Adam Ruins Ah My Goddess: Bad Goddess & Marller Gets a Spinoff is a work of Fan Fiction where Kevin Neece showcases what his Ah My Goddess Fan Film spinoff series would look like if Adam Conover and Rhea Butcher from Adam Ruins Everything both played the public access time lord character Doctor What, who himself is a meta self aware parody of BBC's Doctor Who. Kevin Neece noticed that there were jaw dropping similarities between Doctor What and Adam Ruins Everything and just decided to merge the two together himself. In Adam Ruins Everything, Adam Conover plays a Demon obsessed with Logic, who sets out on a Quest to Debunk all of the Myths and Misconceptions about Modern Day Society, battling real life villains and virtually deconstructing every single aspect of the American Way of Life, including the Government and Judicial system. Adam Conover presents his arguments in Self Aware Meta Format, citing his article sources onscreen, frequently engaging in the art of Movie Magic whom some people mistake for Witchcraft, sometimes even Travelling Through Time to Make His Points, and his fictionalized lawyer sister is Trans Actor Rhea Butcher. All of these aspects are featured in Kevin Neece's Bad Goddess series in the form of Doctor What by pure coincidence, as Doctor What is secretly possessed by an Aesthetics Obsessed Demon named The Puppeteer Mokkurkalfi, whom many suspect to be The Goddess Skuld's Spiritual Doublet Connection. Take note however, that the brutally outspoken opinions and go for the throat offensive humor antics of Kevin Neece are his own work, and do not necessarily reflect the Opinions of the Makers of Adam Ruins Everything, a mostly politically correct television show. The Makers of Adam Ruins Everything had no knowledge or creative insight into the making of Kevin Neece's Bad Goddess and are not responsible for the Politically Incorrect Offensive Humor that he engages in. This Unofficial Fan Film Spinoff of Adam Ruins Everything exists solely as a gag, showcasing a "New Take" on Adam Conover's Meta Commentator in the form of an NC-17 Offensive Humor Satire Commentary like South Park, that is both a crossover with Ah My Goddess and Doctor Who.
Kevin Neece alleges that the Bad Goddess series is haunted by a Spiritual Attachment, no different from a Very Bad Ouija Board Invocation, to which he has written countless articles and even published an Autobiography that he mailed out to both United States Congress, the FBI, the CIA, the Entire Japanese Government, the Anti-Piracy Divisions, and even the Vatican. All this he paid for out of his own pocket at a loss of $40,000 from his dead father's IRA inheritance money. When Kevin Neece attempted to approach United States Congress with his Paranormal Research Report, the Spirits got their revenge against him for whistleblowing their existence to the Government by marrying him to the closest comparable Spiritual Deity that the Demon Realm had to the Goddess Belldandy in the Anime Series. The Spirit Wife claimed that her name is Ekatn, an alternate spelling for Hekate Goddess of the Crossroads from Greek Mythology, and that she was the inspirational basis for Belldandy in the anime show. In the Oh My Goddess OVA from the 1990s, Keiichi receives a phone call from the Goddess Belldandy, who travels into his room via a Mirror, and states that she visits those who are in distress. In the Occult Community, The Call of Hekate is when the Spiritual Presence of Hekate visits one of her followers who are suffering extreme emotional distress to help guide them with an intuition to fix their life problems, and Mirrors are considered to be Gateways into the Spirit Realm. Nearly all of Hekate's Religious Cult Followers online insist that Kevin Neece was tricked by a Succubus Demon using Hekate's name as a disguise, but Kevin Neece's Spirit Wife suspiciously appears to showcase same powers over Fate as a Shinigami from Death Note, or an Angel of Death, and her calling card that she leaves is their deaths are usually surrounded by Irony Serendipity and Stranger than Fiction Coincidence. And they can frequently be spotted on Social Media via the Ironic Celebrity Deaths that come in Threes. For example, there are Three Goddesses of Fate, who choose how our lives end. Suppose for a moment that the reason celebrity deaths comes in threes is because the Three Goddesses of Fate amuse themselves with a game where they each pick their own celebrity death choices so that they don't have to fight over the one who gets chosen. Adam Conover himself noted during his Adam Ruins Death episode that there was an incident back during the ninth century, an alchemist brewing an immortality potion accidentally invented gunpowder, which ironically resulted in the death of millions of people through the act of war. This is exactly the kind of Dark Humor Irony that Kevin Neece's Angel of Death engage in. Ekatn possessed Kevin Neece as a Spiritual Medium while he was writing his report to US Congress and pre-cognitively predicted the attack of COVID-19 shutting down and murdering nearly 600,000 people nearly a month before it happened. Kevin Neece performed an experiment using what the Occult Community refers to as a Black Mirror, or Mirror Invocation Magic, where he screened disaster movies such as Dante's Peak, Volcano, Twister, Poseidon Adventure, San Andreas, and others into his Incense laced Bedroom Mirror at Night while emailing his experiments to the CIA via their Email Portals to Timecode Date his predictions, and within 48 hours of his movie invocation screenings, most of his experiments appeared to showcase Natural Disaster Events on Social Media News that were thematically linked the movies that he played. Kevin Neece's theory is that he was not actually causing these events to happen via Mirror Invocation Magic, his repeated invocations of the Goddess Skuld, a clairvoyant who forsees the future, was subconsciously manipulating him into choosing the right movies before the disasters hit as a bizarre form of ESP Pre-Cognition. When Kevin Neece screened Stephen King's Maximum Overdrive, within 48 hours, it was announced that two people died in a Tesla Car Crash where nobody was driving the vehicle and the accident was blamed on autopilot. Kevin Neece linked the source articles for his paranormal research experiments online in an article titled Operation Sir Augustus DeWynter.
Kevin Neece was born February 9th, 1983. Adam Conover was born March 2nd, 1983. Twenty Days Apart.
In Adam Ruins the Internet, Adam Conover discusses how Facebook employs an Algorithm to collect personal data from the General Public no matter where they surf on the internet so that they may advertise the right ads in their Facebook feed. Thus, the price of free internet is our citizens lose any and all privacy. This Facebook algorithm is so precise, that it once accidentally outed an LGBTQ member who was in the closet to her friends on Facebook by advertising Gay Cruise Lines to her. Amusingly, what Adam Conover had to say about the Facebook algorithm brought forth an amusing realization in Kevin Neece. Facebook repeatedly advertises illegal Hollywood DVD-R bootlegs of Netflix and Disney+ streaming only movies and television shows to Kevin Neece via his Facebook ads account because their algorithm picked up on his repeated postings about video mixtapes, theater piracy, and his autobiography The Story of a Blacklisted Bootlegger. It is because of these Facebook algorithm tip offs that Kevin Neece is able to locate the illegal bootleg products, buy them for his own entertainment, then screen capture everything and send it via email to the IPR Homeland Security Division that deals in Internet Piracy. Hence, Kevin Neece's background as a former theater pirate accidentally benefit him thanks to the Facebook algorithm that spies on our daily lives. It helps Kevin Neece inform on illegal bootleggers to the Legal Authorities which couldn't hurt towards keeping him out of prison on an informant basis.
In Adam Ruins Art, Adam Conover discusses the theory of The Mere Exposure Effect in how the merits of a work of art are not judged based on its own qualities, but whether or not the work of art is popular and well known. For example, as stated in the television show, the Mona Lisa was not popular upon its initial release. It received publicity due to it being stolen and once it was returned to its rightful museum, suddenly people liked it because they had heard about it in the news. Kevin Neece believes that the horrible treatment he has received from both Kodansha Ltd and the Ah My Goddess Internet Community showcases how Adam Conover is correct about The Mere Exposure Effect. It completely proves him right. According to Kevin Neece, there is very little difference between Yumi Toma's Oh My Goddess First End Novel, Aoki Uhei's Oh My Job Hunting Goddess Manga, and Kevin Neece's Bad Goddess & Marller Gets a Spinoff. All three are Oh My Goddess spinoffs with scripts that are not made directly by Kosuke Fujishima. When Oh My Goddess First End was released, the Fanbase complained that it was a work of Fan Fiction which only got a legal publication release due to Urd's Voice Actress Yumi Toma having connections with the Oh My Goddess IP Rights Owners. When Kevin Neece made Bad Goddess, the entire voice cast, crew, and producers of Ah My Goddess refused to respond to him because the Japanese Anime Industry has threatened to Blacklist and Boycott anybody who puts Fan Made Work on their Resumes. Everyone at Anime News Network, FUNimation, Dark Horse Comics, and Sentai Filmworks refuse to respond to Kevin Neece as well. Because the Ah My Goddess Internet Community has never heard of the existence of Bad Goddess from Kodansha Ltd or any of the Online Social Media News Outlets, their general collective response when Kevin Neece approached them was: This is Fake. This isn't Real. This doesn't Exist. Not interested in a Parody Bro. Still waiting for the Real Season Three. They repeatedly complain and ask when Ah My Goddess Season Three is coming, and blow off and ignore Kevin Neece when he points out that an Extensive Video Comic spinoff exists that can be watched on their television sets. They don't take it seriously as a cartoon because it does not have a voice cast due to Anime Industry Discrimination against Fan Made Material, forcing Kevin Neece to use a Text to Speech Audiobot Voice Cast. And four years later, the entire industry still refuses to respond about it even after Kevin Neece's misadventures in reporting crimes to both the FBI and the United States Congress. Thus, the show is a failure, and it's very telling as well. Because from a screenwriting standpoint, these cartoon scripts are just as funny as South Park, and it should have gained even more popularity due to it's usage of Doctor Who. The fact that the show is a Film Pitch means it classifies as New Media which allows it to be played at Online Film Festivals. Because it doesn't have an audience, Bad Goddess is considered to be a failure, even though A Certain Magical Pimpdex has won six film festival awards for Best Picture, Best Director, Best Producer, Best Editor, Best Animation, etc. Suddenly Aoki Uhei's Oh My Job Hunting Goddess was announced in a press release from Kodansha Ltd and the entire Internet Fanbase that insulted and blew off Kevin Neece's fan films stood up and cheered saying things like: Thank God, any kind of spinoff is better than NOTHING AT ALL. And brand new Oh My Goddess spinoff, NOT FAKE. As if Kevin Neece's work did not count or exist. But Oh My Job Hunting Goddess is not made by Kosuke Fujishima either. The only reason it is considered to be a real thing is because it was published in Kodansha Afternoon Magazine and announced online by Kodansha Ltd via the Anime News Outlets. Kodansha Afternoon Magazine already has a built in audience, so it's not necessarily Oh My Job Hunting Goddess that's selling, it's the entire magazine itself and the Oh My Goddess spinoff is the cherry on top of the magazine sundae. Does anybody not see the Double Standard that Kevin Neece is pointing out here. Bad Goddess hasn't failed because it's a bad idea. It failed because it was made outside of the industry and the IP Rights Owners do not want it to succeed because it was made by an pirate. Even when Kevin Neece inherited $200,000 from his late father and approached entertainment lawyers about clearing the IP Rights, they refused to respond to him because they don't want him to succeed or get ahead in life through legal industry channels. They want him to stay in his place so they can treat him like a Thief. Hence the Producers of Ah My Goddess have done everything in their power to ignore Bad Goddess existence so that it will give off the appearance of failure. If Kodansha Ltd had taken the same plot for Marller Gets a Spinoff and produced it with writers and mangaka from within their own company, the general audience may have had their complaints, but they still would have talked about it and discussed it like it was a real thing, rather than ignore it's existence on the basis that if it wasn't talked about on Social Media, then it must not be a real thing. Hence The Mere Exposure Effect is proven through the mistreatment and neglect of Kevin Neece. The Internet Population likes to believe that they have their own tastes and free will, but the reality is they only apply those tastes in the entertainment arts when Social Media News steers them in the direction of Pop Cultural Advertisements so that they will discuss and talk about what the Algorithm wants them to discuss. Hence they are no different than mindless sheep.