Directed by
Kirstin Marcon |
Writing Credits
Kirstin Marcon | ... | (screenplay) |
Steven Gannaway | ... | (novel) |
Kirstin Marcon | ... | (writer) |
Cast (in credits order)
Produced by
Enrico Ballarin | ... | line producer: Italy |
Bettina Brokemper | ... | executive producer: service production Europe |
Alex Cole-Baker | ... | producer |
Antonin Dedet | ... | line producer: South of France |
Kristian Eek | ... | line producer |
Matthias Krause | ... | co-producer |
Sascha Verhey | ... | line producer: service production Europe |
Timothy White | ... | executive producer |
Music by
Grayson Gilmour |
Cinematography by
Crighton Bone |
Editing by
Peter Roberts |
Casting By
Matthew Dwyer | ||
Mike Dwyer |
Production Design by
Bruce Everard |
Set Decoration by
Megan Vertelle |
Costume Design by
Liz McGregor |
Makeup Department
Davina Lamont | ... | makeup artist |
Roger Murray | ... | prosthetic manufacture |
Deb Watson | ... | make up hair and prosthetics designer / makeup artist / makeup supervisor |
Production Management
Mathilde Cheval | ... | assistant unit manager: France |
Gwenaëlle Clauwaert | ... | line producer: Paris |
Lucas Meyer-Hentschel | ... | production manager: service production Europe |
Dean Watkins | ... | post-production supervisor |
Second Unit Director or Assistant Director
Bruno Du Bois | ... | second assistant director |
Robyn Grace | ... | first assistant director |
Reremoana McLeod | ... | third assistant director |
Sarah Rose | ... | second assistant director |
Art Department
Antony Cattermoul | ... | standby props |
Penny Kerr | ... | property master |
Sinclair Lonsdale | ... | set dresser |
Rua Smith | ... | art department runner |
Sound Department
Bruno Barrett-Garnier | ... | re-recording mixer |
Jonathan Bruce | ... | foley recordist |
Eoin Cox | ... | boom operator |
Emile de la Rey | ... | supervising dialogue editor |
Bruce Emery | ... | dolby consultant |
Fred Enholmer | ... | sound mixer / sound recordist |
Darren Maynard | ... | foley mixer |
Gerry Parke | ... | boom operator: dailies |
Simon Riley | ... | sound editor / supervising sound editor |
Wolfgang Vogl | ... | sound mixer |
Visual Effects by
Daniel Ashton | ... | digital imaging technician: Weta Digital (as Dan Ashton) |
Richard Betts | ... | compositor |
Nick Booth | ... | digital imaging supervisor: Weta Digital |
Danny Feltham | ... | colourist / graphic designer |
Stephen Roucher | ... | digital imaging technician: Weta Digital |
Pete Williams | ... | digital imaging manager: Weta Digital |
Stunts
Marcus Goldfinch | ... | stunts |
Camera and Electrical Department
Giles Coburn | ... | gaffer |
Leigh Elford | ... | electrician |
Sam Jellie | ... | best boy |
Stephen Joyce | ... | lighting technician |
Ben Montgomery | ... | lighting trainee |
Abby Mounter | ... | second assistant camera |
Georg Nonnenmacher | ... | gaffer |
Jacob Slovak | ... | film loader |
Jason Cooper White | ... | assistant camera / first assistant camera |
Mark Wigglesworth | ... | lighting technician |
Costume and Wardrobe Department
Hannah Woods | ... | key costumer |
Editorial Department
Julie Alp | ... | assistant editor / post-production assistant editor |
Gerard Ward | ... | telecine colorist: dailies |
Peter Williams | ... | digital intermediate colorist |
Location Management
Manuel Mützner | ... | location manager: Mayen |
Bode Riis | ... | location assistant (as Britta Lauritzen) |
Sean Tracey-Brown | ... | location manager / location manager: New Zealand |
Music Department
Mike Gibson | ... | score mixer / score recordist |
Script and Continuity Department
Aria Harrison | ... | script supervisor |
Additional Crew
Naomi Bowden | ... | post-production payroll accountant |
Alan Brash | ... | production accountant |
Patricia Vidal Delgado | ... | production coordinator: London |
Simonetta Di Fresco | ... | production coordinator |
Quentin Fullerton-Smith | ... | assistant production coordinator |
Robert Gibson | ... | safety coordinator |
Brian Mahony | ... | insurance broker |
Donna Pearman | ... | production coordinator |
Willow Totterdell | ... | production assistant |
Thanks
Charlotte Larsen | ... | special thanks |