Directed by
Lucy Bailey | ||
Andrew Thompson |
Produced by
Pauline Burt | ... | executive producer |
Elizabeth Morgan Hemlock | ... | producer |
Steve Milne | ... | executive producer |
David Pearson | ... | producer |
Music by
Jonny Pilcher |
Cinematography by
Andrew Thompson |
Editing by
Tim Lovell |
Production Management
Alan Pritt | ... | post-production manager |
Sound Department
Sebastian Dunn | ... | sound recordist |
Claire Ellis | ... | dialogue editor |
George Foulgham | ... | re-recording mixer |
James Snowden | ... | sound recordist |
Camera and Electrical Department
Shankar Addi Mehra | ... | gaffer |
Editorial Department
Mike Andrews | ... | digital film technician |
Tim Drewett | ... | digital film technician |
Justin Eely | ... | on-line editor |
Matt James | ... | digital film supervisor |
Justin Lanchbury | ... | di film consultant |
Jonathan Liebert | ... | digital cinema mastering |
Andy Richards | ... | senior digital intermediate technician |
Tim Waller | ... | senior colorist |
Additional Crew
Kate Crowther | ... | production executive |
Tabitha Jackson | ... | production executive |
Daphne Mather | ... | archive researcher |
Adam Partridge | ... | development executive |
Fabien Westerhoff | ... | worldwide sales: Hanway Films |
Thanks
Mark Foligno | ... | special thanks |
Kenny MacDonald | ... | thanks |
Deepak Sikka | ... | special thanks |