Black Bags (2023) Poster

(2023)

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7/10
A good small-scale twisty thriller
Armin_Nikkhah_Shirazi21 January 2024
BLACK BAGS tells the story of two women whose fates are ostensibly intertwined by a switch-up of their luggage. There are many twists and turns in the story, so saying more would spoil the movie.

Although the switched luggage trope might seem like a meagre source for driving plots, the thrillers I know of which are based on it have turned out to be more or less good movies (or at least movies I liked), such as Roman Polanski's FRANTIC (1988), 8 HEADS IN A DUFFEL BAG (1997) and, though not a thriller but a classic nonetheless, WHAT's UP DOC (1972). BLACK BAGS joins this small group of good movies.

What impresses most in the movie is the acting by the two main characters, which is thoroughly believable and renders them real. Worse acting could have sunk this movie, since the story, though well-constructed, increasingly pulls on our suspension of disbelief. However, the quasi-philosophical questions about motherhood, and its relation to questions of good vs. Evil are raised in an organic way which make up for that, in my view

I also like that the movie deviates from the standard progression common in thrillers; the third act seems almost like a different kind of film, but nevertheless joins with what came before quite well, something which is not easy to pull off.

The direction, cinematography and editing were a little bland. I feel like there were opportunities for more tension and suspense which were missed. However, at no point was I bored and despite the criticism, these aspects of the move were definitely not bad.

The audience for this would consist of people who want to watch twisty indie thrillers with a greater-than-usual emphasis on fleshing out characters. Another such movie which is quite good, though not based on a switched luggage trope, is BULLITT COUNTY (2018).
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7/10
A solid 'switched luggage' drama
Tweekums2 February 2024
As this film opens we see a heavily pregnant woman, Tess, collecting essential medication. She then heads to the bus station, loads her luggage into the storage area before boarding. Another woman, whim an identical bag, boards and sits next to Tess. She introduces herself as Sara. When Tess disembarks at the terminus Sara is asleep. She takes her bag and returns to her remote house. Just as she is opening the bag the doorbell rings... it is Sara saying their luggage has been switched. When Tess goes to get the bag it falls open and she sees something shocking inside... something that suggests Sara may be very dangerous. She closes it and gives it back but it is clear Sara knows that Tess has seen the contents. Sara starts explaining things but can anything she says be believed?

I didn't really know what to expect when I started watching this and early on I expected to the disappointed. Opening scenes suggested something overly melodramatic with the 'wicked' Sara making a mistake that made no logical sense... i.e. Keeping the item in the case. However as the story progressed it started to get more interesting and unlikely details were mostly explained. There were some good twists and turns before a denouement that I didn't predicted until very close to the end. The film is almost entirely carried by its two leading ladies' Olesya Rulin and Laura Vandervoort really impressed as Tess and Sara respectively. There is less action than one might expect but there is still plenty of tension. Overall a solid enough psychological thriller; I'd recommend it to fans of the genre with ninety minutes to kill.
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8/10
Pie, Anyone?
lavatch5 February 2024
Warning: Spoilers
There is a memorable moment in "Black Bags" where the character Sara forcefully insists that Tess accompany her to a local diner for pie. The waitress brings them a slice of boysenberry and slice of lemon merinigue pie. While the pie is delectable, it is also a key dramatic symbol that bonds the two characters in a conspiracy of silence.

The film was well-scripted in the conceit of the mix-ups in the luggage in which Tess mistakenly takes Sara's bag that contains a human head. The filmmakers hit all the right notes in devising a style of dark comedy that was credible, eerie, and occasionally sly in its sneaky moments of irony. Case in point: Sweet little Freddy, the son of Tess, has been named after slasher icon Freddy Krueger!

While all the performances were strong, an actress named Olesya Rulin must be singled out for a remarkable character transformation in Tess. A mousey expectant mother at the start, Tess has a complete makeover by the end. The performance alone is worth watching this well-crafted film.

So many of today's big budget Hollywood films are a complete waste of time. This modest effort runs on all-cylinders with a roller coaster ride of emotions, snappy dialogue, and first-rate performances.
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