Admit One
- 2010
- 7m
Uses the energy of modern dance to examine cinema as passive escapism. The dancer - at first active and then reduced to an image captured on a cinema screen - is contrasted with the rigid aw... Read allUses the energy of modern dance to examine cinema as passive escapism. The dancer - at first active and then reduced to an image captured on a cinema screen - is contrasted with the rigid awkwardness of the cinema audience.Uses the energy of modern dance to examine cinema as passive escapism. The dancer - at first active and then reduced to an image captured on a cinema screen - is contrasted with the rigid awkwardness of the cinema audience.