Stars: Raphaël Quenard, Pio Marmaï, Blanche Gardin, Sébastien Chassagne, Agnès Hurstel, Jean-Paul Solal, Laurent Nicolas | Written and Directed by Quentin Dupieux
With a lengthy directorial career since the early 2000s, French director Quentin Dupieux has made a name for himself as an interesting surrealist. It helps that his unique takes on relatable issues are quick watches, with films rarely lasting longer than 80 minutes, and Yannick is a fascinating example of what the creative delivers so effectively.
Dupieux’s twelfth feature opens with a play entitled The Cuckold, as three actors perform on-stage to a half-empty room. While the consistent laughs make it clear that the audience is enjoying the play, the performance is interrupted by Yannick (Raphaël Quenard), a night watchman who stands up to share his displeasure. His reasonings are that he took a day off work and travelled an hour to see this play, yet it does not...
With a lengthy directorial career since the early 2000s, French director Quentin Dupieux has made a name for himself as an interesting surrealist. It helps that his unique takes on relatable issues are quick watches, with films rarely lasting longer than 80 minutes, and Yannick is a fascinating example of what the creative delivers so effectively.
Dupieux’s twelfth feature opens with a play entitled The Cuckold, as three actors perform on-stage to a half-empty room. While the consistent laughs make it clear that the audience is enjoying the play, the performance is interrupted by Yannick (Raphaël Quenard), a night watchman who stands up to share his displeasure. His reasonings are that he took a day off work and travelled an hour to see this play, yet it does not...
- 5/22/2024
- by James Rodrigues
- Nerdly
Dupieux’s melancholic comedy sees a disillusioned audience member pull a gun before demanding a word processor to write the actors a better play
Quentin Dupieux is one of the vanishingly small number of film-makers on the non-Anglo-American distribution circuit who really is interested in – and allowed to make – straight-up comedy, albeit flavoured with melancholy or violent absurdity. For me, only Benoît Delépine and Gustave Kervern are comparable. Aki Kaurismäki, for example, is different; although gently and wonderfully comic, his films don’t try to hit the laugh lines in the same way.
The prolific Dupieux has now created a 67-minute sketch, a one-act cine-play about a mediocre Paris stage company performing a dinner-theatre comedy called The Cuckold to a bored, half-empty house. Just as they are grinding through their tired old routines, a guy called Yannick (Raphaël Quenard) stands up in the auditorium and announces that this so-called comedy...
Quentin Dupieux is one of the vanishingly small number of film-makers on the non-Anglo-American distribution circuit who really is interested in – and allowed to make – straight-up comedy, albeit flavoured with melancholy or violent absurdity. For me, only Benoît Delépine and Gustave Kervern are comparable. Aki Kaurismäki, for example, is different; although gently and wonderfully comic, his films don’t try to hit the laugh lines in the same way.
The prolific Dupieux has now created a 67-minute sketch, a one-act cine-play about a mediocre Paris stage company performing a dinner-theatre comedy called The Cuckold to a bored, half-empty house. Just as they are grinding through their tired old routines, a guy called Yannick (Raphaël Quenard) stands up in the auditorium and announces that this so-called comedy...
- 4/2/2024
- by Peter Bradshaw
- The Guardian - Film News
"What's my name again?" Mubi has unveiled an official trailer for an absurdity, meta French comedy called Yannick, the second film from 2023 by the wacky French filmmaker Quentin Dupieux. This premiered at the 2023 Locarno Film Festival last year and will be streaming on Mubi starting in April. Dupieux never stops working! Smoking Causes Coughing was released last year, and he also brought Daaaaaali! in Venice and this one in Locarno, plus he has another new film rumored for Cannes 2024. In this – on a rare night off, parking attendant Yannick goes to the theater to catch a production of the comedy The Cuckold (aka "Le Cocu"). Dissatisfied by the boring performance, Yannick hijacks the show: he takes the theater hostage and demands to become the playwright. This film stars Raphaël Quenard as Yannick, Pio Marmaï, Blanche Gardin and Sébastien Chassagne. Shot in secret in just 6 days, this award-winning comedy is ready...
- 3/29/2024
- by Alex Billington
- firstshowing.net
Since his delirious 2007 debut, Steak, DJ turned director Quentin Dupieux has kept up a steady pace of one or two feature films a year, making him among the most prolific directors currently working in France. One of the ways he pulls this off is by being a cinematic one-man-band, penning his own scripts, then shooting, editing and sometimes scoring his own movies, which tend to clock in somewhere between seventy and ninety minutes.
He’s tackled many different genres over the past decade, from comedy to thriller to horror to sci-fi, often blending two or three of them into a single story. And yet what all his films have in common is a totally absurdist, idiosyncratic approach that mixes high-concept plots with a tone best described as deadpan surrealism. In a sense, he’s invented his own genre by now, which I guess the French would call “Dupieuxien,” as in:...
He’s tackled many different genres over the past decade, from comedy to thriller to horror to sci-fi, often blending two or three of them into a single story. And yet what all his films have in common is a totally absurdist, idiosyncratic approach that mixes high-concept plots with a tone best described as deadpan surrealism. In a sense, he’s invented his own genre by now, which I guess the French would call “Dupieuxien,” as in:...
- 8/18/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
“You’re full of hate and frustrations. you should take a break,” director Quentin Dupieux once tweeted at me, immediately following my review of his 2014 film “Reality.” In another world, someone might have advised him against picking a fight with a film critic. You know, never quarrel with a man who buys ink by the barrel, and all that. But I didn’t mind. I’d said some harsh things about his movie. Seems only fair that he could retort.
In Dupieux’s latest, “Yannick,” the title character is a critic. Like Dupieux, Yannick does the unthinkable, expressing his displeasure. In a way. That. Is. Not. Done. He opens his mouth during the show. And it’s hilarious — by challenging this incredibly specific (but seldom questioned) cultural taboo, Dupieux has concocted both a ripe comedic premise and a chance to interrogate what audiences expect from art: Diversion? Entertainment? Uplift? Provocation?...
In Dupieux’s latest, “Yannick,” the title character is a critic. Like Dupieux, Yannick does the unthinkable, expressing his displeasure. In a way. That. Is. Not. Done. He opens his mouth during the show. And it’s hilarious — by challenging this incredibly specific (but seldom questioned) cultural taboo, Dupieux has concocted both a ripe comedic premise and a chance to interrogate what audiences expect from art: Diversion? Entertainment? Uplift? Provocation?...
- 8/7/2023
- by Peter Debruge
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.