UK-based Bulldog Film Distribution has acquired all UK-Ireland rights to n two UK genre features and plans theatrical releases in 2024 for both.
Dan Pringle’s Die Before You Die is a thriller following a hot-headed online influencer who finds himself trapped six feet underground after an internet challenge goes awry. Ziad Abaza stars in the film, which he co-wrote with Pringle; Adam Merrifield produced it for White Lantern.
Die Before You Die will have its world premiere at Manchester International Film Festival on March 23. The cast also includes Mim Shaikh, Priya Blackburn and Harry Reid. Bulldog previously worked with Pringle and Merrifield on 2016 horror K-Shop.
Dan Pringle’s Die Before You Die is a thriller following a hot-headed online influencer who finds himself trapped six feet underground after an internet challenge goes awry. Ziad Abaza stars in the film, which he co-wrote with Pringle; Adam Merrifield produced it for White Lantern.
Die Before You Die will have its world premiere at Manchester International Film Festival on March 23. The cast also includes Mim Shaikh, Priya Blackburn and Harry Reid. Bulldog previously worked with Pringle and Merrifield on 2016 horror K-Shop.
- 2/1/2024
- ScreenDaily
Brighton-based distributor Bulldog Film Distribution has acquired all UK-Ireland rights on two UK genre features, planning theatrical releases in 2024 on both.
Dan Pringle’s Die Before You Die is a dramatic thriller following a hot-headed online influencer who finds himself trapped six feet underground after an internet challenge goes awry. Ziad Abaza stars in the film, which he co-wrote with Pringle; Adam Merrifield produced it for White Lantern.
Die Before You Die will have its world premiere at Manchester International Film Festival on March 23. The cast also includes Mim Shaikh, Priya Blackburn and Harry Reid. Bulldog previously worked with Pringle and Merrifield on 2016 horror K-Shop.
Dan Pringle’s Die Before You Die is a dramatic thriller following a hot-headed online influencer who finds himself trapped six feet underground after an internet challenge goes awry. Ziad Abaza stars in the film, which he co-wrote with Pringle; Adam Merrifield produced it for White Lantern.
Die Before You Die will have its world premiere at Manchester International Film Festival on March 23. The cast also includes Mim Shaikh, Priya Blackburn and Harry Reid. Bulldog previously worked with Pringle and Merrifield on 2016 horror K-Shop.
- 2/1/2024
- ScreenDaily
‘An uncomfortable, sometimes awkward, always funny buddy comedy’ Daily Dead ‘A ghost story that’s unlike any other’ The Upcoming “The deep, dark, and delicious finale is a marvellous payoff” Film Threat Bulldog Film Distribution presents The Civil Dead is out now in select cinemas and on demand.
Directed by and starring Clay Thomas with co-writer and star Whitmer Thomas (Glow), The Civil Dead is a hilariously offbeat lo-fi slacker take on the ghost story which won the Audience Award and was nominated for Best Narrative Feature at the prestigious Slamdance Film Festival and had its UK Premiere at Glasgow Film Festival 2023.
Synopsis:
Clay is a loner photographer who enjoys a mundane life with his artist wife Whitney in Los Angeles. After Whitney advises Clay, who has been creatively stagnant and unemployed for months, to go out and be productive while she’s out of town and not to “just...
Directed by and starring Clay Thomas with co-writer and star Whitmer Thomas (Glow), The Civil Dead is a hilariously offbeat lo-fi slacker take on the ghost story which won the Audience Award and was nominated for Best Narrative Feature at the prestigious Slamdance Film Festival and had its UK Premiere at Glasgow Film Festival 2023.
Synopsis:
Clay is a loner photographer who enjoys a mundane life with his artist wife Whitney in Los Angeles. After Whitney advises Clay, who has been creatively stagnant and unemployed for months, to go out and be productive while she’s out of town and not to “just...
- 1/31/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Paramount musical Mean Girls launches in 647 cinemas at this weekend’s UK-Ireland box office, as it aims to end the six-week run of Wonka atop the chart.
From first-time feature directors Samantha Jayne and Arturo Perez Jr., Mean Girls is based on the Broadway musical of the same name; which in turn was based on Mark Waters’ 2004 comedy; itself based on Rosalind Wiseman’s 2002 book Queen Bees and Wannabes.
Both films were written by Tina Fey, who reprises her role as maths teacher Ms. Norbury in the new title. Angourie Rice leads the film as teenager Cady Heron, who transfers...
From first-time feature directors Samantha Jayne and Arturo Perez Jr., Mean Girls is based on the Broadway musical of the same name; which in turn was based on Mark Waters’ 2004 comedy; itself based on Rosalind Wiseman’s 2002 book Queen Bees and Wannabes.
Both films were written by Tina Fey, who reprises her role as maths teacher Ms. Norbury in the new title. Angourie Rice leads the film as teenager Cady Heron, who transfers...
- 1/19/2024
- ScreenDaily
Warner Bros.’ “Wonka” continued its reign over the U.K. and Ireland box office with £2.2 million ($2.8 million), according to numbers from Comscore.
After six weekends at the box office, the Timothée Chalamet starrer has a sweet total of £56.1 million.
Disney’s Golden Globe-winning “Poor Things,” directed by Yorgos Lanthimos and featuring Emma Stone in a Golden Globe-winning performance, debuted with £1.8 million. In its third weekend, in third place, Sony’s “Anyone But You” collected £1,246,921 for a total of £5.3 million. Just below, with £1,246,292, in its second weekend, was Warner Bros.’ “One Life,” for a total of £5.8 million.
Rounding off the top five was Sky Cinema/Studiocanal release “The Beekeeper” with £956,380. The other debut in the top 10 was Warner Bros.’ “The Boys In The Boat” that bowed in 10th place with £270,297.
Among the new releases, opening mid-week on Jan. 17 is the keenly anticipated “Mean Girls,” starring Angourie Rice, Auli’i Cravalho, Reneé Rapp,...
After six weekends at the box office, the Timothée Chalamet starrer has a sweet total of £56.1 million.
Disney’s Golden Globe-winning “Poor Things,” directed by Yorgos Lanthimos and featuring Emma Stone in a Golden Globe-winning performance, debuted with £1.8 million. In its third weekend, in third place, Sony’s “Anyone But You” collected £1,246,921 for a total of £5.3 million. Just below, with £1,246,292, in its second weekend, was Warner Bros.’ “One Life,” for a total of £5.8 million.
Rounding off the top five was Sky Cinema/Studiocanal release “The Beekeeper” with £956,380. The other debut in the top 10 was Warner Bros.’ “The Boys In The Boat” that bowed in 10th place with £270,297.
Among the new releases, opening mid-week on Jan. 17 is the keenly anticipated “Mean Girls,” starring Angourie Rice, Auli’i Cravalho, Reneé Rapp,...
- 1/16/2024
- by Naman Ramachandran
- Variety Film + TV
The birthplace of such recent gems as Hannah Ha Ha, Retrograde, The Civil Dead, Yelling Fire In An Empty Theater, and Waiting for the Light to Change, the Slamdance Film Festival returns for its 29th edition, kicking off January 20 in Utah and January 23 online. One title that especially caught our eye is Love and Work, the latest from Pete Ohs, who last directed the SXSW hit Jethica. Starring Stephanie Hunt, Will Madden, Frank Mosley, Alexi Pappas, and John S. Davies, we’re pleased to exclusively premiere the film’s first teaser ahead of a Slamdance debut on January 20.
Here’s a synopsis:
Diane arrives at the shoe factory looking for a job. She meets the boss, nails the interview and gets hired on the spot, immediately joining a small team of co-workers led by a helpful Texan named Fox.
She’s great at her job but before her first day of work ends,...
Here’s a synopsis:
Diane arrives at the shoe factory looking for a job. She meets the boss, nails the interview and gets hired on the spot, immediately joining a small team of co-workers led by a helpful Texan named Fox.
She’s great at her job but before her first day of work ends,...
- 1/4/2024
- by Jordan Raup
- The Film Stage
As the arthouse cinema market continues to regain its footing, the list of what may be considered an overlooked film could be quite vast, depending on one’s metrics. For our yearly feature highlighting the 50 best films you might have missed––arriving before our overall top 50 films––we’ve sought to dig deep to find the gems that deserved more attention upon their initial release and have mostly been left out of year-end conversations. Hopefully, with many widely available on a variety of streaming platforms, they will begin to find an expanded audience.
While many documentaries would qualify for this list, we stuck strictly to narrative efforts; one can instead read our rundown of the top docs here. Check out the list below, as presented in alphabetical order.
The Adults (Dustin Guy Defa)
The rare case of a Movie About Nothing whose languorous attitudes collect a world of concern: desire against reality,...
While many documentaries would qualify for this list, we stuck strictly to narrative efforts; one can instead read our rundown of the top docs here. Check out the list below, as presented in alphabetical order.
The Adults (Dustin Guy Defa)
The rare case of a Movie About Nothing whose languorous attitudes collect a world of concern: desire against reality,...
- 12/12/2023
- by The Film Stage
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Armageddon Time (James Gray)
Armageddon Time is the sort of film usually invoked as a “portrait of the nation” or “state of the union address,” something taking the temperature of a country—most likely the United States—at a particular time in history. But it’s also a work that makes self-consciousness a virtue: its wonderful writer-director, James Gray, is informed up to his eyes about the virtues and pitfalls of films like these, and here makes something so idiosyncratically his own but that audiences and critics might still mislabel with one of those aforementioned ideas. – David K. (full review)
Where to Stream: Peacock
The Civil Dead (Clay Tatum)
For Clay, the man at the center of The Civil Dead, there isn’t much happening in life.
Armageddon Time (James Gray)
Armageddon Time is the sort of film usually invoked as a “portrait of the nation” or “state of the union address,” something taking the temperature of a country—most likely the United States—at a particular time in history. But it’s also a work that makes self-consciousness a virtue: its wonderful writer-director, James Gray, is informed up to his eyes about the virtues and pitfalls of films like these, and here makes something so idiosyncratically his own but that audiences and critics might still mislabel with one of those aforementioned ideas. – David K. (full review)
Where to Stream: Peacock
The Civil Dead (Clay Tatum)
For Clay, the man at the center of The Civil Dead, there isn’t much happening in life.
- 2/17/2023
- by Jordan Raup
- The Film Stage
Utopia opened Clay Tatum and Whitmer Thomas’ slacker comedy The Civil Dead, the feature debut from the lifelong friends from Gulf Shores, Alabama who have been making projects together — from skateboarding videos to an HBO special — since grade school. It’s grossed 17k so far on 27 screens including a sneak-preview Q&a tour at Alamo Drafthouse locations in NY, LA, San Francisco, Denver and Austin that started last week. The five Alamos sold out a dozen screenings and have grossed 10K of the 17k for the 2022 Slamdance Audience Award winner, which that was made for 30k.
The story of misanthropic, struggling photographer (Thomas), who wants to watch TV and eat candy while his wife is out of town, but finds his plans thwarted when an old pal (Tatum) resurfaces with spooky consequences.
Utopia said that given demand and sold-out shows into early this week, the supernatural buddy comedy will continue...
The story of misanthropic, struggling photographer (Thomas), who wants to watch TV and eat candy while his wife is out of town, but finds his plans thwarted when an old pal (Tatum) resurfaces with spooky consequences.
Utopia said that given demand and sold-out shows into early this week, the supernatural buddy comedy will continue...
- 2/12/2023
- by Jill Goldsmith
- Deadline Film + TV
“Magic Mike’s Last Dance” (Warner Bros. Discovery) is #1 on the historically weak Super Bowl weekend. With distributors shying away from top new releases, and avoiding next week’s debut of “Ant-Man and the Wasp Quantumania” (Disney), the 51 million total for all films should be the low point for 2023.
It’s the first weekend this year to fall below the same date in 2022 (54 million). The year has been much improved so far, and momentum should return next weekend with the new Marvel film on a holiday.
The third time out for the male stripper franchise, again with Channing Tatum in the title role and with the return of original director Steven Soderbergh, grossed 8.2 million. Like last month’s “House Party,” this was a theatrical debut of a title initially anticipated for HBO Max. It opened in 1,500 theaters in top locations — smaller than a wide release, but enough to capture 80 percent-90 percent of its potential.
It’s the first weekend this year to fall below the same date in 2022 (54 million). The year has been much improved so far, and momentum should return next weekend with the new Marvel film on a holiday.
The third time out for the male stripper franchise, again with Channing Tatum in the title role and with the return of original director Steven Soderbergh, grossed 8.2 million. Like last month’s “House Party,” this was a theatrical debut of a title initially anticipated for HBO Max. It opened in 1,500 theaters in top locations — smaller than a wide release, but enough to capture 80 percent-90 percent of its potential.
- 2/12/2023
- by Tom Brueggemann
- Indiewire
Animated fairy tale The Amazing Maurice voiced by Emilia Clarke, Hugh Laurie, David Thewlish, Gemma Arterton and Himesh Patel, jumps from Sundance to 1,700 screens via Viva Pictures, the distributor’s widest release to date and a big one for any independently produced animated film.
And Civil War drama Freedom’s Path starring Gerran Howell, Rj Cyler, and Ewen Bremner, debuts at 128 AMC and Regal Cinemas. In limited release, Let It Be Morning by the director of The Band’s Visit resurfaces, Kit Harrington is back in Baby Ruby and Call My Agent’s Laure Calamy stars in Full Time.
Maurice, directed by Toby Genken and written by Terry Rossio, a family action/comedy from the U.K., follows a streetwise cat and his gang of rats who come up with a perfect moneymaking scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett, it’s produced by Emely Christians,...
And Civil War drama Freedom’s Path starring Gerran Howell, Rj Cyler, and Ewen Bremner, debuts at 128 AMC and Regal Cinemas. In limited release, Let It Be Morning by the director of The Band’s Visit resurfaces, Kit Harrington is back in Baby Ruby and Call My Agent’s Laure Calamy stars in Full Time.
Maurice, directed by Toby Genken and written by Terry Rossio, a family action/comedy from the U.K., follows a streetwise cat and his gang of rats who come up with a perfect moneymaking scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett, it’s produced by Emely Christians,...
- 2/3/2023
- by Jill Goldsmith
- Deadline Film + TV
With the Sundance Film Festival now wrapped up, offering our first glimpse at the 2023 cinematic offerings, eyes are now on Berlinale, which kicks off later this month. Looking at this month’s theatrical releases, it’s an eclectic mix of fest favorites (including the best film from last year’s Cannes and a pair of highlights from last year’s Slamdance), underseen gems, and a few auteur-driven studio offerings.
12. The Blind Man Who Did Not Want to See Titanic (Teemu Nikki; Feb. 3)
A week before James Cameron’s 1997 box-office behemoth returns to theaters, we’ll see the release of an acclaimed festival favorite in which his Best Picture winner figures into the central narrative. Winner of the Orizzonti Extra Audience Award at the Venice International Film Festival, Teemu Nikki’s The Blind Man Who Did Not Want to See Titanic follows Jaakko (Petri Poikolainen), a charming Finn who loves movies despite his blindness,...
12. The Blind Man Who Did Not Want to See Titanic (Teemu Nikki; Feb. 3)
A week before James Cameron’s 1997 box-office behemoth returns to theaters, we’ll see the release of an acclaimed festival favorite in which his Best Picture winner figures into the central narrative. Winner of the Orizzonti Extra Audience Award at the Venice International Film Festival, Teemu Nikki’s The Blind Man Who Did Not Want to See Titanic follows Jaakko (Petri Poikolainen), a charming Finn who loves movies despite his blindness,...
- 2/2/2023
- by Jordan Raup
- The Film Stage
For Clay, the man at the center of The Civil Dead, there isn’t much happening in life. Portrayed by director and co-writer Clay Tatum, he’s an unemployed LA photographer whose only friend appears to be his wife Whitney (Whitney Weir). When she leaves for several days on a work trip, she asks him to be productive and not just drink beer in the living room. Of course Clay does just that, and in a desperate attempt to get quick cash he pretends to put their apartment up for rent so he can collect application fees from hopeful renters. At first glance he’s a schlubby jerk (with a terrible haircut to boot), but his self-awareness and dry wit makes him affable, even if he’s content to do whatever it takes to avoid doing anything.
That harebrained scheme to steal from apartment-seekers amounts to a lot of set-up...
That harebrained scheme to steal from apartment-seekers amounts to a lot of set-up...
- 2/2/2023
- by C.J. Prince
- The Film Stage
Probably most of us, at one time or another, have had a friend in our lives, whose friendship, after a time, became more of a burden than a gift. The friend who can't seem to read social cues or take hints as to when their company is no longer desirable. (And it's entirely possible that some of us have been that friend). Fear of hurting someone's feelings, but more likely, dislike of being 'the bad guy' or being cowardly, might lead us to not telling this friend how annoying they are, or just cutting them out of our lives without any warning. But what if, getting rid of them was impossible? The Civil Dead, the first feature from filmmaking team Clay Tatum and Whitmer Thomas,...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/1/2023
- Screen Anarchy
Clay Tatum and Whitmer Thomas wrote and star in the wonderful new comedy The Civil Dead, which Tatum also directed. On this episode, they discuss their long collaboration and friendship that goes back to Alabama at age 11, doing comedy events in Los Angeles with Power Violence, filming sketches, honing their craft, learning valuable lessons on the HBO/A24 production The Golden One, the importance of rhythm in comedy, the importance of trusting your own voice, and applying it all toward the modest indie film that won the audience award at Slamdance last year and is about to win audiences over […]
The post “Okay Whit, I Think You Need to Get Dumber”: Clay Tatum and Whitmer Thomas on The Civil Dead first appeared on Filmmaker Magazine.
The post “Okay Whit, I Think You Need to Get Dumber”: Clay Tatum and Whitmer Thomas on The Civil Dead first appeared on Filmmaker Magazine.
- 1/31/2023
- by Peter Rinaldi
- Filmmaker Magazine - Blog
Clay Tatum and Whitmer Thomas wrote and star in the wonderful new comedy The Civil Dead, which Tatum also directed. On this episode, they discuss their long collaboration and friendship that goes back to Alabama at age 11, doing comedy events in Los Angeles with Power Violence, filming sketches, honing their craft, learning valuable lessons on the HBO/A24 production The Golden One, the importance of rhythm in comedy, the importance of trusting your own voice, and applying it all toward the modest indie film that won the audience award at Slamdance last year and is about to win audiences over […]
The post “Okay Whit, I Think You Need to Get Dumber”: Clay Tatum and Whitmer Thomas on The Civil Dead first appeared on Filmmaker Magazine.
The post “Okay Whit, I Think You Need to Get Dumber”: Clay Tatum and Whitmer Thomas on The Civil Dead first appeared on Filmmaker Magazine.
- 1/31/2023
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
The 2022 North Bend Film Festival took place over the weekend and once again, the team put together a killer slate. The lineup featured a variety of fascinating and entertaining films, and one of my favorites was The Civil Dead. It’s a very darkly comedic ghost story that may very well be the complete opposite of every ghost story you have ever seen.
There is a specific language that cinema has developed over the years to tell a ghost story onscreen. The ghost will haunt a specific place. They are not solid; they simply float through any object, wall, or door they cross paths with. They are often shown onscreen to be transparent or sometimes sporting wounds inflicted on them during their death. They often have some sort of unfinished business tying them to the world of the living; a task left undone or a truth that needs to be revealed.
There is a specific language that cinema has developed over the years to tell a ghost story onscreen. The ghost will haunt a specific place. They are not solid; they simply float through any object, wall, or door they cross paths with. They are often shown onscreen to be transparent or sometimes sporting wounds inflicted on them during their death. They often have some sort of unfinished business tying them to the world of the living; a task left undone or a truth that needs to be revealed.
- 8/9/2022
- by Emily von Seele
- DailyDead
Both titles to release in Q1 2023.
Utopia has acquired two Slamdance 2022 selections, taking worldwide rights to audience award winner The Civil Dead and the world excluding Canada to Therapy Dogs.
Comedy The Civil Dead (pictured) stars Clay Tatum, Whitmer Thomas and DeMorge Brown and is styled as a buddy move with a supernatural twist. A photographer encounters a long-lost friend from the past which strains his marriage and leads to him to question his sanity.
Tatum developed the film and shot it during the pandemic from a screenplay he co-wrote with Thomas. Civil Dead won the audience award for narrative...
Utopia has acquired two Slamdance 2022 selections, taking worldwide rights to audience award winner The Civil Dead and the world excluding Canada to Therapy Dogs.
Comedy The Civil Dead (pictured) stars Clay Tatum, Whitmer Thomas and DeMorge Brown and is styled as a buddy move with a supernatural twist. A photographer encounters a long-lost friend from the past which strains his marriage and leads to him to question his sanity.
Tatum developed the film and shot it during the pandemic from a screenplay he co-wrote with Thomas. Civil Dead won the audience award for narrative...
- 7/18/2022
- by Jeremy Kay
- ScreenDaily
The 2022 Slamdance Film Festival has announced the winners of their annual Sparky Awards.
The film festival focused on the works of emerging artists began its 28th edition on Jan. 27, hosting 23 premieres of films chosen from over 8,000 submissions. The awards were announced at a virtual awards ceremony on Friday, with the winning films available for viewing on the official virtual Slamdance channel until midnight on Feb. 6.
The Slamdance Jury awarded the best narrative feature prize to “Hannah Ha Ha,” from directors Jordan Tetewsky and Joshua Pikovsky, and the best documentary feature prize to “Forget Me Not” from director Olivier Bernier. In addition to winning one of the top overall prizes, “Hannah Ha Ha” star Hannah Lee Thompson also nabbed the festival’s acting award. The other two grand jury prizes for features were presented to “Straighten Up and Fly Right” (in the unstoppables category) and “Killing the Eunuch Khan” (in the...
The film festival focused on the works of emerging artists began its 28th edition on Jan. 27, hosting 23 premieres of films chosen from over 8,000 submissions. The awards were announced at a virtual awards ceremony on Friday, with the winning films available for viewing on the official virtual Slamdance channel until midnight on Feb. 6.
The Slamdance Jury awarded the best narrative feature prize to “Hannah Ha Ha,” from directors Jordan Tetewsky and Joshua Pikovsky, and the best documentary feature prize to “Forget Me Not” from director Olivier Bernier. In addition to winning one of the top overall prizes, “Hannah Ha Ha” star Hannah Lee Thompson also nabbed the festival’s acting award. The other two grand jury prizes for features were presented to “Straighten Up and Fly Right” (in the unstoppables category) and “Killing the Eunuch Khan” (in the...
- 2/5/2022
- by Wilson Chapman
- Variety Film + TV
The 28th Slamdance Film Festival today announced its winners, with the Audience Awards going to The Civil Dead, directed by Clay Tatum, for Narrative Feature; Iron Family, directed by Patrick Longstreth winning the Audience Award for Documentary Feature and The Ember Knight Show: “Getting Mad” directed by Bobby McCoy taking home the Audience Award in the Episodes subcategory.
The Narrative Feature Grand Jury prize was awarded to Hannah Ha Ha (USA) directed by Joshua Pikovsky and Jordan Tetewsky. A statement from the jury called it “a beautiful film in the vein of the American working-class cinema from the ’70s and ’80s…chosen for its incredible lead actor and its sensitive portrayal of the quiet eradication of a community by powers beyond their control.”
The Documentary Feature Grand Jury Prize was awarded to director Olivier Bernier’s Forget Me Not which the jury said used “intimate moments in a family’s...
The Narrative Feature Grand Jury prize was awarded to Hannah Ha Ha (USA) directed by Joshua Pikovsky and Jordan Tetewsky. A statement from the jury called it “a beautiful film in the vein of the American working-class cinema from the ’70s and ’80s…chosen for its incredible lead actor and its sensitive portrayal of the quiet eradication of a community by powers beyond their control.”
The Documentary Feature Grand Jury Prize was awarded to director Olivier Bernier’s Forget Me Not which the jury said used “intimate moments in a family’s...
- 2/4/2022
- by Patrick Hipes
- Deadline Film + TV
The 28th Slamdance Film Festival announced its awards winners on Friday, with Grand Jury Awards going to “Hannah Ha Ha” for Narrative Feature, “Forget Me Not” for Documentary Feature, “Killing the Eunuch Khan” for Breakout Feature and “Straighten Up and Fly Right” for Unstoppable Feature.
The Audience Award for Best Narrative Feature went to “The Civil Dead,” while “Iron Family” scooped up the Audience Award for Best Documentary Feature. “The Ember Knight Show: ‘Getting Mad'” received the Audience Award for Episodes.
“We congratulate the winners of Slamdance 2022 and every one of our filmmakers who together created a showcase that pushes the boundaries of what’s possible in storytelling,” said Slamdance President and Co-founder Peter Baxter. “The future of film depends on these unique voices who defy simple classification and transcend analytics. Key to supporting this endeavor is accessibility and the major growth of our online audience who’ve tuned into the new Slamdance Channel.
The Audience Award for Best Narrative Feature went to “The Civil Dead,” while “Iron Family” scooped up the Audience Award for Best Documentary Feature. “The Ember Knight Show: ‘Getting Mad'” received the Audience Award for Episodes.
“We congratulate the winners of Slamdance 2022 and every one of our filmmakers who together created a showcase that pushes the boundaries of what’s possible in storytelling,” said Slamdance President and Co-founder Peter Baxter. “The future of film depends on these unique voices who defy simple classification and transcend analytics. Key to supporting this endeavor is accessibility and the major growth of our online audience who’ve tuned into the new Slamdance Channel.
- 2/4/2022
- by Harper Lambert
- The Wrap
All winners will continue to play on Slamdance Channel until midnight February 6.
Hannah Ha Ha directed by Joshua Pikovsky and Jordan Tetewsky earned the Narrative Feature Grand Jury prize, while the Documentary Feature Grand Jury Prize was awarded to Olivier Bernier’s Forget Me Not.
In other awards announced on Friday (4) the 2022 Slamdance Unstoppable Grand Jury Prize was awarded to Straighten Up And Fly Right by Steven Tanenbaum and Kristen Abate and the George Starks Spirit of Slamdance Award, voted on by filmmakers and given to the filmmaker who best embodies the spirit of the Festival, went to Sasha Levinson,...
Hannah Ha Ha directed by Joshua Pikovsky and Jordan Tetewsky earned the Narrative Feature Grand Jury prize, while the Documentary Feature Grand Jury Prize was awarded to Olivier Bernier’s Forget Me Not.
In other awards announced on Friday (4) the 2022 Slamdance Unstoppable Grand Jury Prize was awarded to Straighten Up And Fly Right by Steven Tanenbaum and Kristen Abate and the George Starks Spirit of Slamdance Award, voted on by filmmakers and given to the filmmaker who best embodies the spirit of the Festival, went to Sasha Levinson,...
- 2/4/2022
- by Jeremy Kay
- ScreenDaily
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