I enjoyed seeing this double outing of "Mad Men." Here we are, transported to May/June 1966, a time of unrest. This is a time when one-half of the New York daily newspapers (Journal-American, the World- Telegram and Sun, and the Herald-Tribune) are in their death throes.
And there have been changes with the lead characters.
We start with Don Draper dropping off his kids in his 1966 Cadillac Coupe De Ville, referring to his ex-wife and her husband as Morticia and Lurch, a sly and funny reference to "The Addams Family." We see Pete Campbell and his family living in the suburbs, Draper and his wife in a penthouse, and an insecure Joan Harris tending to her newborn son.
Between the protests and the coming of a younger generation, it is clear this is a time of change. Like the old newspapers, the Old Guard is in an insecure position, not sure of what is happening. Even as Pete Campbell is being assertive as hell, he runs the risk of becoming a dinosaur.
Overall, this episode sets up what is likely to be a combustible season, for sure. And God only knows what lies ahead for the next two seasons!
And there have been changes with the lead characters.
We start with Don Draper dropping off his kids in his 1966 Cadillac Coupe De Ville, referring to his ex-wife and her husband as Morticia and Lurch, a sly and funny reference to "The Addams Family." We see Pete Campbell and his family living in the suburbs, Draper and his wife in a penthouse, and an insecure Joan Harris tending to her newborn son.
Between the protests and the coming of a younger generation, it is clear this is a time of change. Like the old newspapers, the Old Guard is in an insecure position, not sure of what is happening. Even as Pete Campbell is being assertive as hell, he runs the risk of becoming a dinosaur.
Overall, this episode sets up what is likely to be a combustible season, for sure. And God only knows what lies ahead for the next two seasons!