77
Metascore
14 reviews · Provided by Metacritic.com
- 90Village VoiceVillage VoiceA beautiful tale of life, love, music, and family, of things not working out but also working out just as predicted.
- 90Los Angeles TimesRobert AbeleLos Angeles TimesRobert AbeleJoy and redemption aren't exactly punk mantras, but A Band Called Death might just give your heart a thrashing.
- 90SalonAndrew O'HehirSalonAndrew O'HehirAnd then would come this generous, spirited documentary, to capture one of the strangest and most inspiring of all family stories of tragedy and triumph that this crazy country has produced.
- 83The PlaylistKatie WalshThe PlaylistKatie WalshThis rock doc rewrites punk history while telling an emotional story about an artist’s spirit and his faithful family.
- 75Slant MagazineDrew HuntSlant MagazineDrew HuntThe film is made impetuously watchable and disarmingly emotional by the filmmakers' strong command of docudrama and nonfiction narrative style.
- 75The A.V. ClubMike D'AngeloThe A.V. ClubMike D'AngeloThe film springs to life in its second half, when the members’ grown kids, who are also working musicians, discover that their dads/uncles were in a forgotten, innovative band that the family had never once mentioned.
- 75Chicago TribuneMichael PhillipsChicago TribuneMichael PhillipsLike the recent "Searching for Sugar Man," A Band Called Death celebrates music born in Detroit that, with a turn of the wrist and a different roll of the dice, might've found the audience it deserved the first time.
- 67Austin ChronicleMarjorie BaumgartenAustin ChronicleMarjorie BaumgartenAlthough the film is never fully convincing about this rock band’s overlooked potential – despite testimonials from the likes of Alice Cooper, Henry Rollins, Jello Biafra, and Elijah Wood – the story of Death sure adds an interesting and virtually unknown footnote to the annals of punk rock.
- 60Time OutJoshua RothkopfTime OutJoshua RothkopfToo much of the doc takes our taste for granted; Alice Cooper, Henry Rollins and others won’t persuade you that Death could have been huge, nor does a clichéd last-act reunion show. But the film’s alternating inquiry — into family love, slow compromise and, yes, death — resonates strongly.