Directed by
| David Vassar | ||
Writing Credits (in alphabetical order)
| David Vassar | ... | (writer) |
Cast
| Ken Dickason | ... | John Muir (and Others) | |
| Richard Doyle | ... | Narrator (voice) | |
 |
Rob Alan Martin | ... | Frederick Law Olmsted |
|
|
Chase White | ... | Historical Reenactor |
|
|
Aimee C. Carr | ... | Extra (uncredited) |
Produced by
| Sally Kaplan | ... | producer |
| David Vassar | ... | executive producer / producer |
Music by
| Tony Humecke | ||
Cinematography by
| Christopher Tufty | ||
Editing by
| Christian White | ||
Second Unit Director or Assistant Director
| Chase White | ... | first assistant director |
Art Department
| Aimee C. Carr | ... | props |
Sound Department
| Keith Christensen II | ... | assistant re-recording & adr mixer |
| Armond Ghzanian | ... | assistant sound editor |
| Adam Howell | ... | sound mixer |
| Mark Linden | ... | re-recording mixer / sound editor |
| Tara A. Paul | ... | re-recording mixer (as Tara Paul) / re-recording mixer / sound editor (as Tara Paul) |
| Harry E. Snodgrass | ... | supervising sound editor |
Visual Effects by
| Christopher Gaal | ... | visual effects designer |
Camera and Electrical Department
| Marshall Potter | ... | grip |
| Chris Rhodes | ... | jib camera operator |
| Chase White | ... | key grip |
| Bradley Everett Wilson | ... | assistant camera |
Costume and Wardrobe Department
| Aimee C. Carr | ... | wardrobe |
Editorial Department
| Jim Garrow | ... | final colorist |
Additional Crew
| Aimee C. Carr | ... | production assistant |
| Sara Hutchison | ... | archival research and clearances |
| Tasha Sulkowska | ... | production assistant (as Tasha Dabek) |
Thanks
| Bradley Everett Wilson | ... | special thanks |
