Abigail and her Asian friend’s own “forest” is filled with overburdened metaphors and quivering emotions, quirks and tics and even regulation Malick-like twirling. Some of this is pretty; none of it sticks.
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New York PostFarran Smith Nehme
New York PostFarran Smith Nehme
The tone teeters between delicate and affected, and there’s only so much flitting around and soulful stares a movie can sustain before an audience starts wanting something more earthbound.