Vortex — which opened this weekend to a full house at NYC’s IFC Center — has an unusual star, Dario Argento. Here’s how the film’s helmer Gaspar Noe convinced the iconic Italian horror movie director into his first lead acting role.
“There were three reasons” he said yes, Noe told Deadline. “The first one, he said, because you are my friend and I like your movies.” [Noe has known Argento for 30 years and is friendly with his daughter, Asia Argento.] “The second and the third, because I told him that I would not given him any lines to learn. That he could improvise his dialogue. He could invent his character all by himself. I said, ‘I’ll just handle the camera and the editing. So you’ll direct your part, and I’ll direct my part.’” In fact, the screenplay he showed Argento was only ten pages long.
Vortex follows an elderly couple in crisis. Argento plays an author and movie...
“There were three reasons” he said yes, Noe told Deadline. “The first one, he said, because you are my friend and I like your movies.” [Noe has known Argento for 30 years and is friendly with his daughter, Asia Argento.] “The second and the third, because I told him that I would not given him any lines to learn. That he could improvise his dialogue. He could invent his character all by himself. I said, ‘I’ll just handle the camera and the editing. So you’ll direct your part, and I’ll direct my part.’” In fact, the screenplay he showed Argento was only ten pages long.
Vortex follows an elderly couple in crisis. Argento plays an author and movie...
- 5/1/2022
- by Jill Goldsmith
- Deadline Film + TV
Based on box-office performance, it looks like theaters decided to take the week off for CinemaCon. With studios releasing a record low number of new films post-Covid, none wanted to face a week two against Disney’s “Doctor Strange in the Multiverse of Madness,” which opens May 5. Its opening could triple the gross of all titles this weekend.
To be fair, that’s a low bar to clear at 67 million — the lowest for any April weekend in this century other than the past two Covid-affected ones. In terms of tickets sold (around 6 million), possibly the fewest for any weekend since the 1930s.
“Doctor Strange” is expected to open to at least 150 million; 200 million is possible. Strong initial reaction to Paramount’s “Top Gun: Maverick,” both at CinemaCon and in early press screenings, suggest May could provide a one-two punch to launch a strong summer.
This weekend falls exactly three years...
To be fair, that’s a low bar to clear at 67 million — the lowest for any April weekend in this century other than the past two Covid-affected ones. In terms of tickets sold (around 6 million), possibly the fewest for any weekend since the 1930s.
“Doctor Strange” is expected to open to at least 150 million; 200 million is possible. Strong initial reaction to Paramount’s “Top Gun: Maverick,” both at CinemaCon and in early press screenings, suggest May could provide a one-two punch to launch a strong summer.
This weekend falls exactly three years...
- 5/1/2022
- by Tom Brueggemann
- Indiewire
One of the more unlikely stage-and-screen box office smashes in musical history, “Fiddler on the Roof” — based on stories of shtetl life in Tsarist Russia by Yiddish author Sholem Aleichem, and turned by writer Joseph Stein, lyricist Sheldon Harnick, and composer Jerry Bock into a song-filled saga about a poor milkman with five unmarried daughters and an aversion to change — defied conventional wisdom about whose stories could be universal.
It helps, of course, when your score is a treasure trove: “Tradition,” “If I Were a Rich Man,” “Matchmaker, Matchmaker,” “To Life,” and “Sunrise, Sunset” are all-timers.
We’ve already gotten one adoring film about the original Broadway show’s legacy, 2019’s “Fiddler: A Miracle of Miracles,” and now we have a second: Daniel Raim’s warm, engaging “Fiddler’s Journey to the Big Screen.” As its title makes clear, the documentary is about the beloved movie version directed by Norman Jewison,...
It helps, of course, when your score is a treasure trove: “Tradition,” “If I Were a Rich Man,” “Matchmaker, Matchmaker,” “To Life,” and “Sunrise, Sunset” are all-timers.
We’ve already gotten one adoring film about the original Broadway show’s legacy, 2019’s “Fiddler: A Miracle of Miracles,” and now we have a second: Daniel Raim’s warm, engaging “Fiddler’s Journey to the Big Screen.” As its title makes clear, the documentary is about the beloved movie version directed by Norman Jewison,...
- 4/29/2022
- by Robert Abele
- The Wrap
Fiddler’s Journey to the Big Screen director Daniel Raim on the casting of Tevye for Norman Jewison’s Fiddler on the Roof: “Until I talked with Norman I didn’t know that Frank Sinatra’s manager had called Norman. And Danny Kaye, what a great story!”
Daniel Raim’s Fiddler’s Journey To The Big Screen, co-written with Michael Sragow, produced by Sasha Berman, executive produced by Matthew H. Bernstein and narrated by Jeff Goldblum, takes us on the remarkable odyssey of Norman Jewison and how he became the director of the multiple Oscar-winning Fiddler On The Roof.
Daniel Raim with Anne-Katrin Titze on Robert F Boyle: “He was my professor and I knew he loved Edward Hopper, so for Christmas I got him, when I was a student, a book on Hopper paintings.”
On-camera interviews with Topol, Rosalind Harris (Tzeitel), Michele Marsh (Hodel), Neva Small (Chava), composer John Williams,...
Daniel Raim’s Fiddler’s Journey To The Big Screen, co-written with Michael Sragow, produced by Sasha Berman, executive produced by Matthew H. Bernstein and narrated by Jeff Goldblum, takes us on the remarkable odyssey of Norman Jewison and how he became the director of the multiple Oscar-winning Fiddler On The Roof.
Daniel Raim with Anne-Katrin Titze on Robert F Boyle: “He was my professor and I knew he loved Edward Hopper, so for Christmas I got him, when I was a student, a book on Hopper paintings.”
On-camera interviews with Topol, Rosalind Harris (Tzeitel), Michele Marsh (Hodel), Neva Small (Chava), composer John Williams,...
- 4/28/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Another film year has wrapped up here at The Film Experience. Though we go by the calendar year for all awards purposes, when it comes to the film year, we think of it as as running from the day after the Oscars through to the next Oscar night. So Happy 2022 to all of you. We're about to start all over again.
The Big Show
• The Ceremony Reviewed
• The Slap
• Best Dressed Polls
• 5 Best Speeches
• Top 10 Fashions
• On the 3 Hosts: Amy, Regina, and Wanda
• Ranking the Clips
• Appeal to the Academy re: Lady Gaga
• Podcast Discussion
Extras
• Chris James' Fabulous Annual Oscar Party
• The Help as Good Luck Charm
• Records & Trivia
• What's Next for the Directors
• What's Next for the Actors
• What's Next for the Actresses
• Winners List & Charts
And of course there was a lot before that as well if you click on any tag for various actors and films!
The Big Show
• The Ceremony Reviewed
• The Slap
• Best Dressed Polls
• 5 Best Speeches
• Top 10 Fashions
• On the 3 Hosts: Amy, Regina, and Wanda
• Ranking the Clips
• Appeal to the Academy re: Lady Gaga
• Podcast Discussion
Extras
• Chris James' Fabulous Annual Oscar Party
• The Help as Good Luck Charm
• Records & Trivia
• What's Next for the Directors
• What's Next for the Actors
• What's Next for the Actresses
• Winners List & Charts
And of course there was a lot before that as well if you click on any tag for various actors and films!
- 4/1/2022
- by NATHANIEL R
- FilmExperience
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