Filmmakers Aaron Katz and Martha Stephens, who have teamed up for Land Ho!, have individually premiered all of their previous features at SXSW Film Festival. They're each known for films where characters are deep in exploration -- about themselves but also perhaps, a mystery (Cold Weather, Passenger Pigeons) or even a landscape (Brooklyn in Quiet City, Kentucky in Pilgrim Song). In Land Ho! (which premiered at Sundance this year), the same type of exploration takes place -- this time in Iceland -- with two primary characters who are gentlemen in their retirement years. It's a change for Katz, whose characters are usually in their late teens/early twenties.
No matter what the age of the characters, however, Stephens and Katz sustain the audience's interest in the type of story that sounds terribly slow and dull when explained in print, but is very rewarding as it unfolds onscreen. Two retired brothers-in-law,...
No matter what the age of the characters, however, Stephens and Katz sustain the audience's interest in the type of story that sounds terribly slow and dull when explained in print, but is very rewarding as it unfolds onscreen. Two retired brothers-in-law,...
- 9/14/2014
- by Jette Kernion
- Slackerwood
The wonderfully freewheeling, peripatetic road movie Land Ho!, spanning the vast, rich Icelandic landscape, marks the first collaboration between two talented independent filmmakers: Martha Stephens (Passenger Pigeons, Pilgrim Song) and Aaron Katz (Dance Party USA, Quiet City, Cold Weather). Together, they have created a beautiful and quietly charming film, one not afraid of being small, in the sense of letting the naturalistic performances and atmosphere impress themselves on the audience, and not shoehorning in false melodrama or forced comedy. And although the buddy comedy road trip movie is a genre that is thoroughly well-worn at this point, Land Ho! is blissfully free of cliché and hackneyed retreads. Set to be released this summer, the film will serve as perfect counter-programming to whatever superhero movie is...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 7/10/2014
- Screen Anarchy
Generally speaking, indie cinema tends to focus stories about journeys of self-discovery, friendship and more on younger people, but when it comes to the genre, co-writers and directors Martha Stephens (“Passenger Pigeons”) and Aaron Katz ("Cold Weather") have decided not to play into standard expectations. Their dramedy "Land Ho!," which premiered earlier this year at the Sundance Film Festival, not only sets the action in Iceland, it centers it around a unlikely, elderly duo. Starring Paul Eenhoorn and Earl Lynn Nelson, "Land Ho!" tells the story of two former brothers-in-law who decide to vacation together in Iceland. Already mismatched — one is an American Southerner, the other Australian — Mitch and Colin avoid their issues with aging and loneliness and more, with women, nightclubs and other spirited adventures, as they take in the landscape with their rented SUV. And in this clip, we even see drugs play a role in their...
- 6/30/2014
- by Kevin Jagernauth
- The Playlist
The wonderfully freewheeling, peripatetic road movie Land Ho!, spanning the vast, rich Icelandic landscape, marks the first collaboration between two talented independent filmmakers: Martha Stephens (Passenger Pigeons, Pilgrim Song) and Aaron Katz (Dance Party USA, Quiet City, Cold Weather). Together, they have created a beautiful and quietly charming film, one not afraid of being small, in the sense of letting the naturalistic performances and atmosphere impress themselves on the audience, and not shoehorning in false melodrama or forced comedy. And although the buddy comedy road trip movie is a genre that is thoroughly well-worn at this point, Land Ho! is blissfully free of cliché and hackneyed retreads. Set to be released this summer, the film will serve as perfect counter-programming to whatever superhero movie is coming...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 4/25/2014
- Screen Anarchy
They range in age, amount of screen time, supporting or principle characters, and have previous (television work, stage and or bit parts in Hollywood/Indiewood productions or next to no film experience at all. In essence these folks have a special gift and have essentially broken out. I had the fortune of having a team of four journalists (Caitlin Coder, Jordan M. Smith, Nicholas Bell and myself) covering the 2014 Sundance Film Festival and when you got a small army covering a major fest it ensures that fine performances from a new crop of acting talents don’t go undetected. Michael B. Jordan, Robin Weigert and Miles Teller (who follows up The Speculator Now with a dramatically and physically charged perf in the marvelous Whiplash) were just some of the new faces included on our top list last year.Worthy mnetions that did not break into our Top 10 include Fishing Without Nets‘ Abdikani Muktar,...
- 1/30/2014
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
Road trip movies (and road trips in general) live and die by the likability of the travel companions. Writing and directing team Martha Stephens (Pilgrim Song) and Aaron Katz (Cold Weather) knew that, of course. Their film Land Ho! reunites a pair of 70-something ex-brother-in-laws for a trip around Iceland.
“We wanted to make a comedy that was sort of an ode to comedies that we loved growing up like Planes, Trains, and Automobiles and Uncle Buck and stuff that’s really fun, but we also wanted to incorporate the way that we made movies,” said Stephens.
Cast chemistry is...
“We wanted to make a comedy that was sort of an ode to comedies that we loved growing up like Planes, Trains, and Automobiles and Uncle Buck and stuff that’s really fun, but we also wanted to incorporate the way that we made movies,” said Stephens.
Cast chemistry is...
- 1/23/2014
- by Lindsey Bahr
- EW - Inside Movies
Indie road trip comedies are perhaps the worst cliché of low budget American filmmaking, but "Land Ho!," the story of two aging men on a meandering vacation in Iceland, provides a notable exception. This unassuming, elegantly shot collaboration by directors Aaron Katz ("Cold Weather," "Quiet City") and Martha Stephens ("Pilgrim Song," "Passenger Pigeons") actively avoids any melodramatic confrontations or cheesy subplots. A gentle meditation on growing old and bored, "Land Ho!" never rises to the level of narrative engagement found in the filmmakers' previous efforts, but it doesn't take much to make it sufficiently insightful, carried along by a pair of actors so inherently likable from the outset that "Land Ho!" hardly requires a lot of story to set their adventure in motion. Essentially a two-hander from start to finish, "Land Ho!" opens with the soft spoken Colin (Paul Eenhoorn, star of last year's sleeper hit "This Is Martin Bonner...
- 1/19/2014
- by Eric Kohn
- Indiewire
Two ex-brothers-in-law (This Is Martin Bonner’s Paul Eenhoorn and Eastbound & Down’s Earl Lynn Nelson) set off on an Iceland vacation to reclaim their youth; dipping their toes in the Reykjavik nightclub scene, visiting trendy spas, dining at daring restaurants and communing at rugged campsites. What starts as a raucous adventure becomes a journey of self-discovery. Land Ho! is the latest producing project from lyrical indie-film favorite David Gordon Green, directed by Martha Stephens (Pilgrim Song, Passenger Pigeons) and Aaron Katz (Cold Weather, Quiet City). The endearing tale is part 1980s raucous road comedy, part sensitive and charming portrait of aging à la an edgier Strangers in Good Company for men. Interestingly enough, Nelson, who...
Read More...
Read More...
- 1/13/2014
- by Alison Nastasi
- Movies.com
We're going to be taking our sweet time wrapping up this year's SXSW Film Festival, looking over one section at a time and allowing for digressions and occasional notes on films that screened in Berlin and Sundance as well, focusing on what's interesting, skimming over what's not. Before we begin, a few pointers to overviews of the festival in general: IndieWIRE and the Playlist have indexed their extensive coverage and Eric Kohn's had an end-of-the-fest chat with Ben Kenigsberg and Matt Singer; James Francis Flynn posted a diary at Cinespect; and, in his podcasts for the Film Society of Lincoln Center and Kut.org, Eugene Hernandez has interviewed a slew of filmmakers and touched on broader issues with a wide range of critics: 1, 2, 3, 4 and 5.
On to the Narrative Feature Competition, eight films in all, of which I saw none; it was only after the festival was over that I realized...
On to the Narrative Feature Competition, eight films in all, of which I saw none; it was only after the festival was over that I realized...
- 3/20/2012
- MUBI
A winding, ephemeral jaunt through the Appalachian backwoods, Pilgrim Song is so well-executed and carefully made that it almost appears effortless. The film follows James, a recently unemployed music teacher who decides to spend his first days of unemployment questing down Kentucky’s Sheltowee Trace Trail. Through a series of vignettes, director Martha Stephens gets at the psychological roots for James’ trek, roots which have as much to do with a desire to escape as with loftier transcendental ideals. In the film’s latter half, as James forms an unexpected bond with a single father he meets along the trail, Pilgrim Song offers a rare opportunity for true self-reflection.
Stephens hails from the David Gordon Green school of filmmaking (both figuratively and literally – she’s a recent North Carolina School of the Arts grad). Following 2010′s Passenger Pigeons, a modest hit on the festival circuit, Pilgrim Song continues to establish...
Stephens hails from the David Gordon Green school of filmmaking (both figuratively and literally – she’s a recent North Carolina School of the Arts grad). Following 2010′s Passenger Pigeons, a modest hit on the festival circuit, Pilgrim Song continues to establish...
- 3/3/2012
- by Dan Schoenbrun
- Filmmaker Magazine - Blog
Martha Stephens hails from Eastern Kentucky. "Pilgrim Song" is her second feature; "Passenger Pigeons" premiered at SXSW 2010 and won the We Believe In You Award. She is a graduate of the University of North Carolina School of the Arts, School of Filmmaking, but says she earns her wages teaching at a rural middle school in West Virginia. As a child, she was "inundated with tall tales and folk songs," and knew she wanted to be a storyteller before realizing she wanted to be a filmmaker. The people of Appalachia, she says, are known for their storytelling. She remembers her grandmother, Memaw, singing songs like "Frankie and Johnny" with a "graveled twang that would make your heart melt." The songs were full of murder, hell, fire and brimstone; "I fell in love with the raw quality the people from my home possessed, and I knew I wanted to create films celebrating...
- 3/1/2012
- by Indiewire Staff
- Indiewire
Okay… by this point, we can all acknowledge that The Raid‘s Redemption subtitle is silly and unneeded — in spite of whatever future plans Sony may have — so we can either a) get used to it, or b) just call it The Raid, nothing more and nothing less. I’m opting for the latter.
With that unnecessary intrusion out of the way, I can also tell you that a new, redemptive (I’ll stop now) U.S. poster has come in from Collider; if you’ve seen the initial piece by this point, however, it should look mighty familiar. (Save for a new tint, some nice quotes, and ten extra letters at the bottom.)
Take a look below, read our Sundance review here, and see the film when it opens on March 23rd:
Taking us further down the line of festival alumni is FilmSchoolRejects, who’ve landed the exclusive poster...
With that unnecessary intrusion out of the way, I can also tell you that a new, redemptive (I’ll stop now) U.S. poster has come in from Collider; if you’ve seen the initial piece by this point, however, it should look mighty familiar. (Save for a new tint, some nice quotes, and ten extra letters at the bottom.)
Take a look below, read our Sundance review here, and see the film when it opens on March 23rd:
Taking us further down the line of festival alumni is FilmSchoolRejects, who’ve landed the exclusive poster...
- 2/24/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Acclaimed Winnipeg filmmaker Guy Maddin has won the Best Experimental Short award at the 2010 SXSW Film Festival for Night Mayor. The film is a fictional documentary about Bosnian inventor Nihad Ademi who, in 1939, built a machine that harnessed the power of the Aurora Borealis to transmit images of Canadians to themselves.
Created as a tribute to the National Film Board of Canada’s 70th anniversary, Night Mayor playfully twists concepts of fact and fiction. Maddin describes the film as a documentary, even though his subject never actually existed, since it was shot documentary style with no planned action or script. Maddin assembled his cast and crew to document Ademi’s story as it may have happened and captured the action in his uncanny style of recreating time periods.
To see the director at work and to hear him describe his process, embedded below is a making-of clip posted on the Nfb’s website.
Created as a tribute to the National Film Board of Canada’s 70th anniversary, Night Mayor playfully twists concepts of fact and fiction. Maddin describes the film as a documentary, even though his subject never actually existed, since it was shot documentary style with no planned action or script. Maddin assembled his cast and crew to document Ademi’s story as it may have happened and captured the action in his uncanny style of recreating time periods.
To see the director at work and to hear him describe his process, embedded below is a making-of clip posted on the Nfb’s website.
- 3/19/2010
- by Mike Everleth
- Underground Film Journal
SXSW Film Announces 2010 Award Winners
Complete Coverage of SXSW 2010
Austin, Texas – March 16, 2010 – The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories. Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight. Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
Complete Coverage of SXSW 2010
Austin, Texas – March 16, 2010 – The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories. Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight. Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
- 3/18/2010
- by Jeff Bayer
- The Scorecard Review
Austin, Texas – March 16, 2010 – The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories. Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight. Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22. SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award. Details can be found at www.
- 3/17/2010
- by Dave Campbell
- SmellsLikeScreenSpirit
The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced last night at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories.
Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight.
Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
Click through for the complete list of the...
Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight.
Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
Click through for the complete list of the...
- 3/17/2010
- by Joe Gillis
- The Flickcast
Though SXSW 2010 is only at the halfway point, the music portion is about to kick into high gear and many film folks are leaving town. The awards ceremony was held last night, and Jeff Malmberg's Marwencol and Lena Dunham's Tiny Furniture won jury awards for best feature-length documentary and narrative, respectively.
Audience awards went to For Once in My Life (documentary) and Brotherhood (narrative). As if often the case, I haven't seen any of the winners, so can't comment further on them, but we do have a review for Marwencol up on the site, which is linked below.
Here's the announcement provided by the festival:
Austin, Texas - March 16, 2010 - The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival's closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were...
Audience awards went to For Once in My Life (documentary) and Brotherhood (narrative). As if often the case, I haven't seen any of the winners, so can't comment further on them, but we do have a review for Marwencol up on the site, which is linked below.
Here's the announcement provided by the festival:
Austin, Texas - March 16, 2010 - The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival's closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were...
- 3/17/2010
- Screen Anarchy
Set among the coalfields of Eastern Kentucky, Martha Stephens' "Passenger Pigeons" is a story about dealing with loss and an ambiguous future in the dark hills of Appalachia. The film quietly interweaves four separate story lines over the course of a weekend as the town copes with the death of a local miner. Themes such as mountaintop removal, pride, fatalism, and wariness of the outside are delicately used to portray isolated ...
- 3/15/2010
- indieWIRE - People
Set among the coalfields of Eastern Kentucky, Martha Stephens' "Passenger Pigeons" is a story about dealing with loss and an ambiguous future in the dark hills of Appalachia. The film quietly interweaves four separate story lines over the course of a weekend as the town copes with the death of a local miner. Themes such as mountaintop removal, pride, fatalism, and wariness of the outside are delicately used to portray isolated ...
- 3/15/2010
- Indiewire
Mumblecore, the nascent film genre made by, about, and for navel-gazing, semi-articulate urban twenty-somethings, has gotten a bad rap for being about, well, navel-gazing, semi-articulate urban twenty-somethings. Memphis-based Kentucker Audley is one of the few mumblecore directors from the South, and in just a few years has already written, directed, and acted in a trio of features: the rambling, idiosyncratic character studies Team Picture (2007), Holy Land (forthcoming Internet release), and Open Five (screening in April). He also finds time to act in others' movies, including Passenger Pigeons, which premieres at the SXSW Film Festival on March 13. He recently discussed the cinematic movement he's associated with, his filmmaking technique, and how to break out of the genre's insular tendencies. Do you mind being lumped in the with mumblecore movement? Do you see your films as very different from Andrew Bujalski's,...
- 3/8/2010
- by Teddy Wayne
- Huffington Post
Less than a week worth of recovering from the Sundance Film Festival, and we are already looking forward to our next, big film fest coverage. That would be the South by Southwest Film Festival held annually in Austin, Texas. Last year, Scott and I brought you all kinds of coverage from the Lone Star State, and this year doesn’t look to be much different.
With that, the announcement came last night of the feature films that will be playing at the SXSW Film Festival. Previous announcement were already made about films like Cold Weather, Electra Luxx, Hubble 3D, Lemmy, Saturday Night, and The White Stripes: Under Great White Northern Lights making their debut. Kick-ass was recently announced as the opening night film, as well.
Among the other films being presented this year are some Sundance darlings, a few, highly anticipated premieres, and MacGruber.
Check out the full list...
With that, the announcement came last night of the feature films that will be playing at the SXSW Film Festival. Previous announcement were already made about films like Cold Weather, Electra Luxx, Hubble 3D, Lemmy, Saturday Night, and The White Stripes: Under Great White Northern Lights making their debut. Kick-ass was recently announced as the opening night film, as well.
Among the other films being presented this year are some Sundance darlings, a few, highly anticipated premieres, and MacGruber.
Check out the full list...
- 2/4/2010
- by Kirk
- WeAreMovieGeeks.com
I was so excited at seeing the SXSW line up last night that I completely forgot to post it and started searching the interwebs for cool content to go with it. Oops. Yes, I wish I was there but alas, it wasn’t mean to be (though don’t despair. We’ll be bringing you wicked awesome coverage).
But enough rambling, you want to know what’s all playing. Well, for a start there’s the much anticipated McGruber (trailer), the Duplass’ semi-mainstream comedy Cyrus, Jean-Pierre Jeunet’s Micmacs (trailer, review), Daniel Stamm’s horror flick Cotton and that’s on top of the previously announced titles which include Electra Luxx (Carla Gugino as a pregnant porn star? Bring. It. On.) and Kick-Ass (trailer). That’s already a great line-up but dear me, some of the other titles are pretty awesome too.
There’s Clay Liford scifi drama Earthling (trailer...
But enough rambling, you want to know what’s all playing. Well, for a start there’s the much anticipated McGruber (trailer), the Duplass’ semi-mainstream comedy Cyrus, Jean-Pierre Jeunet’s Micmacs (trailer, review), Daniel Stamm’s horror flick Cotton and that’s on top of the previously announced titles which include Electra Luxx (Carla Gugino as a pregnant porn star? Bring. It. On.) and Kick-Ass (trailer). That’s already a great line-up but dear me, some of the other titles are pretty awesome too.
There’s Clay Liford scifi drama Earthling (trailer...
- 2/4/2010
- QuietEarth.us
Late yesterday the SXSW Fim Festival, which runs from March 12-20 in Austin, TX, announced the full lineup of films that will be screening at this year’s event. And baby, it’s quite a list. Mixing big name films with intimate indie gems, the sheer number of films and the vast array of talented filmmakers is sure to be a hit with attendees and critics alike.
This lineup includes premieres of studio films such as Universal’s MacGruber, Lionsgate’s teen superhero actioneer Kick-Ass and smaller films like Tim Blake Nelson’s Leaves of Grass, Jean-Pierre Jeunet’s Micmacs, Michel Gondry’s The Thorn in the Heart and Steven Soderbergh’s And Everything Is Going Fine. With so many films to watch, it will be very difficult to find time to seem them all during the events nine days. But hell, we’re going to try.
For more on...
This lineup includes premieres of studio films such as Universal’s MacGruber, Lionsgate’s teen superhero actioneer Kick-Ass and smaller films like Tim Blake Nelson’s Leaves of Grass, Jean-Pierre Jeunet’s Micmacs, Michel Gondry’s The Thorn in the Heart and Steven Soderbergh’s And Everything Is Going Fine. With so many films to watch, it will be very difficult to find time to seem them all during the events nine days. But hell, we’re going to try.
For more on...
- 2/4/2010
- by Chris Ullrich
- The Flickcast
The 2010 SXSW Film Festival and Conference has announced its initial slate of titles. The list is rife with hot world premieres (Kick-Ass), films fresh from Sundance (The Runaways, Cyrus), hot titles from the 2009 editions of Tiff and Cannes that haven't had much U.S. play (Enter the Void, Dogtooth, Trash Humpers), interesting documentaries (Lemmy, The People v. George Lucas) and much, much more. Simon Rumley's Red, White & Blue, which has received much praise on Twitch based on its Iffr screenings, will have its North American premiere.
Midnight programming courtesy of Fantastic Fest is also back with titles like Higanjima, Monsters, Serbian Film, Outcast, and a yet to be announced special film. Keep eye out for SXSW coverage at Twitch, but for now, pursue the massive list below (descriptions courtesy of SXSW).
Headliners
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film...
Midnight programming courtesy of Fantastic Fest is also back with titles like Higanjima, Monsters, Serbian Film, Outcast, and a yet to be announced special film. Keep eye out for SXSW coverage at Twitch, but for now, pursue the massive list below (descriptions courtesy of SXSW).
Headliners
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film...
- 2/4/2010
- Screen Anarchy
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