Directed by
| Tommy Lee Jones | ||
Writing Credits
| Cormac McCarthy | ... | (written by) |
| Cormac McCarthy | ... | (play) |
Cast (in credits order) complete, awaiting verification
| Samuel L. Jackson | ... | Black | |
| Tommy Lee Jones | ... | White | |
Produced by
| Barbara A. Hall | ... | producer |
| Tommy Lee Jones | ... | executive producer |
| Aaron Lieber | ... | associate producer/workflow consultant |
| Wesley A. Oliver | ... | co-producer |
Music by
| Marco Beltrami | ||
Cinematography by
| Paul Elliott | ||
Editing by
| Larry Madaras | ... | co-editor |
| Roberto Silvi | ||
Production Design by
| Merideth Boswell | ||
Set Decoration by
| Wendy Ozols-Barnes | ||
Costume Design by
| Lyn Paolo | ... | (designer for Samuel L. Jackson) |
Makeup Department
| Adam Brandy | ... | makeup department head |
Production Management
| Barbara A. Hall | ... | unit production manager |
Second Unit Director or Assistant Director
| Stephen P. Dunn | ... | first assistant director |
| Katie Pruitt | ... | second assistant director |
Art Department
| RA Arancio-Parrain | ... | leadman |
| Marisa Frantz | ... | set designer |
| Linda R. Gore | ... | set dresser |
| Virginia Hopkins | ... | lead scenic artist |
| Sarah Robinson | ... | on-set painter |
| Keith Walters | ... | property master |
| Christopher Windisch | ... | construction coordinator |
| Colin Zaug | ... | on-set dresser |
Sound Department
| David Bach | ... | re-recording mixer / supervising sound editor |
| Phil Barrie | ... | sound effects editor |
| Thadd Day | ... | boom operator |
| Skip Lievsay | ... | re-recording mixer |
| Mark Purcell | ... | dubbing recordist |
| Edwardo Santiago | ... | boom operator |
| Mark Weingarten | ... | sound mixer |
Special Effects by
| Margaret Johnson | ... | special effects foreman |
| Randy E. Moore | ... | special effects coordinator |
Visual Effects by
| Michael Dillon | ... | digital intermediate assistant producer |
| Gregory Oehler | ... | visual effects supervisor (as Greg Oehler) |
| Mitch Paulson | ... | digital colorist: EFilm |
Camera and Electrical Department
| Richard Ball | ... | key grip |
| Adam Barth | ... | key video assist |
| Mike Biss | ... | rigging grip |
| Chip Byrd | ... | first assistant camera: "a" camera |
| David A. Canning | ... | digital imaging technician |
| Dan Delgado | ... | gaffer |
| Harland Espeset | ... | a camera: dolly grip |
| Ryan Eustis | ... | second assistant camera: "b" camera |
| Ian Hanna | ... | dolly grip: "b" camera |
| Dawn Jones | ... | stills photographer |
| Kurt Kornemann | ... | best boy grip |
| Charles C. Lee | ... | set lighting |
| Lynn Lockwood | ... | camera operator: "b" camera |
| Dave Midthunder | ... | rigging grip |
| Charlie Newberry | ... | second assistant camera |
| Christopher Norris | ... | first assistant camera: "b" camera |
| Brooks Robinson | ... | steadicam operator |
| John Stearns | ... | best boy electric |
| Mark Steinig | ... | key rigging grip |
| George Stephenson | ... | camera operator: "a" camera |
| Dwayne Willis | ... | lighting technician |
Costume and Wardrobe Department
| Debra Chapman | ... | seamstress (as Debra Fraedo Chapman) |
| Askia Won-Ling Jacob | ... | costumer |
Editorial Department
| Emily Fenster | ... | post-production coordinator |
| Justin Geoffroy | ... | assistant editor |
| Marc Lulkin | ... | digital color assist |
| Mitch Paulson | ... | digital intermediate colorist / supervising digital colorist |
| Christian Prejza | ... | digital intermediate producer (as Chris Prejza) |
Music Department
| Johnny Caruso | ... | music editor |
| Mark Graham | ... | music preparation |
| Evyen Klean | ... | music supervisor (as Evyen J. Klean) |
| John Kurlander | ... | music recording mixer: orchestral / music recordist: strings |
| Janet Lopez | ... | music coordinator |
| Peter Rotter | ... | musician contractor |
| Buck Sanders | ... | score co-producer |
| Steven L. Smith | ... | music preparation |
Script and Continuity Department
| Judi Townsend | ... | script supervisor |
Transportation Department
| Charley Bob Burnham | ... | driver |
| Brian Kay | ... | transportation captain |
| Michael B. Russell | ... | transportation coordinator |
Additional Crew
| Paula Amanda | ... | stage manager |
| Kaylee Carson | ... | set intern |
| Brother Eden Douglas | ... | stand in: Samuel L. Jackson |
| Windy Earls | ... | assistant production coordinator |
| Ami Francis | ... | production accountant |
| Joshua Fritel | ... | key set production assistant |
| Alina Gatti | ... | set production assistant |
| Joel Ides | ... | title designer |
| A.G. Johnson-Wagner | ... | payroll accountant (as Andrew Grey Johnson) |
| Karen Jones | ... | assistant: Mr. Jones |
| Richard Andrew Jones | ... | assistant: Mr. Jones (as Richard Jones) |
| Frans Laimbock | ... | office production assistant |
| Volney McFarlin | ... | assistant: Mr. Jackson (as Volney Edward McFarlin III) |
| Kerry Newberry | ... | first assistant accountant (as Kerry Yancheski) |
| Sara Scarritt | ... | production coordinator |
| Quinn Tivey | ... | assistant: Ms. Hall |
| Lisa Vanallen | ... | craft service |
| Jeff J. Williams | ... | security: Mr. Jones, Los Angeles |
