On a streak like few other directors working today, Christian Petzold’s mesmerizing, humorous Rohmer-esque drama Afire was the finest film of last year. The German director is now swiftly beginning his next project, set to kick off production this spring.
Miroirs No. 3 will mark Petzold’s fourth collaboration with Paula Beer following Transit, Undine, and Afire. Beer will play “a young music student who has to restructure her life when her boyfriend dies in a car crash in the countryside,” Screen Daily notes in an update that it’s received funding from Germany’s Medienboard Berlin-Brandenburg, while also receiving backing from the state ministry for culture and media (Bkm) and script funding from the German Federal Film Board (Ffa).
The feature’s produced by Petzold’s production company Schramm Film Koerner Weber Kaiser. We also dug up an expanded, translated synopsis: “The young piano student Emily from Berlin is...
Miroirs No. 3 will mark Petzold’s fourth collaboration with Paula Beer following Transit, Undine, and Afire. Beer will play “a young music student who has to restructure her life when her boyfriend dies in a car crash in the countryside,” Screen Daily notes in an update that it’s received funding from Germany’s Medienboard Berlin-Brandenburg, while also receiving backing from the state ministry for culture and media (Bkm) and script funding from the German Federal Film Board (Ffa).
The feature’s produced by Petzold’s production company Schramm Film Koerner Weber Kaiser. We also dug up an expanded, translated synopsis: “The young piano student Emily from Berlin is...
- 4/30/2024
- by Jordan Raup
- The Film Stage
Christian Petzold’s anticipated Miroirs No.3 and Kaouther Ben Hania’s epic love story Mimesi are among the 19 projects awarded a total funding of almost €3.5m by Germany’s Medienboard Berlin-Brandenburg (Mbb) at the second funding session of 2024.
Miroirs No.3 will star Paula Beer in her fourth collaboration with Petzold after Transit, Undine and Afire. She will play a young music student who has to restructure her life when her boyfriend dies in a car crash in the countryside.
The film, which is being produced by Petzold’s production company Schramm Film Koerner Weber Kaiser, received €500,000 in production funding from Mbb.
Miroirs No.3 will star Paula Beer in her fourth collaboration with Petzold after Transit, Undine and Afire. She will play a young music student who has to restructure her life when her boyfriend dies in a car crash in the countryside.
The film, which is being produced by Petzold’s production company Schramm Film Koerner Weber Kaiser, received €500,000 in production funding from Mbb.
- 4/30/2024
- ScreenDaily
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Picture
Weekly Commentary: Christopher Nolan’s blockbuster biopic “Oppenheimer,” narrating the saga of the father of the atomic bomb, is poised to sweep the Oscars. Having clinched every major guild and industry accolade – BAFTA, Critics Choice, Golden Globes, DGA, PGA, and SAG – it’s the first...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Picture
Weekly Commentary: Christopher Nolan’s blockbuster biopic “Oppenheimer,” narrating the saga of the father of the atomic bomb, is poised to sweep the Oscars. Having clinched every major guild and industry accolade – BAFTA, Critics Choice, Golden Globes, DGA, PGA, and SAG – it’s the first...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
After two weeks of new cinema, the Berlin Film Festival comes to a close this Sunday, February 25, with its annual awards ceremony. This year’s event marks one of change, as festival artistic director Carlo Chatrian, at his post since 2018, steps down to make way for Tricia Tuttle, who will take over for next year’s outing.
This year’s Berlinale has already stirred plenty of buzz for films like Alonso Ruizpalacios’s “La Cocina,” a drama set in a New York City kitchen and starring Rooney Mara, and Tim Mielants’ opener “Small Things Like These,” starring likely Oscar winner Cillian Murphy. Both films are eligible for awards, along with “Timbuktu” director Abderrahmane Sissako’s “Black Tea,” “Goodnight Mommy” filmmakers Veronika Franz and Severin Fiala’s “The Devil’s Bath,” “The Guilty” director Gustav Möller’s “Sons,” Olivier Assayas’ “Suspended Time,” plus Aaron Schimberg’s Sundance hit “A Different Man,” and many more.
This year’s Berlinale has already stirred plenty of buzz for films like Alonso Ruizpalacios’s “La Cocina,” a drama set in a New York City kitchen and starring Rooney Mara, and Tim Mielants’ opener “Small Things Like These,” starring likely Oscar winner Cillian Murphy. Both films are eligible for awards, along with “Timbuktu” director Abderrahmane Sissako’s “Black Tea,” “Goodnight Mommy” filmmakers Veronika Franz and Severin Fiala’s “The Devil’s Bath,” “The Guilty” director Gustav Möller’s “Sons,” Olivier Assayas’ “Suspended Time,” plus Aaron Schimberg’s Sundance hit “A Different Man,” and many more.
- 2/24/2024
- by Ryan Lattanzio
- Indiewire
It’s the end of an era for the Berlin International Film Festival, as Artistic Director Carlo Chatrian and his co-head Mariette Rissenbeek — a pair of fearless cineastes and programmers who came onboard together in the summer of 2019, and helped steer the world’s largest film festival through the crisis of the pandemic years — are being unceremoniously shoved out to sea after the 2024 edition as a part of cost-cutting measures instituted by the Federal Government Commissioner for Culture and the Media, Claudia Roth.
It’s too soon to say how the Berlinale will shrink and suffer in the absence of the leadership that has allowed the festival to remain such a vital arena for world cinema at a time of industry-wide constriction, but even a quick overview of this year’s program suggests that Chatrian and Rissenbeek will be going out with a bang.
As usual, the Berlinale will play...
It’s too soon to say how the Berlinale will shrink and suffer in the absence of the leadership that has allowed the festival to remain such a vital arena for world cinema at a time of industry-wide constriction, but even a quick overview of this year’s program suggests that Chatrian and Rissenbeek will be going out with a bang.
As usual, the Berlinale will play...
- 2/14/2024
- by David Ehrlich
- Indiewire
Searchlight’s All of Us Strangers leads the 2024 Dorian Awards film nominations with nine, followed by the Warner Bros juggernaut Barbie with seven. Netflix’s May December is next with six noms, A24’s Past Lives (five) and Searchlight’s Poor Things (four). All five will compete for the marquee Best Film of the Year prize, presented by Galeca: The Society of LGBTQ Entertainment Critics.
All of Us Strangers will face off against MGM’s Bottoms, Mubi/Sbs’ Passages, Netfix’s Rustin (Netflix and Amazon MGM’s Saltburn for LGBTQ Film of the Year.
The Director of the Year race pits Oscar-snubbed Barbie helmer Greta Gerwig against Andrew Haigh (All of Us Strangers), Todd Haynes (May December), Christopher Nolan (Universal’s Oppenheimer) and Celine Song (Past Lives).
Along with such offbeat categories as Campy Flick and Unsung Film of the year, the Dorians will debut three new ones in 2024: LGBTQ Screenplay of the Year,...
All of Us Strangers will face off against MGM’s Bottoms, Mubi/Sbs’ Passages, Netfix’s Rustin (Netflix and Amazon MGM’s Saltburn for LGBTQ Film of the Year.
The Director of the Year race pits Oscar-snubbed Barbie helmer Greta Gerwig against Andrew Haigh (All of Us Strangers), Todd Haynes (May December), Christopher Nolan (Universal’s Oppenheimer) and Celine Song (Past Lives).
Along with such offbeat categories as Campy Flick and Unsung Film of the year, the Dorians will debut three new ones in 2024: LGBTQ Screenplay of the Year,...
- 2/6/2024
- by Erik Pedersen
- Deadline Film + TV
Andrew Haigh’s “All of Us Strangers” led nominations Monday for the 15th Dorian Film Awards, as voted on by the Society of LGBTQ Entertainment Critics, with nine nominations, including Film of the Year, LGBTQ Film of the Year, Director of the Year, co-lead Andrew Scott and supporting actress Claire Foy.
The group’s more than 500 entertainment critics and journalists also handed out nods to “Barbie,” which scored seven nominations; followed by Todd Haynes’ “May December” with six; and Celine Song’s “Past Lives” with five, including Director of the Year.
While the Oscars overlooked “Barbie” director Greta Gerwig this year, she’s very much in the running at this awards show, as is Song, Haynes, and Haigh.
“Bottoms” star Ayo Edebiri, who just collected her first Emmy for “The Bear,” is nominated in two categories: “We’re Wilde About You!” Rising Star Award and Wilde Artist Award, given to...
The group’s more than 500 entertainment critics and journalists also handed out nods to “Barbie,” which scored seven nominations; followed by Todd Haynes’ “May December” with six; and Celine Song’s “Past Lives” with five, including Director of the Year.
While the Oscars overlooked “Barbie” director Greta Gerwig this year, she’s very much in the running at this awards show, as is Song, Haynes, and Haigh.
“Bottoms” star Ayo Edebiri, who just collected her first Emmy for “The Bear,” is nominated in two categories: “We’re Wilde About You!” Rising Star Award and Wilde Artist Award, given to...
- 2/6/2024
- by Sharon Knolle
- The Wrap
Galeca: The Society of LGBTQ Entertainment Critics announced the nominees of the 15th Dorian Film Awards, and Searchlight’s All of Us Strangers leads the nominations with nine.
The Andrew Haigh-written and -directed drama earned nods for film of the year, LGBTQ film of the year and genre film of the year, with Haigh also landing nods for best director and best screenplay. Andrew Scott was nominated for his lead performance, while Claire Foy and Paul Mescal are both nominated in best supporting performance. (The Dorians’ acting categories are gender neutral, with 10 contenders in both categories.)
Following in All of Us Strangers‘ lead is Warner Bros.’ Barbie, which scored seven noms, including film of the year, best director for Greta Gerwig (also nominated for writing the screenplay with partner Noah Baumbach), best supporting performance (Ryan Gosling) and best film music.
The three remaining film of the year nominees are Netflix’s May December,...
The Andrew Haigh-written and -directed drama earned nods for film of the year, LGBTQ film of the year and genre film of the year, with Haigh also landing nods for best director and best screenplay. Andrew Scott was nominated for his lead performance, while Claire Foy and Paul Mescal are both nominated in best supporting performance. (The Dorians’ acting categories are gender neutral, with 10 contenders in both categories.)
Following in All of Us Strangers‘ lead is Warner Bros.’ Barbie, which scored seven noms, including film of the year, best director for Greta Gerwig (also nominated for writing the screenplay with partner Noah Baumbach), best supporting performance (Ryan Gosling) and best film music.
The three remaining film of the year nominees are Netflix’s May December,...
- 2/6/2024
- by Tyler Coates
- The Hollywood Reporter - Movie News
Berlin has unveiled the international jury for the 74th Berlin International Film Festival, which runs Feb. 15-25.
The 2024 jury will include U.S. director Brady Corbet (Vox Lux), Hong Kong filmmaker Ann Hui (Summer Snow), Berlinale regular Christian Petzold (Afire, Undine), Spanish director Albert Serra (Pacification), Italian actress Jasmine Trinca (The Son’s Room) and the Ukrainian writer Oksana Zabuzhko.
Oscar-winning actress Lupita Nyong’o (12 Years a Slave, Black Panther) will serve as president of the International Jury.
The four-woman, three-man jury will screen the competition titles at this year’s Berlinale and select the winners of the 2024 festival, including the Golden Bear for best film. The winners of the 74th Berlinale will be announced live at a gala ceremony in Berlin on Saturday, Feb. 24.
Petzold is probably the most familiar face for Berlinale audiences. The German director has had 6 films in competition in Berlin, most recently Afire, which won...
The 2024 jury will include U.S. director Brady Corbet (Vox Lux), Hong Kong filmmaker Ann Hui (Summer Snow), Berlinale regular Christian Petzold (Afire, Undine), Spanish director Albert Serra (Pacification), Italian actress Jasmine Trinca (The Son’s Room) and the Ukrainian writer Oksana Zabuzhko.
Oscar-winning actress Lupita Nyong’o (12 Years a Slave, Black Panther) will serve as president of the International Jury.
The four-woman, three-man jury will screen the competition titles at this year’s Berlinale and select the winners of the 2024 festival, including the Golden Bear for best film. The winners of the 74th Berlinale will be announced live at a gala ceremony in Berlin on Saturday, Feb. 24.
Petzold is probably the most familiar face for Berlinale audiences. The German director has had 6 films in competition in Berlin, most recently Afire, which won...
- 2/1/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
I could ask whether or not the world needs another movie podcast but it might be a bad start posing questions to which we both know the answer. Still, Movie Mindset has elevated above the glut of background noise for host Will Menaker and Hesse Deni’s approach: amusing but not frivolous, personal appreciation that doesn’t risk lapsing into narcissism.
A year after our last chat about the current cinema, Menaker and I sat down for a discussion that took slightly different turns: having not seen a number of the year’s most-acclaimed title, he preferred running the gamut on 2023 at large. Which engendered something funnier and more caustic––you can’t love movies if you don’t also hate them.
As I turned on my recorder we were already underway.
Will Menaker: You asked me how doing the Movie Mindset podcast has changed my movie-watching habits, and I...
A year after our last chat about the current cinema, Menaker and I sat down for a discussion that took slightly different turns: having not seen a number of the year’s most-acclaimed title, he preferred running the gamut on 2023 at large. Which engendered something funnier and more caustic––you can’t love movies if you don’t also hate them.
As I turned on my recorder we were already underway.
Will Menaker: You asked me how doing the Movie Mindset podcast has changed my movie-watching habits, and I...
- 1/10/2024
- by Nick Newman
- The Film Stage
321 films are in contention for this year’s Academy Awards, while 265 features are eligible in the best picture category, the Academy of Motion Picture Arts and Sciences announced on Monday as it released its annual “reminder list” for members.
To be eligible in the general categories, films (meaning a runtime of more than 40 minutes) must open in a commercial theater in at least one of the following areas: Los Angeles County; the city of New York; the Bay Area; Chicago, Illinois; Miami, Florida; and Atlanta, Georgia, between Jan. 1, 2023 and Dec. 31, 2023. Additionally, it must complete a minimum qualifying run of seven consecutive days in the same venue.
To be eligible for the best picture category specifically, the movies must be eligible for the general entry and have “submitted a confidential Academy Representation and Inclusion Standards entry form.” Additionally, the film must meet two of the four standards required, in addition to the theatrical component.
To be eligible in the general categories, films (meaning a runtime of more than 40 minutes) must open in a commercial theater in at least one of the following areas: Los Angeles County; the city of New York; the Bay Area; Chicago, Illinois; Miami, Florida; and Atlanta, Georgia, between Jan. 1, 2023 and Dec. 31, 2023. Additionally, it must complete a minimum qualifying run of seven consecutive days in the same venue.
To be eligible for the best picture category specifically, the movies must be eligible for the general entry and have “submitted a confidential Academy Representation and Inclusion Standards entry form.” Additionally, the film must meet two of the four standards required, in addition to the theatrical component.
- 1/8/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
In all honesty, the films of 2023 should take a backseat to the images we are seeing every day in Gaza, where journalists and average citizens have been recording and documenting a daily assault on their homes and livelihoods by the Idf. Whatever fakery we watched and enjoyed in the cinema this year should always be kept in perspective in importance with images that are real and actually happening right now. The Palestinians who have documented these important images have been targeted and killed with intent and purpose to silence what their photos and videos are showing and saying.
List of journalists who have been killed.
The below is of lesser note:
Best First Watches:
Angel’s Egg La belle noiseuse Centipede Horror Charley Varrick Coffy Crimson Gold...
In all honesty, the films of 2023 should take a backseat to the images we are seeing every day in Gaza, where journalists and average citizens have been recording and documenting a daily assault on their homes and livelihoods by the Idf. Whatever fakery we watched and enjoyed in the cinema this year should always be kept in perspective in importance with images that are real and actually happening right now. The Palestinians who have documented these important images have been targeted and killed with intent and purpose to silence what their photos and videos are showing and saying.
List of journalists who have been killed.
The below is of lesser note:
Best First Watches:
Angel’s Egg La belle noiseuse Centipede Horror Charley Varrick Coffy Crimson Gold...
- 1/3/2024
- by Soham Gadre
- The Film Stage
Was 2023 a good year for movies? The end of each moviegoing year always raises that age-old question and, as always, the ultimate answer remains squarely in the eye of the beholder. For most, that tends to come down to the most populist theatrical offerings. If the latest superhero sequels and nostalgic remakes and most highly-anticipated blockbusters failed to live up to their crowd-pleasing billing, well, at least there's always next year. But for those of us who spend entirely too much time and effort on the hunt for hidden gems beneath the surface, international cinema from the most exciting talent around the globe, and overlooked indies that didn't have millions of marketing dollars to throw around, that turns out to be the wrong question to ask in the first place.
What we should be talking about is whether we've caught up on all the undeniably great movies readily available to us,...
What we should be talking about is whether we've caught up on all the undeniably great movies readily available to us,...
- 12/22/2023
- by Jeremy Mathai
- Slash Film
A strange thing happens to me at the end of each year. Tasked with compiling a list of cultural favorites, I find myself drawing a blank. It’s as if I haven’t spent the past 365 days watching films, binging various TV shows, listening to albums or attending theater productions to prepare for this very moment.
On the heel of a deadline, I usually fire off some texts to friends — some desperate, all pleading. Is there anything you’ve watched this year that deserves more attention, I ask. What’s the best song you’ve heard? The best movie you watched? The best series?
Other than outsourcing a bit of my job, the questions end up being a good exercise in perspective. They reorient my attitude toward the compilation process. I begin to recognize the importance of reflecting, even casually, on a year’s worth of culture. I get excited about what’s to come,...
On the heel of a deadline, I usually fire off some texts to friends — some desperate, all pleading. Is there anything you’ve watched this year that deserves more attention, I ask. What’s the best song you’ve heard? The best movie you watched? The best series?
Other than outsourcing a bit of my job, the questions end up being a good exercise in perspective. They reorient my attitude toward the compilation process. I begin to recognize the importance of reflecting, even casually, on a year’s worth of culture. I get excited about what’s to come,...
- 12/19/2023
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
The 36th European Film Awards took place in Berlin on Saturday, honoring the best cinema to emerge from Europe in 2023. The nominations, which were selected by the European Film Academy, were heavy on arthouse hits that emerged from the Cannes Film Festival including Justine Triet’s “Anatomy of a Fall,” Aki Kaurismäki’s “Fallen Leaves,” and Jonathan Glazer’s “The Zone of Interest.” The results played out similarly to those from Cannes, with Triet’s Palme d’Or-winner taking the top prize of Best European Film.
“Anatomy of a Fall” additionally won the European Director award for Triet, who also shared the European Screenwriter award with Arthur Harari. Sandra Hüller was nominated twice in the European Actress category for her performances in “Anatomy of a Fall” and “The Zone of Interest,” ultimately winning for the former.
The results mirrored those of the 2022 European Film Awards, when “Triangle of Sadness” followed...
“Anatomy of a Fall” additionally won the European Director award for Triet, who also shared the European Screenwriter award with Arthur Harari. Sandra Hüller was nominated twice in the European Actress category for her performances in “Anatomy of a Fall” and “The Zone of Interest,” ultimately winning for the former.
The results mirrored those of the 2022 European Film Awards, when “Triangle of Sadness” followed...
- 12/9/2023
- by Christian Zilko
- Indiewire
French director Justine Triet’s Cannes Palme d’Or winning film Anatomy Of A Fall swept the awards at 36th European Film Awards in Berlin this evening, winning Best European Film, Director, Screenplay (with Arthur Harari) and actress for Sandra Hüller.
There was a strong selection this year with other films and directors leading the nominations including Aki Kaurismäki with Fallen Leaves, Agnieszka Holland with Green Border, Matteo Garrone with Me Captain, Jonathan Glazer with The Zone Of Interest.
The European Films Awards haul for Anatomy Of A Fall will likely ramp up growing Academy Awards buzz around the film and its star Sandra Hüller.
“I can’t say whether it will happen or not but yes… now we are in the race and we will continue the campaign in the U.S. and we’re totally involved, let’s see,” Triet said in an press conference after the ceremony.
There was a strong selection this year with other films and directors leading the nominations including Aki Kaurismäki with Fallen Leaves, Agnieszka Holland with Green Border, Matteo Garrone with Me Captain, Jonathan Glazer with The Zone Of Interest.
The European Films Awards haul for Anatomy Of A Fall will likely ramp up growing Academy Awards buzz around the film and its star Sandra Hüller.
“I can’t say whether it will happen or not but yes… now we are in the race and we will continue the campaign in the U.S. and we’re totally involved, let’s see,” Triet said in an press conference after the ceremony.
- 12/9/2023
- by Melanie Goodfellow
- Deadline Film + TV
Justine Triet’s courtroom drama “Anatomy of a Fall” triumphed at the 36th European Film Awards, taking statuettes for best film, director, screenwriter and actress at the ceremony, which took place Saturday in Berlin. It had been previously announced that it had won the best editing prize as well.
“Anatomy of a Fall” won the Palme d’Or at Cannes, and recently took the screenplay and international feature awards at the Gothams, but was not selected to represent France in the international feature film category of the Oscars. Despite that setback, Triet said the film would still compete for other categories at the Oscars. “Now we are in the race, of course. We continue down that road,” she said at a press conference following the ceremony in Berlin.
Triet, who co-wrote the screenplay with Arthur Harari, said that they had written it for Sandra Hüller, winner of the best actress award.
“Anatomy of a Fall” won the Palme d’Or at Cannes, and recently took the screenplay and international feature awards at the Gothams, but was not selected to represent France in the international feature film category of the Oscars. Despite that setback, Triet said the film would still compete for other categories at the Oscars. “Now we are in the race, of course. We continue down that road,” she said at a press conference following the ceremony in Berlin.
Triet, who co-wrote the screenplay with Arthur Harari, said that they had written it for Sandra Hüller, winner of the best actress award.
- 12/9/2023
- by Leo Barraclough
- Variety Film + TV
Sight and Sound have unveiled their top 50 films of 2023, led by Killers of the Flower Moon and, somewhat humorously, featuring a tie between Barbie and Oppenheimer for the number five spot. Voted for by the magazine’s international pool of more than 100 critics, the top 50 features some of the more adventurous selections, with The Beast, All Dirt Roads Taste of Salt, Close Your Eyes, Trenque Lauquen, The Human Surge 3, Inside the Yellow Cocoon Shell, Afire, and Evil Does Not Exist all taking a spot.
When it comes to his win, Martin Scorsese said: “I’ve been so heartened by the response to Killers of the Flower Moon. To have been able to make this picture, at this time in my life, and to see it so appreciated by so many, and by the Osage community in particular. . . for me, it’s grace.
“When I was told that it had...
When it comes to his win, Martin Scorsese said: “I’ve been so heartened by the response to Killers of the Flower Moon. To have been able to make this picture, at this time in my life, and to see it so appreciated by so many, and by the Osage community in particular. . . for me, it’s grace.
“When I was told that it had...
- 12/8/2023
- by Jordan Raup
- The Film Stage
One-half of Barbenheimer has been available on digital platforms for weeks, and now the equation is complete. Releasing the other half on a long holiday weekend is a smart strategy because it restores momentum as a deluge of fall prestige titles premiere in theaters and online.
The contender to watch this week: “Oppenheimer“
At long last, Oppy has come home. Christopher Nolan‘s colossal biopic about atomic-bomb daddy J. Robert Oppenheimer is available on VOD, right in time for an Oscar contest that’s fully aflame. The blockbuster’s likely nominations include Best Picture, Best Director, Best Actor (Cillian Murphy), Best Supporting Actor (Robert Downey Jr.), Best Score (Ludwig Göransson), and Best Sound. Gather the whole family for three hours of thrilling post-turkey physics.
Other contenders:
“Joan Baez: I Am a Noise”: The pop documentaries that flood streaming services today are often undercooked PR exercises without enough critical distance from their subjects,...
The contender to watch this week: “Oppenheimer“
At long last, Oppy has come home. Christopher Nolan‘s colossal biopic about atomic-bomb daddy J. Robert Oppenheimer is available on VOD, right in time for an Oscar contest that’s fully aflame. The blockbuster’s likely nominations include Best Picture, Best Director, Best Actor (Cillian Murphy), Best Supporting Actor (Robert Downey Jr.), Best Score (Ludwig Göransson), and Best Sound. Gather the whole family for three hours of thrilling post-turkey physics.
Other contenders:
“Joan Baez: I Am a Noise”: The pop documentaries that flood streaming services today are often undercooked PR exercises without enough critical distance from their subjects,...
- 11/25/2023
- by Matthew Jacobs
- Gold Derby
While it’s difficult to imagine there will be a better German film––or film, period––this year than Christian Petzold’s Afire, the country went with Ilker Çatak’s Berlinale, TIFF, and Telluride selection The Teachers’ Lounge as their Oscar entry this year. The thriller, which explores power dynamics at a German middle school, is set for a U.S. release from Sony Classics at the end of the year and now the U.S. trailer has landed.
Here’s the synopsis: “Carla Nowak (Leonie Benesch) is a dedicated, idealistic young teacher in her first job at a German middle school. Her relaxed rapport with her seventh-grade students is put under stress when a series of thefts occur at the school, and a staff investigation leads to accusations and mistrust among outraged parents, opinionated colleagues, and angry students. Caught in the middle of these complex dynamics, Carla tries to...
Here’s the synopsis: “Carla Nowak (Leonie Benesch) is a dedicated, idealistic young teacher in her first job at a German middle school. Her relaxed rapport with her seventh-grade students is put under stress when a series of thefts occur at the school, and a staff investigation leads to accusations and mistrust among outraged parents, opinionated colleagues, and angry students. Caught in the middle of these complex dynamics, Carla tries to...
- 11/21/2023
- by Jordan Raup
- The Film Stage
You can’t hold someone like Christian Petzold accountable for self-indulgence. Not when he might just be the one he’s so exasperatedly critical of through his barely cryptic, nearly autobiographical critique of a self-absorbed, miserable writer. The overlooked yet strikingly mesmerizing waves of the Baltic Sea are as important to this insufferable individual as the people he’s begrudgingly gracing with his attention in Afire. Is Leon’s character Petzold’s nonchalant, almost suicidally despondent actualization of an overwhelming sense of self-loathing? I’m afraid that’s a state of contemplation I won’t be allowed to accompany you in. But let’s take a stroll through the coarse, sandy terrain of Leon’s mind and see how much of him we can figure out.
Spoilers Ahead
Plot Synopsis: What Happens In The Film?
Had it been for leisure, Leon and Felix would’ve perhaps opted for a retreat...
Spoilers Ahead
Plot Synopsis: What Happens In The Film?
Had it been for leisure, Leon and Felix would’ve perhaps opted for a retreat...
- 11/18/2023
- by Lopamudra Mukherjee
- Film Fugitives
Five European films dominate the nominations.
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on December 9.
The Academy has shortlisted five of the highest profile films to come out of Europe this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d’Or winner Anatomy Of A Fall...
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on December 9.
The Academy has shortlisted five of the highest profile films to come out of Europe this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d’Or winner Anatomy Of A Fall...
- 11/7/2023
- by Tim Dams
- ScreenDaily
Five European films dominate the nominations for this year’s Awards
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on November 9.
The Academy has shortlisted five of the highest profile films to come out of European this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d...
The European Film Academy has revealed the nominees for the main categories of the European Film Awards which take place in Berlin on November 9.
The Academy has shortlisted five of the highest profile films to come out of European this year for its best European film category, with the directors of the five films also all nominated in the best European director category. The five films also dominate the acting and screenwriting categories.
Three of the best European film nominees world premiered at Cannes. Justine Triet’s Palme d...
- 11/7/2023
- by Tim Dams
- ScreenDaily
Jonathan Glazer’s harrowing Holocaust drama The Zone of Interest leads the nominations for this year’s European Film Awards (EFAs), picking up five nominations, including for best film and best director, in nominations announced via video on Tuesday.
Zone of Interest, the U.K. official entry for the 2024 Oscars in the best international feature category, also scored Efa nominations for best screenwriter, for Glazer, and best actress and best actor noms for leads Sandra Hüller and Christian Friedel.
Hüller will be competing against herself in the best actress category, having picked up a second Efa nom for her starring role in Justine Triet’s courtroom drama Anatomy of a Fall. The Palme d’Or winner recieved four Efa noms, including for best European Film, best director for Triet and best screenplay for Triet and co-writer Arthur Harari.
Other best European film nominees include Matteo Garrone’s refugee drama Io Capitano from Italy,...
Zone of Interest, the U.K. official entry for the 2024 Oscars in the best international feature category, also scored Efa nominations for best screenwriter, for Glazer, and best actress and best actor noms for leads Sandra Hüller and Christian Friedel.
Hüller will be competing against herself in the best actress category, having picked up a second Efa nom for her starring role in Justine Triet’s courtroom drama Anatomy of a Fall. The Palme d’Or winner recieved four Efa noms, including for best European Film, best director for Triet and best screenplay for Triet and co-writer Arthur Harari.
Other best European film nominees include Matteo Garrone’s refugee drama Io Capitano from Italy,...
- 11/7/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Jonathan Glazer’s “The Zone of Interest” and Aki Kaurismäki’s “Fallen Leaves” led the European Film Awards race after nominations for the major categories were revealed Tuesday.
The films were nominated in all five major categories – European film, director, screenwriter, actor and actress.
Justine Triet’s “Anatomy of a Fall” was close behind with four nominations – film, director, screenwriter and actress.
All three films were prizewinners at Cannes: “The Zone of Interest” took the festival’s Grand Prize, “Fallen Leaves” won the Jury Prize, and “Anatomy of a Fall” was the Palme d’Or winner.
Agnieszka Holland’s “Green Border,” the Special Jury Prize winner at Venice, took three nominations – film, director and screenwriter.
“Me Captain,” Venice’s best director winner, and “The Teachers’ Lounge” each nabbed two nominations.
“Afire,” “Blackbird Blackbird Blackberry,” “How to Have Sex,” “La Chimera” and “The Promised Land” took one nomination each in major categories.
The films were nominated in all five major categories – European film, director, screenwriter, actor and actress.
Justine Triet’s “Anatomy of a Fall” was close behind with four nominations – film, director, screenwriter and actress.
All three films were prizewinners at Cannes: “The Zone of Interest” took the festival’s Grand Prize, “Fallen Leaves” won the Jury Prize, and “Anatomy of a Fall” was the Palme d’Or winner.
Agnieszka Holland’s “Green Border,” the Special Jury Prize winner at Venice, took three nominations – film, director and screenwriter.
“Me Captain,” Venice’s best director winner, and “The Teachers’ Lounge” each nabbed two nominations.
“Afire,” “Blackbird Blackbird Blackberry,” “How to Have Sex,” “La Chimera” and “The Promised Land” took one nomination each in major categories.
- 11/7/2023
- by Leo Barraclough
- Variety Film + TV
The selection include Langston Uibel, star of Christian Petzold’s Berlinale award-winner ‘Afire’.
Estonia’s Tallinn Black Nights Film Festival (Poff) has unveiled this year’s Black Nights Stars, spotlighting eight rising actors from the Baltic Sea region.
The initiative brings together international casting directors and filmmakers with emerging talent from the region and is part of Discovery Campus, an education programme organised by Industry@Tallinn & Baltic Event (Nov 13-17).
The selection includes Germany’s Langston Uibel, star of Christian Petzold’s Afire, which received the Silver Bear grand jury prize at the Berlinale in February.
The eight actors are:...
Estonia’s Tallinn Black Nights Film Festival (Poff) has unveiled this year’s Black Nights Stars, spotlighting eight rising actors from the Baltic Sea region.
The initiative brings together international casting directors and filmmakers with emerging talent from the region and is part of Discovery Campus, an education programme organised by Industry@Tallinn & Baltic Event (Nov 13-17).
The selection includes Germany’s Langston Uibel, star of Christian Petzold’s Afire, which received the Silver Bear grand jury prize at the Berlinale in February.
The eight actors are:...
- 10/16/2023
- by Michael Rosser
- ScreenDaily
Cannes — Bowing at MipJunior both Season 3 of CG animated megahit “The Adventures of Paddington,” targeting free-to-air sales, as well as brand new toon titles such as “How To Squoosh” and “Scarlet Rose,” European powerhouse Studiocanal, owned by Vivendi’s Canal+ Group, is powering into the kids IP and premium series business, marking its most significant expansive strategic move since initiating premium TV production.
This supercharged kids TV drive looks set to play out in multiple ways at this year’s MipJunior trade fair, which unspools at Cannes over Oct. 13-15.
In one milestone move, on Oct. 6 top exec Françoise Guyonnet was named Studiocanal CEO Copyrights Group and EVP Kids’ Brands. Her appointment came just two days after Studiocanal unveiled a big new potential franchise, CGI animated series “Miffy.”
In another strategic departure, Studiocanal, working hand in hand with parent Canal+, is also growing a sales slate of premium but smaller animation IPs – “How To Squoosh,...
This supercharged kids TV drive looks set to play out in multiple ways at this year’s MipJunior trade fair, which unspools at Cannes over Oct. 13-15.
In one milestone move, on Oct. 6 top exec Françoise Guyonnet was named Studiocanal CEO Copyrights Group and EVP Kids’ Brands. Her appointment came just two days after Studiocanal unveiled a big new potential franchise, CGI animated series “Miffy.”
In another strategic departure, Studiocanal, working hand in hand with parent Canal+, is also growing a sales slate of premium but smaller animation IPs – “How To Squoosh,...
- 10/13/2023
- by John Hopewell and Ed Meza
- Variety Film + TV
Mexico’s Monterrey Film Festival (ficmonterrey) is chasing new ambitions in a bid to raise its international profile. Buttressed by generous state, local and private backing as well as some federal funding, the festival, running Sept. 28 – Oct. 4, aims to become Mexico’s most prominent international film festival and a key creative hub in Mexico.
This year’s 19th edition boasts a new director, Janeth Aguirre, also its first female director, and new hires: Diana Cadavid, a programmer for Toronto (TIFF), LA Latino Int’l Film Fest (Laliff) and Colombia’s Cali, who has taken charge of the festival’s burgeoning industry section, and LA-based PR agent Alvar Carretero of Joshua Jason Public Relations.
In recognition of its country guest of honor, South Korea, the fest will open with “Little Forest” by Yim Soonrye, one of the few prominent women film auteurs in South Korean New Wave cinema. Five of her...
This year’s 19th edition boasts a new director, Janeth Aguirre, also its first female director, and new hires: Diana Cadavid, a programmer for Toronto (TIFF), LA Latino Int’l Film Fest (Laliff) and Colombia’s Cali, who has taken charge of the festival’s burgeoning industry section, and LA-based PR agent Alvar Carretero of Joshua Jason Public Relations.
In recognition of its country guest of honor, South Korea, the fest will open with “Little Forest” by Yim Soonrye, one of the few prominent women film auteurs in South Korean New Wave cinema. Five of her...
- 9/11/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Hayao Miyazaki will receive a Donostia Award Photo: Courtesy of San Sebastian Film Festival French filmmaker Claire Denis will chair San Sebastian Film Festival's official during this year.
The 35 Shots Of Rum director will be joined by Chinese actress Fan Bingbing (The Lady In The Portrait), Colombian filmmaker and producer Cristina Gallego (Birds Of Passage), French photographer Brigitte Lacombe, Hungarian producer Robert Lantos (Eastern Promises), Spanish star Vicky Luengo (Cork) and German director Christian Petzold, whose Afire is screening in the festival's Pearls section.
The festival has also announced that Hayao Miyazaki, whose The Boy And The Heron is this year's opening film, will receive a Donostia Award for lifetie achievement in a virtual ceremony.
Among the other filmmakers in attendance will be Maite Alberdi, Ja Bayona, Robin Campillo, Isabel Coixet, Víctor Erice, Michel Franco, Matteo Garrone, Craig Gillespie, Jonathan Glazer, Kitty Green, Todd Haynes, Tran Anh Hung, Ladj Ly,...
The 35 Shots Of Rum director will be joined by Chinese actress Fan Bingbing (The Lady In The Portrait), Colombian filmmaker and producer Cristina Gallego (Birds Of Passage), French photographer Brigitte Lacombe, Hungarian producer Robert Lantos (Eastern Promises), Spanish star Vicky Luengo (Cork) and German director Christian Petzold, whose Afire is screening in the festival's Pearls section.
The festival has also announced that Hayao Miyazaki, whose The Boy And The Heron is this year's opening film, will receive a Donostia Award for lifetie achievement in a virtual ceremony.
Among the other filmmakers in attendance will be Maite Alberdi, Ja Bayona, Robin Campillo, Isabel Coixet, Víctor Erice, Michel Franco, Matteo Garrone, Craig Gillespie, Jonathan Glazer, Kitty Green, Todd Haynes, Tran Anh Hung, Ladj Ly,...
- 9/8/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
If there’s one thing Christian Petzold does well it’s introspective examinations of characters at the heart of overwhelming circumstances. Which isn’t the most succinct thing to put on your CV but you have to admit he does it well. After all he has a whole trilogy of films he calls ‘Love in Times of Oppressive Systems’ so clearly it’s working for him.
His latest piece, Afire, focuses on a narcissistic author agonising over his latest novel while sharing a holiday home in the Baltic Sea, completely uninterested in the raging wildfires consuming the nearby woodland. It’s a fitting subject for an artist like Petzold, a creative so obsessed with their own endeavours that they become openly hostile to anything outside themselves.
That sums up our protagonist Leon (Thomas Schubert) in a nutshell. A schlubby, sullen writer chafing against his idyllic surroundings. He refuses to go...
His latest piece, Afire, focuses on a narcissistic author agonising over his latest novel while sharing a holiday home in the Baltic Sea, completely uninterested in the raging wildfires consuming the nearby woodland. It’s a fitting subject for an artist like Petzold, a creative so obsessed with their own endeavours that they become openly hostile to anything outside themselves.
That sums up our protagonist Leon (Thomas Schubert) in a nutshell. A schlubby, sullen writer chafing against his idyllic surroundings. He refuses to go...
- 8/25/2023
- by Liam Macleod
- HeyUGuys.co.uk
UK Sundance title ‘Scrapper’ starts out for Picturehouse Entertainment.
Disney’s performing arts comedy Theater Camp and Universal comedy-horror The Blackening will look to end the five-week run of Barbie atop the UK-Ireland box office, with Oppenheimer also threatening to take top spot following strong holds.
Opening in 352 cinemas, Theater Camp is a comedy about the eccentric staff of a rundown theatre camp in upstate New York, who must band with the founder’s son to keep the facility afloat.
Directed by Molly Gordon and Nick Lieberman in their feature directorial debuts, it debuted at Sundance Film Festival in January,...
Disney’s performing arts comedy Theater Camp and Universal comedy-horror The Blackening will look to end the five-week run of Barbie atop the UK-Ireland box office, with Oppenheimer also threatening to take top spot following strong holds.
Opening in 352 cinemas, Theater Camp is a comedy about the eccentric staff of a rundown theatre camp in upstate New York, who must band with the founder’s son to keep the facility afloat.
Directed by Molly Gordon and Nick Lieberman in their feature directorial debuts, it debuted at Sundance Film Festival in January,...
- 8/25/2023
- by Ben Dalton
- ScreenDaily
Kudos to anyone who predicted that domestic box office would hit the $4 billion goal cited at April’s CinemaCon. More amazing would be if anyone predicted how we would get there.
Show of hands for those who predicted Angel Studios’ “Sound of Freedom” would outgross Paramount’s “Mission: Impossible — Dead Reckoning Part One” and Disney’s “Indiana Jones and the Dial of Destiny” (Disney)?
Another show of hands for anyone who had even heard of “Sound of Freedom” before its July 4 release? That film’s too-weird-for-fiction success exemplifies the upheaval in audience response — and also represents why this $4B summer offers no easy blueprint.
Comscore, which can access films with unreported grosses and counts non-movie revenue from events like live performances, announced that theaters will reach $4 billion between the first Friday in May through Labor Day. Other sources suggest the number will fall within $25 million either way.
The achievement...
Show of hands for those who predicted Angel Studios’ “Sound of Freedom” would outgross Paramount’s “Mission: Impossible — Dead Reckoning Part One” and Disney’s “Indiana Jones and the Dial of Destiny” (Disney)?
Another show of hands for anyone who had even heard of “Sound of Freedom” before its July 4 release? That film’s too-weird-for-fiction success exemplifies the upheaval in audience response — and also represents why this $4B summer offers no easy blueprint.
Comscore, which can access films with unreported grosses and counts non-movie revenue from events like live performances, announced that theaters will reach $4 billion between the first Friday in May through Labor Day. Other sources suggest the number will fall within $25 million either way.
The achievement...
- 8/25/2023
- by Tom Brueggemann
- Indiewire
Thomas Schubert on playing Leon in Afire: 'I always felt like there was quite a bit of myself in my character. It is really interesting that we all sort of have that memory of being that way' Photo: Curzon Austrian Thomas Schubert stars Afire in the latest film from Christian Petzold, an offbeat comedy of sorts set on a summer that is smouldering with possibilities, both literal and figurative. Schubert, who was a non-professional when he took on his breakout role in 2011’s Breathing, at the age of 17, has since established himself an impressive and varied career, notching up more than 30 TV and film roles. His latest sees him play Leon, a writer who is heading on a summer retreat with his buddy Felix (Langston Uibel) in a bid to complete his second novel.
On arrival at Felix’s family’s summer house, the pair discover they are not alone,...
On arrival at Felix’s family’s summer house, the pair discover they are not alone,...
- 8/25/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
The “Barbenheimer” juggernaut continued rolling on at the U.K. and Ireland box office, occupying the top two slots for the fifth consecutive weekend.
Warner Bros.’ “Barbie” took pole position yet again with £2.6 million ($3.4 million), per numbers released by Comscore. With £84.7 million, “Barbie” is the highest grossing film of the year in the territory above “The Super Mario Bros. Movie” (£54.5 million) and has sped past “Titanic,” “Star Wars: The Last Jedi” and “Top Gun: Maverick” to occupy eighth position on the all time charts. If its momentum continues, “Avengers: Endgame” is within striking distance.
Universal’s “Oppenheimer” remained in second place with £2.04 million for a total of £50.05 million, making it the third highest grosser of the year in the territory.
Warner Bros.’ superhero film “Blue Beetle” buzzed into the charts, debuting in third position with £1.1 million and in its third weekend, the studio’s “Meg 2: The Trench” remained steady...
Warner Bros.’ “Barbie” took pole position yet again with £2.6 million ($3.4 million), per numbers released by Comscore. With £84.7 million, “Barbie” is the highest grossing film of the year in the territory above “The Super Mario Bros. Movie” (£54.5 million) and has sped past “Titanic,” “Star Wars: The Last Jedi” and “Top Gun: Maverick” to occupy eighth position on the all time charts. If its momentum continues, “Avengers: Endgame” is within striking distance.
Universal’s “Oppenheimer” remained in second place with £2.04 million for a total of £50.05 million, making it the third highest grosser of the year in the territory.
Warner Bros.’ superhero film “Blue Beetle” buzzed into the charts, debuting in third position with £1.1 million and in its third weekend, the studio’s “Meg 2: The Trench” remained steady...
- 8/22/2023
- by Naman Ramachandran
- Variety Film + TV
The Edinburgh International Film Festival is back.
The Scottish festival returned Friday evening with the Scottish drama Silent Roar, the opening film of what organizers have described as a scaled-down, “special one-year iteration,” which will relaunch the fest following its brief closure last year after the collapse of its owner the Centre for the Moving Image (Cmi).
Execs at the Cmi appointed administrators in October. At the time of administration, a statement from the Cmi said a “perfect storm” of rising costs and falling admissions numbers due to the pandemic had been exacerbated by the current cost of living crisis.
The Eiff brand was later retrieved by Screen Scotland, a national funding body, and this year the Edinburgh International Festival, a wider cultural event in the Scottish capital, is facilitating film events with infrastructure such as ticketing, finance, and logistics so that it can host guests.
As part of the Cmi’s closure,...
The Scottish festival returned Friday evening with the Scottish drama Silent Roar, the opening film of what organizers have described as a scaled-down, “special one-year iteration,” which will relaunch the fest following its brief closure last year after the collapse of its owner the Centre for the Moving Image (Cmi).
Execs at the Cmi appointed administrators in October. At the time of administration, a statement from the Cmi said a “perfect storm” of rising costs and falling admissions numbers due to the pandemic had been exacerbated by the current cost of living crisis.
The Eiff brand was later retrieved by Screen Scotland, a national funding body, and this year the Edinburgh International Festival, a wider cultural event in the Scottish capital, is facilitating film events with infrastructure such as ticketing, finance, and logistics so that it can host guests.
As part of the Cmi’s closure,...
- 8/21/2023
- by Zac Ntim
- Deadline Film + TV
San Sebastian Festival to Screen ‘May December,’ ‘Zone of Interest,’ ‘Past Lives’ in Best-of Sidebar
The San Sebastian film festival has again selected top picks of this year’s festival season for its Perlak sidebar, which screens recent, critically acclaimed movies that have not yet been released in Spain.
The 2023 Perlak lineup, unveiled Friday, includes Celine Song’s Sundance hit Past Lives and Maite Alberdi’s Grand Jury winning documentary The Eternal Memory, Christian Petzold’s Berlin breakout Afire and the Cannes sensations The Zone of Interest from Jonathan Glazer, Todd Haynes’s May December, Aki Kaurismäki’s Fallen Leaves, Wim Wenders’ Perfect Days, Warwick Thornton’s The New Boy, Monster from Hirokazu Kore-eda, and Justine Triet’s Palme d’Or winner Anatomy of a Fall.
Les indésirables, the latest social drama from French director Ladj Ly (Les Misérables), which premieres in Toronto next month, will close the Perlak section, screening out of competition. Another Toronto-bound feature, Dumb Money, also made the Perlak cut. The...
The 2023 Perlak lineup, unveiled Friday, includes Celine Song’s Sundance hit Past Lives and Maite Alberdi’s Grand Jury winning documentary The Eternal Memory, Christian Petzold’s Berlin breakout Afire and the Cannes sensations The Zone of Interest from Jonathan Glazer, Todd Haynes’s May December, Aki Kaurismäki’s Fallen Leaves, Wim Wenders’ Perfect Days, Warwick Thornton’s The New Boy, Monster from Hirokazu Kore-eda, and Justine Triet’s Palme d’Or winner Anatomy of a Fall.
Les indésirables, the latest social drama from French director Ladj Ly (Les Misérables), which premieres in Toronto next month, will close the Perlak section, screening out of competition. Another Toronto-bound feature, Dumb Money, also made the Perlak cut. The...
- 8/18/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Further Cannes titles to be selected include ’Firebrand’ and ’The Old Oak’.
The first titles in the running for the 2023 European Film Awards have been revealed by the European Academy, including Cannes premieres Anatomy Of A Fall, How To Have Sex, The Old Oak and Firebrand.
Anatomy Of A Fall won the Palme D’Or for French director Justine Triet at Cannes. The Hitchcockian mystery thriller is about a woman, played by Sandra Hüller, accused of murder when her husband dies of suspicious causes. Marie-Ange Luciani and David Thion produce.
How To Have Sex won the top Un Certain Regard...
The first titles in the running for the 2023 European Film Awards have been revealed by the European Academy, including Cannes premieres Anatomy Of A Fall, How To Have Sex, The Old Oak and Firebrand.
Anatomy Of A Fall won the Palme D’Or for French director Justine Triet at Cannes. The Hitchcockian mystery thriller is about a woman, played by Sandra Hüller, accused of murder when her husband dies of suspicious causes. Marie-Ange Luciani and David Thion produce.
How To Have Sex won the top Un Certain Regard...
- 8/16/2023
- by Mona Tabbara
- ScreenDaily
The European Film Academy has fired the starting gun in the race for the European Film Awards. It has recommended 19 films to its members who will then select the nominees from this list, as well as some additional titles from the summer festivals, which will be announced next month.
Among the selected films are Cannes Film Festival’s Palme d’Or winner “Anatomy of a Fall,” and the winner of its Jury Prize, “Fallen Leaves,” along with fellow Palme d’Or contenders “Kidnapped,” “Firebrand,” “La Chimera” and “The Old Oak.”
Other titles include “How to Have Sex,” which won the Un Certain Regard Award in Cannes, “The Animal Kingdom,” which also played in Un Certain Regard, Cannes Directors’ Fortnight titles “Blackbird Blackbird Blackberry” and “The Goldman Case,” and “Close Your Eyes,” which played in the Cannes Premiere section.
Also selected are “Afire,” which won the Grand Jury Prize at the Berlinale,...
Among the selected films are Cannes Film Festival’s Palme d’Or winner “Anatomy of a Fall,” and the winner of its Jury Prize, “Fallen Leaves,” along with fellow Palme d’Or contenders “Kidnapped,” “Firebrand,” “La Chimera” and “The Old Oak.”
Other titles include “How to Have Sex,” which won the Un Certain Regard Award in Cannes, “The Animal Kingdom,” which also played in Un Certain Regard, Cannes Directors’ Fortnight titles “Blackbird Blackbird Blackberry” and “The Goldman Case,” and “Close Your Eyes,” which played in the Cannes Premiere section.
Also selected are “Afire,” which won the Grand Jury Prize at the Berlinale,...
- 8/16/2023
- by Leo Barraclough
- Variety Film + TV
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Scout Tafoya to discuss Christian Petzold’s Afire, now in theaters.
Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films.
Subscribe on iTunes, Spotify, and Overcast, or stream below.
The Film Stage Show is supported by Mubi, a curated streaming service showcasing exceptional films from around the globe. Every day, Mubi premieres a new film. Whether it’s a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never...
Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films.
Subscribe on iTunes, Spotify, and Overcast, or stream below.
The Film Stage Show is supported by Mubi, a curated streaming service showcasing exceptional films from around the globe. Every day, Mubi premieres a new film. Whether it’s a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never...
- 8/15/2023
- by Brian Roan
- The Film Stage
Christian Petzold’s Afire and Wim Wenders’ Anselm are among movies on Germany’s longlist for the Best International Film Oscar.
National agency German Films received 12 submissions in the category with an independent jury deciding which film to move forward with on August 22 and 23 in Munich.
The following 12 German films were submitted to German Films by German producers:
Anselm – Das Rauschen Der Zeit (Anselm) von Wim Wenders (Road Movies) Das Lehrerzimmer(The Teachers‘ Lounge) von Ilker Çatak (if… Productions Film) Die Theorie Von Allem (The Theory Of Everything) von Timm Kröger (ma.ja.de Fiction) Ein Ganzes Leben (A Whole Life) von Hans Steinbichler (Tobis Filmproduktion München) Eine Frau (A Woman) von Jeanine Meerapfel (Malena Filmproduktion) Elaha von Milena Aboyan (Kinescope Film) Orphea In Love von Axel Ranisch (Sehr gute Filme) Roter Himmel (Afire) von Christian Petzold (Schramm Film Koerner Weber Kaiser) Sisi & Ich (Sisi & I) von Frauke Finsterwalder...
National agency German Films received 12 submissions in the category with an independent jury deciding which film to move forward with on August 22 and 23 in Munich.
The following 12 German films were submitted to German Films by German producers:
Anselm – Das Rauschen Der Zeit (Anselm) von Wim Wenders (Road Movies) Das Lehrerzimmer(The Teachers‘ Lounge) von Ilker Çatak (if… Productions Film) Die Theorie Von Allem (The Theory Of Everything) von Timm Kröger (ma.ja.de Fiction) Ein Ganzes Leben (A Whole Life) von Hans Steinbichler (Tobis Filmproduktion München) Eine Frau (A Woman) von Jeanine Meerapfel (Malena Filmproduktion) Elaha von Milena Aboyan (Kinescope Film) Orphea In Love von Axel Ranisch (Sehr gute Filme) Roter Himmel (Afire) von Christian Petzold (Schramm Film Koerner Weber Kaiser) Sisi & Ich (Sisi & I) von Frauke Finsterwalder...
- 8/14/2023
- by Andreas Wiseman
- Deadline Film + TV
Germany has announced its shortlist for the 2024 Oscars, naming the pool of 12 films from which it will select its official contender in the best international film category for the 96th Academy Awards.
The selection, unveiled by the national promotional body German Films on Monday, includes several critical darlings from this year’s Berlinale, among them the Christian Petzold romantic feature Afire, which won the Silver Bear Grand Jury prize; Ilker Çatak’s school drama The Teachers’ Lounge, the big winner at Germany’s national film awards, where it won six trophies, including for best film and best actress for star Leonie Benesch; Milena Aboyan’s Elaha, winner of Berlin’s Perspektive Deutsches Kino sidebar; and Frauke Finsterwalder’s Sisi & I, a feminist-look at an iconic Austrian Empress and her toxic relationship with her lady-in-waiting.
Perfect Days, the Japan-set drama from three-time German Oscar nominee Wim Wenders — an audience favorite in Cannes,...
The selection, unveiled by the national promotional body German Films on Monday, includes several critical darlings from this year’s Berlinale, among them the Christian Petzold romantic feature Afire, which won the Silver Bear Grand Jury prize; Ilker Çatak’s school drama The Teachers’ Lounge, the big winner at Germany’s national film awards, where it won six trophies, including for best film and best actress for star Leonie Benesch; Milena Aboyan’s Elaha, winner of Berlin’s Perspektive Deutsches Kino sidebar; and Frauke Finsterwalder’s Sisi & I, a feminist-look at an iconic Austrian Empress and her toxic relationship with her lady-in-waiting.
Perfect Days, the Japan-set drama from three-time German Oscar nominee Wim Wenders — an audience favorite in Cannes,...
- 8/14/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Edinburgh International Film Festival (Eiff) head Kate Taylor has put together what she describes as an “eclectic and lively” mix of titles for her first year at the helm.
Running Aug 18-23, this year’s edition is also Edinburgh’s return after effectively shutting down at the tale end of last year when the Centre for the Moving Image (Cmi), the charity that owned the fest, appointed administrators. Eiff ceased trading alongside two revered local arthouse cinemas owned by the Cmi: Edinburgh Filmhouse and Belmont Filmhouse in Aberdeen.
In December, Screen Scotland, a national funding body, announced that it had acquired intellectual rights to the festival. Shortly after, former head Kristy Matheson departed for the top job at London Film Festival, and Taylor took the reigns. Screen Scotland has since hired Trainspotting producer Andrew Macdonald to create and chair a new governing board to deliver and steer the festival alongside Taylor moving forward.
Running Aug 18-23, this year’s edition is also Edinburgh’s return after effectively shutting down at the tale end of last year when the Centre for the Moving Image (Cmi), the charity that owned the fest, appointed administrators. Eiff ceased trading alongside two revered local arthouse cinemas owned by the Cmi: Edinburgh Filmhouse and Belmont Filmhouse in Aberdeen.
In December, Screen Scotland, a national funding body, announced that it had acquired intellectual rights to the festival. Shortly after, former head Kristy Matheson departed for the top job at London Film Festival, and Taylor took the reigns. Screen Scotland has since hired Trainspotting producer Andrew Macdonald to create and chair a new governing board to deliver and steer the festival alongside Taylor moving forward.
- 8/9/2023
- by Zac Ntim
- Deadline Film + TV
Exclusive: Indie distributor Variance Films has snapped up North American rights to the period drama Amerikatsi, written and directed by and starring Michael A. Goorjian, slating it for an exclusive theatrical release in New York and L.A. on Friday, September 8, with a national rollout to follow.
Shot in Armenia by People of Ar Productions, Amerikatsi centers on Charlie (Goorjian), who returns to the country in 1948 — decades after fleeing to the U.S. as a child, due to persecution by the Ottoman Empire. What he finds in doing so is a country crushed under Soviet rule. And after being unjustly imprisoned, Charlie falls into despair, until he discovers that he can see into a nearby apartment from his cell window — the home of a prison guard. As his life unexpectedly becomes entwined with the man’s, he begins to see that the true spirit of his homeland is alive in its passionate people.
Shot in Armenia by People of Ar Productions, Amerikatsi centers on Charlie (Goorjian), who returns to the country in 1948 — decades after fleeing to the U.S. as a child, due to persecution by the Ottoman Empire. What he finds in doing so is a country crushed under Soviet rule. And after being unjustly imprisoned, Charlie falls into despair, until he discovers that he can see into a nearby apartment from his cell window — the home of a prison guard. As his life unexpectedly becomes entwined with the man’s, he begins to see that the true spirit of his homeland is alive in its passionate people.
- 8/8/2023
- by Matt Grobar
- Deadline Film + TV
(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: the pain of artistry takes centerstage in "Afire," "Passages" breaks down all boundaries, and "They Cloned Tyrone" puts a sci-fi twist on the American dream.)
You've heard of Barbenheimer, the phenomenon currently sweeping the globe (and getting Warner Bros.' social media team in trouble), but may I introduce you to Pass-afire? The one-two punch of director Ira Sach's "Passages" and Christian Petzold's "Afire" might not have the big-budget cachet of the two blockbuster behemoths currently duking it out in theaters, but this pair of shockingly complimentary character studies takes a much quieter, moodier, and thrillingly vibrant approach to dissecting much more relatable, everyday issues. Centered on two maddening artists who struggle mightily to articulate...
You've heard of Barbenheimer, the phenomenon currently sweeping the globe (and getting Warner Bros.' social media team in trouble), but may I introduce you to Pass-afire? The one-two punch of director Ira Sach's "Passages" and Christian Petzold's "Afire" might not have the big-budget cachet of the two blockbuster behemoths currently duking it out in theaters, but this pair of shockingly complimentary character studies takes a much quieter, moodier, and thrillingly vibrant approach to dissecting much more relatable, everyday issues. Centered on two maddening artists who struggle mightily to articulate...
- 8/1/2023
- by Jeremy Mathai
- Slash Film
“Barbie” and “Oppenheimer” had fantastic second weekends of $93 million and $46.2 million, respectively. In an alternate universe, those sophomore takes would be respectable openings. Instead, 10 days in “Barbie” domestic is at $350 million and “Oppenheimer” is $174 million.
Add foreign and “Barbie” is already $774 million, well on her way to crossing $1 billion and beyond. “Oppenheimer” is $400 million. Combined, they should easily pass $2 billion.
“Oppenheimer”©Universal/Courtesy Everett Collection
This is fantastic news that could drive the summer to $4 billion, the magic number that exhibitors floated at April’s CinemaCon as a reasonable hope/best-case scenario. What the exhibitors didn’t predict, however, was a summer in which almost every franchise would fall short — sometimes, very short — of reasonable expectations. Two weeks ago, only an optimist would project as much as $3.6 million for the season.
Also unforeseen was the Barbenheimer effect and its ability to drive real excitement about going to the movies — followed...
Add foreign and “Barbie” is already $774 million, well on her way to crossing $1 billion and beyond. “Oppenheimer” is $400 million. Combined, they should easily pass $2 billion.
“Oppenheimer”©Universal/Courtesy Everett Collection
This is fantastic news that could drive the summer to $4 billion, the magic number that exhibitors floated at April’s CinemaCon as a reasonable hope/best-case scenario. What the exhibitors didn’t predict, however, was a summer in which almost every franchise would fall short — sometimes, very short — of reasonable expectations. Two weeks ago, only an optimist would project as much as $3.6 million for the season.
Also unforeseen was the Barbenheimer effect and its ability to drive real excitement about going to the movies — followed...
- 7/30/2023
- by Tom Brueggemann
- Indiewire
Christian Petzold’s Afire on the IFC Center marquee Photo: Anne-Katrin Titze
In the second instalment with director/screenwriter Christian Petzold on Afire starring Paula Beer, Thomas Schubert (winking at the audience like Ryan Gosling’s Ken in Greta Gerwig’s summer blockbuster Barbie), Langston Uibel, Enno Trebs, and Matthias Brandt we touch upon Leo McCarey’s An Affair To Remember with Cary Grant and Deborah Kerr in reference to Paula Beer in the wheelchair; pronouncing Walter Benjamin and Uwe Johnson; Margarethe von Trotta’s film series Jahrestage; Devid Striesow in Yella; new Baltic Sea tourism in the old east, and the goulash in and out of the bag.
Christian Petzold on Leo McCarey’s An Affair To Remember with Cary Grant and Deborah Kerr: “Oh, this is a fantastic movie! It all comes back now!” Photo: Anne-Katrin Titze
Friends Felix (Langston Uibel) and Leon (Thomas Schubert) are on their...
In the second instalment with director/screenwriter Christian Petzold on Afire starring Paula Beer, Thomas Schubert (winking at the audience like Ryan Gosling’s Ken in Greta Gerwig’s summer blockbuster Barbie), Langston Uibel, Enno Trebs, and Matthias Brandt we touch upon Leo McCarey’s An Affair To Remember with Cary Grant and Deborah Kerr in reference to Paula Beer in the wheelchair; pronouncing Walter Benjamin and Uwe Johnson; Margarethe von Trotta’s film series Jahrestage; Devid Striesow in Yella; new Baltic Sea tourism in the old east, and the goulash in and out of the bag.
Christian Petzold on Leo McCarey’s An Affair To Remember with Cary Grant and Deborah Kerr: “Oh, this is a fantastic movie! It all comes back now!” Photo: Anne-Katrin Titze
Friends Felix (Langston Uibel) and Leon (Thomas Schubert) are on their...
- 7/26/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Searchlight Pictures’ comedy Theater Camp held its own on a big weekend of box office coin flowing in from Barbie and Oppenheimer.
Molly Gordon and Nick Lieberman’s Sundance-winner (U.S. Dramatic Special Jury Award for Ensemble) expanded to 10 markets/51 theaters, up from six locations in New York and LA opening weekend, taking in an estimated $266,000 for a per-screen average of $5.2k. That follows a notable opening last week when the Ben Platt and Gordon-starrer sported a $50.2k PSA — Searchlight’s biggest PSA for a limited opening since Jojo Rabbit in 2019. It will move to another 35-40 markets next week, hitting 600-800 locations by August.
New markets this week included Austin, Boston, Chicago, Denver, Phoenix, San Francisco, Washington, D.C., and Toronto, with The Metreon in San Francisco, Boston Commons, Camelview Scottsdale and Alamo Sloans Lake in Denver among top locations.
Exit polls from AMC Boston Common, AMC River East...
Molly Gordon and Nick Lieberman’s Sundance-winner (U.S. Dramatic Special Jury Award for Ensemble) expanded to 10 markets/51 theaters, up from six locations in New York and LA opening weekend, taking in an estimated $266,000 for a per-screen average of $5.2k. That follows a notable opening last week when the Ben Platt and Gordon-starrer sported a $50.2k PSA — Searchlight’s biggest PSA for a limited opening since Jojo Rabbit in 2019. It will move to another 35-40 markets next week, hitting 600-800 locations by August.
New markets this week included Austin, Boston, Chicago, Denver, Phoenix, San Francisco, Washington, D.C., and Toronto, with The Metreon in San Francisco, Boston Commons, Camelview Scottsdale and Alamo Sloans Lake in Denver among top locations.
Exit polls from AMC Boston Common, AMC River East...
- 7/23/2023
- by Jill Goldsmith
- Deadline Film + TV
Searchlight Pictures’ Sundance-winning original comedy Theater Camp will take in an estimated $281,172 or $46.9k per theater at six locations opening weekend — the best limited opening for the distributor since Jojo Rabbit in the fall of 2019 ($349k in five locations). That’s after the A CinemaScore film on Sunday pulled ahead of Searchlight’s The Banshees Of Inisherin four-theater debut last year.
The number’s higher than Searchlight anticipated and the demographic mix a surprise at over 50% 25-34 year-olds,” said SVP Frank Rodriguez. “We didn’t expect that. It was a young audience. We got a lot of the older demos too. It’s a great spot to be in.”
AMC Lincoln Square and Alamo Brooklyn led the way, with Theater Camp at each booking the second-highest weekend gross behind Mission Impossible: Dead Reckoning. It took the top spot at the Angelika. LA locations are AMC Century City, the Grove and AMC Burbank.
The number’s higher than Searchlight anticipated and the demographic mix a surprise at over 50% 25-34 year-olds,” said SVP Frank Rodriguez. “We didn’t expect that. It was a young audience. We got a lot of the older demos too. It’s a great spot to be in.”
AMC Lincoln Square and Alamo Brooklyn led the way, with Theater Camp at each booking the second-highest weekend gross behind Mission Impossible: Dead Reckoning. It took the top spot at the Angelika. LA locations are AMC Century City, the Grove and AMC Burbank.
- 7/16/2023
- by Jill Goldsmith
- Deadline Film + TV
Few directors boast the consistent excellence of German auteur Christian Petzold. The puckish filmmaker got on Zoom from New York to unwind some of the surprises in Berlin’s Silver Bear Grand Jury Prize winner “Afire,” his tenth feature and third to star Paula Beer.
It started out being called “The Lucky Ones.” “I love this title,” he told IndieWire during a recent interview. “But it was forbidden, because there was a wave of copyright problems.” When he came up with “The Red Sky,” referring to the film’s wildfire encroaching on his trio of Baltic Sea vacationers, “This was also forbidden for use. They said the word ‘afire’ and I said, ‘it sounds good.'”
Petzold was working on adapting a dystopian novel during the pandemic, but when he contracted Covid, he put it aside. “To erase-delete, to delete it out of my mind, this was the hard work on ‘Afire,...
It started out being called “The Lucky Ones.” “I love this title,” he told IndieWire during a recent interview. “But it was forbidden, because there was a wave of copyright problems.” When he came up with “The Red Sky,” referring to the film’s wildfire encroaching on his trio of Baltic Sea vacationers, “This was also forbidden for use. They said the word ‘afire’ and I said, ‘it sounds good.'”
Petzold was working on adapting a dystopian novel during the pandemic, but when he contracted Covid, he put it aside. “To erase-delete, to delete it out of my mind, this was the hard work on ‘Afire,...
- 7/16/2023
- by Anne Thompson
- Indiewire
“Do you see anything that’s happening around you?” urges Paula Beer’s Nadja to Thomas Schubert’s frustrated writer Leon in writer-director Christian Petzold’s Afire. As he strives and struggles to complete his second novel, which bears the ludicrous name Club Sandwich, Leon puts on his blinders to both the interpersonal dynamics of the youthful coterie assembled at a Baltic Sea cabin as well as to the forest fires raging inland. If there’s any temptation to conflate Leon’s writer’s block with Petzold’s own position outside the film, Nadja’s exhortation ought to clear up some of the confusion.
Petzold has long stood at the vanguard of the loose filmmaking collective known as the Berlin School. Along with his academically minded peers, he seeks to look at how Germany’s turbulent history ripples through contemporary German life. Rather than craft cinematic fantasies, flattening those tensions...
Petzold has long stood at the vanguard of the loose filmmaking collective known as the Berlin School. Along with his academically minded peers, he seeks to look at how Germany’s turbulent history ripples through contemporary German life. Rather than craft cinematic fantasies, flattening those tensions...
- 7/15/2023
- by Marshall Shaffer
- Slant Magazine
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