Directed by
| Michael Shanks | ||
Writing Credits (in alphabetical order)
| Michael Shanks | ... | (writer) |
Cast
| Alison Brie | |||
| Dave Franco | |||
Produced by
| Alison Brie | ... | producer |
| Dave Franco | ... | producer |
Cinematography by
| Germain McMicking | ... | (cinematography) |
Casting By
| Kate Leonard | ||
| Alison Telford | ||
Production Design by
| Nicholas Dare | ||
Costume Design by
| Maria Pattison | ||
Production Management
| Tom Wright | ... | unit manager |
Second Unit Director or Assistant Director
| Andrew Power | ... | first assistant director |
| Oliver Tummel | ... | second assistant director |
Art Department
| Sam Luiz | ... | assistant property master |
| Kim Ritchie | ... | Standby Props |
| Shelley Williams | ... | Assistant Set Decorator |
Sound Department
| Dane Cody | ... | Production Sound Mixer |
| Andy Newton | ... | Boom Operator |
| Sophie Norfolk | ... | Boom Operator |
Visual Effects by
| Kyle Ashley | ... | pre viz artist |
| Genevieve Camilleri | ... | production visual effects supervisor |
Camera and Electrical Department
| Glenn Arrowsmith | ... | key grip |
| Molly Grosvenor | ... | grip assistant |
| Tyler Harvey | ... | grip |
| Flynn Kortus | ... | grip assistant |
| Brendan Mascuch | ... | grip assistant |
| Ruru Reedy | ... | gaffer |
| Stephen Robinson | ... | best boy grip / remote head technician |
| Marty Smith | ... | B Camera/Steadicam |
| Rob Stagg | ... | camera operator |
| Keir Suggett | ... | B Cam 1st Assistant Camera |
| Ryan Thompson | ... | additional key grip |
Additional Crew
| Nicola Bailey | ... | Production Runner |
| Cassandra Barbour | ... | Rights and Clearances |
| Emma Haarburger | ... | production coordinator |
| Duane Smith | ... | Unit Assistant |
| Kendall Young | ... | production secretary |
