A mansion in shambles, a vampire nightclub dream-project, a secret supernatural Night Market, Nandor finally tying the knot, and Baby Colin. These were some of the highlights that made watching "What We Do in the Shadows" season 4 a treat.
Directing this laugh-fest were Yana Gorskaya, Kyle Newacheck, Tig Fong, and DJ Stipsen. Each of them did great work in S04. Writers Stefani Robinson, Paul Simms, Wally Baram, Aasia LaShay Bullock, Sam Johnson, Chris Marcil, William Meny, Ayo Edebiri, Shana Gohd, Sam Johnson, Sarah Naftalis, Marika Sawyer, Jake Bender, and Zach Dunn typed up amazing screenplays.
Memorable work all round by the production design, musical scoring, and cinematography teams. Sound editing, set decoration, and costume design were exemplary. Hair-makeup and VFX were great.
Kayvan Novak's Nandor continued to impress. His natural performance was laudable. Matt Berry's Laszlo Cravensworth was a lesson in comedic genius. Natasia Demetriou's Nadja was unforgettable. She grabbed the spotlight in nearly every scene she featured.
Harvey Guillén's Guillermo de la Cruz was great. Plenty of story arcs hinged on his performance this season, and he delivered. Mark Proksch's Colin Robinson, particularly as Baby Colin, gave a new and nuanced performance this season.
Kristen Schaal as the Guide was great. Baron Afanas, played by Doug Jones, was captivating in the few scenes he featured. All other cast and crew were good in "What We Do in the Shadows" S04 now streaming on Hulu.
This season was all about reclaiming what was lost. The dysfunctional vampires at the heart (pun intended) of this misadventure experienced new moments and had to build back what was broken, starting with their mansion followed by their dignity.
Love was also in the air, not to forget a hilarious healing of old wounds. Nandor's wedding and Nadja's vampire nightclub goals were both equally entertaining sequences. Not a single scene featuring Laszlo was dull.
This show - rather, mockumentary - was intended to be clichéd and corny. They blended horror and fantasy in captivating comedic ways, particularly with their documentary-style captures. How they managed to balance it all in such a way as to give fans four great seasons that evoked belly-laughter is beyond me.
"What We Do in the Shadows" S04, and the ones that preceded it, are Canada's love-letter to comedy. This season particularly contained more than a few vulgar moments amidst a sea of hilarious ones. I enjoyed sitting through all ten episodes in S04. Keep the seasons coming, this show never gets old - barefaced vampire pun intended.
I know I should've anticipated that ending a mile away, and yet it took me by surprise. Let's just say, season 5 "What We Do in the Shadows" is going to be fascinating.
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