nonetheless the man bears his soul in this very entertaining film. There is such an emotional complexity to his character, by the last frames of the picture – the audience feels like they've been apart of something special.

Wake up. This was a sell-out by Aronofsky.

[SP-10 · 7/10 · 15 February 2009]

The guy is very talented. Pi & Requiem for a Dream were brilliant but made no money. The Fountain was solid but overly ambitious and lacked a Hollywood storyline thus lost about $25 million. The Wrestler is Darren paying back his Hollywood machers. Yes, it is well acted but the story of an aging burnout who can't let go of his past glory is the oldest story in the book. I found the depth lacking and overall it just plodded along until the ultimately cliché ending. Just follow the numbers people - cost only $7 million and will probably gross about $20 - $30 million. This is Darren trying to remain viable in Hollywood and little else.

Let Mickey Rourke rest in peace

[three_big_fish · 1/10 · 10 May 2009]

I try not to walk out of movie theatres, always hoping to see at least one or two redeeming features which will mercifully let me think I have not entirely wasted two hours of my life and my money.

Last night would have easily been the first time I walked out of the cinema. Sadly, there was no movie theatre which could be ostentatiously quit! Not even any popcorn crumbs to crunch into the carpet on the way in an attempt to wake the fellow viewers from their stupour.

It was in the peace and comfort of our own home that we watched 'The Wrestler', an unshapely piece of movie junk, floating across the puddle of last year's Hollywood movies.

Usually, when upon checking your watch you realise you're already two thirds through the movie, and there is no clear indication that it is going somewhere else than the first 10 minutes of it suggests, I'd say it's a pretty bad sign. I checked my watch after the first quarter of an hour, forty minutes in, halfway through it, and many, many times more. And every time I paused to wonder why on earth would anyone be willing to put forward money to sponsor a lengthy attempt at explaining why being a muscled, bleached blonde loser is better than just being any other kind of loser.

I don't understand any of the hype that Rourke's and Tomei's performances are garnering. Two stick figurines of a finished wrestler and a stripper with the heart of gold? Boring, oh, so boring. I wriggled and winced my way through the painful, predictable last quarter of the movie. I don't think you could even possibly write a review containing a spoiler for this flick. There is nothing to spoil here. If you have seen at least three movies in your life, you will know straight away where this is all going.